INSERT INTO `workspace_postmeta` (`meta_id`, `post_id`, `meta_key`, `meta_value`) VALUES
(51852, 1828, '_calendar_event_item_calendar_season', 'field_calendar_season_relation'),
(51853, 1828, 'calendar_event_item_calendar_season', '192'),
(51854, 1828, '_calendar_event_item_calendar_type', 'field_calendar_type_relation'),
(51855, 1828, 'calendar_event_item_calendar_type', '9'),
(51856, 1828, '_calendar_event_item_calendar_event_category', 'field_calendar_category_relation'),
(51857, 1828, 'calendar_event_item_calendar_event_category', ''),
(51858, 1828, '_calendar_event_item_location', 'field_calendar_location'),
(51859, 1828, 'calendar_event_item_location', ''),
(51860, 1828, '_calendar_event_item_start_date', 'field_calendar_start_date'),
(51861, 1828, 'calendar_event_item_start_date', '20021122'),
(51862, 1828, '_calendar_event_item_start_time', 'field_calendar_start_time'),
(51863, 1828, 'calendar_event_item_start_time', '00:00'),
(51864, 1828, '_calendar_event_item_end_date', 'field_calendar_end_date'),
(51865, 1828, 'calendar_event_item_end_date', '20021215'),
(51866, 1828, '_calendar_event_item_end_time', 'field_calendar_end_time'),
(51867, 1828, 'calendar_event_item_end_time', '00:00'),
(51868, 1828, '_calendar_event_item_artist', 'field_calendar_artist'),
(51869, 1828, 'calendar_event_item_artist', 'a:1:{i:0;s:4:\"2816\";}'),
(51870, 1828, '_calendar_event_item_child_event_title', 'field_calendar_child_event_title'),
(51871, 1828, 'calendar_event_item_child_event_title', 'Vernissage'),
(51872, 1828, '_calendar_event_item_child_event_start_date', 'field_calendar_child_event_start_date'),
(51873, 1828, 'calendar_event_item_child_event_start_date', '20021122'),
(51874, 1828, '_calendar_event_item_child_event_start_time', 'field_calendar_child_event_start_time'),
(51875, 1828, 'calendar_event_item_child_event_start_time', '20:00:00'),
(51876, 1828, '_calendar_event_item_child_event_end_date', 'field_calendar_child_event_end_date'),
(51877, 1828, 'calendar_event_item_child_event_end_date', '20021122'),
(51878, 1828, '_calendar_event_item_child_event_end_time', 'field_calendar_child_event_end_time'),
(51879, 1828, 'calendar_event_item_child_event_end_time', '22:00:00'),
(51880, 1828, '_calendar_event_item_content_repeater', 'field_calendar_content_repeater'),
(51881, 1828, '_calendar_event_item_content_repeater_0_content_title', 'field_calendar_content_repeater_title'),
(51882, 1828, 'calendar_event_item_content_repeater_0_content_title', ''),
(51883, 1828, '_calendar_event_item_content_repeater_0_content_text', 'field_calendar_content_repeater_text'),
(51884, 1828, 'calendar_event_item_content_repeater_0_content_text', ''),
(51885, 1828, 'calendar_event_item_content_repeater', '1'),
(51886, 1828, '_calendar_event_item_collaborators', 'field_calendar_collaborators'),
(51887, 1828, 'calendar_event_item_collaborators', ''),
(51888, 1828, '_wp_page_template', 'default'),
(51889, 1828, '_wpml_word_count', '{\"total\":76,\"to_translate\":{\"en\":76}}'),
(51890, 1828, '_wpml_media_featured', '1'),
(51891, 1828, '_wpml_media_duplicate', '1'),
(51892, 1829, '_', 'field_calendar_details_tab_3'),
(51893, 1829, '_calendar_event_item_calendar_season', 'field_calendar_season_relation'),
(51894, 1829, 'calendar_event_item_calendar_season', '192'),
(51895, 1829, '_calendar_event_item_calendar_type', 'field_calendar_type_relation'),
(51896, 1829, 'calendar_event_item_calendar_type', '9'),
(51897, 1829, '_calendar_event_item_calendar_event_category', 'field_calendar_category_relation'),
(51898, 1829, 'calendar_event_item_calendar_event_category', ''),
(51899, 1829, '_calendar_event_item_location', 'field_calendar_location'),
(51900, 1829, 'calendar_event_item_location', ''),
(51901, 1829, '_calendar_event_item_start_date', 'field_calendar_start_date'),
(51902, 1829, 'calendar_event_item_start_date', '20021122'),
(51903, 1829, '_calendar_event_item_start_time', 'field_calendar_start_time'),
(51904, 1829, 'calendar_event_item_start_time', '00:00'),
(51905, 1829, '_calendar_event_item_end_date', 'field_calendar_end_date'),
(51906, 1829, 'calendar_event_item_end_date', '20021215'),
(51907, 1829, '_calendar_event_item_end_time', 'field_calendar_end_time'),
(51908, 1829, 'calendar_event_item_end_time', '00:00'),
(51909, 1829, '_calendar_event_item_artist', 'field_calendar_artist'),
(51910, 1829, 'calendar_event_item_artist', 'a:1:{i:0;s:4:\"2741\";}'),
(51911, 1829, '_calendar_event_item_child_event_title', 'field_calendar_child_event_title'),
(51912, 1829, 'calendar_event_item_child_event_title', 'Vernissage'),
(51913, 1829, '_calendar_event_item_child_event_start_date', 'field_calendar_child_event_start_date'),
(51914, 1829, 'calendar_event_item_child_event_start_date', '20021122'),
(51915, 1829, '_calendar_event_item_child_event_start_time', 'field_calendar_child_event_start_time'),
(51916, 1829, 'calendar_event_item_child_event_start_time', '20:00:00'),
(51917, 1829, '_calendar_event_item_child_event_end_date', 'field_calendar_child_event_end_date'),
(51918, 1829, 'calendar_event_item_child_event_end_date', '20021122'),
(51919, 1829, '_calendar_event_item_child_event_end_time', 'field_calendar_child_event_end_time'),
(51920, 1829, 'calendar_event_item_child_event_end_time', '22:00:00'),
(51921, 1829, '_calendar_event_item_content_repeater', 'field_calendar_content_repeater'),
(51922, 1829, '_calendar_event_item_content_repeater_0_content_title', 'field_calendar_content_repeater_title'),
(51923, 1829, 'calendar_event_item_content_repeater_0_content_title', 'Biographie'),
(51924, 1829, '_calendar_event_item_content_repeater_0_content_text', 'field_calendar_content_repeater_text'),
(51925, 1829, 'calendar_event_item_content_repeater_0_content_text', 'Denis Lessard vit et travaille à Montréal. Artiste indisciplinaire, auteur, traducteur et commissaire indépendant, son travail de création est souvent lié à l\'image photographique et au langage. Il a joint l\'Église orthodoxe en 1991.'),
(51926, 1829, 'calendar_event_item_content_repeater', '1'),
(51927, 1829, '_calendar_event_item_collaborators', 'field_calendar_collaborators'),
(51928, 1829, 'calendar_event_item_collaborators', ''),
(51929, 1829, '_wp_page_template', 'default'),
(51930, 1829, '_wpml_word_count', '{\"total\":78,\"to_translate\":{\"en\":78}}'),
(51931, 1829, '_wpml_media_featured', '1'),
(51932, 1829, '_wpml_media_duplicate', '1'),
(51933, 1830, '_', 'field_calendar_details_tab_3'),
(51934, 1830, '_calendar_event_item_calendar_season', 'field_calendar_season_relation'),
(51935, 1830, 'calendar_event_item_calendar_season', '192'),
(51936, 1830, '_calendar_event_item_calendar_type', 'field_calendar_type_relation'),
(51937, 1830, 'calendar_event_item_calendar_type', '9'),
(51938, 1830, '_calendar_event_item_calendar_event_category', 'field_calendar_category_relation'),
(51939, 1830, 'calendar_event_item_calendar_event_category', ''),
(51940, 1830, '_calendar_event_item_location', 'field_calendar_location'),
(51941, 1830, 'calendar_event_item_location', ''),
(51942, 1830, '_calendar_event_item_start_date', 'field_calendar_start_date'),
(51943, 1830, 'calendar_event_item_start_date', '20021011'),
(51944, 1830, '_calendar_event_item_start_time', 'field_calendar_start_time'),
(51945, 1830, 'calendar_event_item_start_time', '00:00'),
(51946, 1830, '_calendar_event_item_end_date', 'field_calendar_end_date'),
(51947, 1830, 'calendar_event_item_end_date', '20021110'),
(51948, 1830, '_calendar_event_item_end_time', 'field_calendar_end_time'),
(51949, 1830, 'calendar_event_item_end_time', '00:00'),
(51950, 1830, '_calendar_event_item_artist', 'field_calendar_artist'),
(51951, 1830, 'calendar_event_item_artist', 'a:5:{i:0;s:4:\"2900\";i:1;s:4:\"2739\";i:2;s:4:\"2738\";i:3;s:4:\"2737\";i:4;s:4:\"2736\";}'),
(51952, 1830, '_calendar_event_item_child_event_title', 'field_calendar_child_event_title'),
(51953, 1830, 'calendar_event_item_child_event_title', 'Vernissage'),
(51954, 1830, '_calendar_event_item_child_event_start_date', 'field_calendar_child_event_start_date'),
(51955, 1830, 'calendar_event_item_child_event_start_date', '20021011'),
(51956, 1830, '_calendar_event_item_child_event_start_time', 'field_calendar_child_event_start_time'),
(51957, 1830, 'calendar_event_item_child_event_start_time', '20:00:00'),
(51958, 1830, '_calendar_event_item_child_event_end_date', 'field_calendar_child_event_end_date'),
(51959, 1830, 'calendar_event_item_child_event_end_date', '20021011'),
(51960, 1830, '_calendar_event_item_child_event_end_time', 'field_calendar_child_event_end_time'),
(51961, 1830, 'calendar_event_item_child_event_end_time', '22:00:00'),
(51962, 1830, '_calendar_event_item_content_repeater', 'field_calendar_content_repeater'),
(51963, 1830, '_calendar_event_item_content_repeater_0_content_title', 'field_calendar_content_repeater_title'),
(51964, 1830, 'calendar_event_item_content_repeater_0_content_title', ''),
(51965, 1830, '_calendar_event_item_content_repeater_0_content_text', 'field_calendar_content_repeater_text'),
(51966, 1830, 'calendar_event_item_content_repeater_0_content_text', ''),
(51967, 1830, 'calendar_event_item_content_repeater', '1'),
(51968, 1830, '_calendar_event_item_collaborators', 'field_calendar_collaborators'),
(51969, 1830, 'calendar_event_item_collaborators', ''),
(51970, 1830, '_wp_page_template', 'default'),
(51971, 1830, '_wpml_word_count', '{\"total\":197,\"to_translate\":{\"en\":197}}'),
(51972, 1830, '_wpml_media_featured', '1'),
(51973, 1830, '_wpml_media_duplicate', '1'),
(51974, 1831, '_', 'field_calendar_details_tab_3'),
(51975, 1831, '_calendar_event_item_calendar_season', 'field_calendar_season_relation'),
(51976, 1831, 'calendar_event_item_calendar_season', '192'),
(51977, 1831, '_calendar_event_item_calendar_type', 'field_calendar_type_relation'),
(51978, 1831, 'calendar_event_item_calendar_type', '9'),
(51979, 1831, '_calendar_event_item_calendar_event_category', 'field_calendar_category_relation'),
(51980, 1831, 'calendar_event_item_calendar_event_category', ''),
(51981, 1831, '_calendar_event_item_location', 'field_calendar_location'),
(51982, 1831, 'calendar_event_item_location', ''),
(51983, 1831, '_calendar_event_item_start_date', 'field_calendar_start_date'),
(51984, 1831, 'calendar_event_item_start_date', '20021011'),
(51985, 1831, '_calendar_event_item_start_time', 'field_calendar_start_time'),
(51986, 1831, 'calendar_event_item_start_time', '00:00'),
(51987, 1831, '_calendar_event_item_end_date', 'field_calendar_end_date'),
(51988, 1831, 'calendar_event_item_end_date', '20021110'),
(51989, 1831, '_calendar_event_item_end_time', 'field_calendar_end_time'),
(51990, 1831, 'calendar_event_item_end_time', '00:00'),
(51991, 1831, '_calendar_event_item_artist', 'field_calendar_artist'),
(51992, 1831, 'calendar_event_item_artist', 'a:1:{i:0;s:4:\"2732\";}'),
(51993, 1831, '_calendar_event_item_child_event_title', 'field_calendar_child_event_title'),
(51994, 1831, 'calendar_event_item_child_event_title', 'Vernissage'),
(51995, 1831, '_calendar_event_item_child_event_start_date', 'field_calendar_child_event_start_date'),
(51996, 1831, 'calendar_event_item_child_event_start_date', '20021011'),
(51997, 1831, '_calendar_event_item_child_event_start_time', 'field_calendar_child_event_start_time'),
(51998, 1831, 'calendar_event_item_child_event_start_time', '20:00:00'),
(51999, 1831, '_calendar_event_item_child_event_end_date', 'field_calendar_child_event_end_date'),
(52000, 1831, 'calendar_event_item_child_event_end_date', '20021011'),
(52001, 1831, '_calendar_event_item_child_event_end_time', 'field_calendar_child_event_end_time'),
(52002, 1831, 'calendar_event_item_child_event_end_time', '22:00:00'),
(52003, 1831, '_calendar_event_item_content_repeater', 'field_calendar_content_repeater'),
(52004, 1831, '_calendar_event_item_content_repeater_0_content_title', 'field_calendar_content_repeater_title'),
(52005, 1831, 'calendar_event_item_content_repeater_0_content_title', 'Biographie'),
(52006, 1831, '_calendar_event_item_content_repeater_0_content_text', 'field_calendar_content_repeater_text'),
(52007, 1831, 'calendar_event_item_content_repeater_0_content_text', '<p align=\"JUSTIFY\">D\'origine chinoise, Benoit Woo vit et travaille à Québec. En 1994, il terminait des études en photographie au Collège Dawson de Montréal. Photographe, vidéaste et performeur, il a présenté en 1999 <em>Voici femme</em> dans le cadre de l\'événement \" 48 heures / 48 chambres \" de Montréal. Il complète actuellement un baccalauréat multidisciplinaire à l\'Université Laval.</p>'),
(52008, 1831, 'calendar_event_item_content_repeater', '1'),
(52009, 1831, '_calendar_event_item_collaborators', 'field_calendar_collaborators'),
(52010, 1831, 'calendar_event_item_collaborators', ''),
(52011, 1831, '_wp_page_template', 'default'),
(52012, 1831, '_wpml_word_count', '{\"total\":214,\"to_translate\":{\"en\":214}}'),
(52013, 1831, '_wpml_media_featured', '1'),
(52014, 1831, '_wpml_media_duplicate', '1'),
(52015, 1832, '_', 'field_calendar_details_tab_3'),
(52016, 1832, '_calendar_event_item_calendar_season', 'field_calendar_season_relation'),
(52017, 1832, 'calendar_event_item_calendar_season', '192'),
(52018, 1832, '_calendar_event_item_calendar_type', 'field_calendar_type_relation'),
(52019, 1832, 'calendar_event_item_calendar_type', '9'),
(52020, 1832, '_calendar_event_item_calendar_event_category', 'field_calendar_category_relation'),
(52021, 1832, 'calendar_event_item_calendar_event_category', ''),
(52022, 1832, '_calendar_event_item_location', 'field_calendar_location'),
(52023, 1832, 'calendar_event_item_location', ''),
(52024, 1832, '_calendar_event_item_start_date', 'field_calendar_start_date'),
(52025, 1832, 'calendar_event_item_start_date', '20020830'),
(52026, 1832, '_calendar_event_item_start_time', 'field_calendar_start_time'),
(52027, 1832, 'calendar_event_item_start_time', '00:00'),
(52028, 1832, '_calendar_event_item_end_date', 'field_calendar_end_date'),
(52029, 1832, 'calendar_event_item_end_date', '20020929'),
(52030, 1832, '_calendar_event_item_end_time', 'field_calendar_end_time'),
(52031, 1832, 'calendar_event_item_end_time', '00:00'),
(52032, 1832, '_calendar_event_item_artist', 'field_calendar_artist'),
(52033, 1832, 'calendar_event_item_artist', 'a:1:{i:0;s:4:\"2735\";}'),
(52034, 1832, '_calendar_event_item_child_event_title', 'field_calendar_child_event_title'),
(52035, 1832, 'calendar_event_item_child_event_title', 'Vernissage'),
(52036, 1832, '_calendar_event_item_child_event_start_date', 'field_calendar_child_event_start_date'),
(52037, 1832, 'calendar_event_item_child_event_start_date', '20020830'),
(52038, 1832, '_calendar_event_item_child_event_start_time', 'field_calendar_child_event_start_time'),
(52039, 1832, 'calendar_event_item_child_event_start_time', '20:00:00'),
(52040, 1832, '_calendar_event_item_child_event_end_date', 'field_calendar_child_event_end_date'),
(52041, 1832, 'calendar_event_item_child_event_end_date', '20020830'),
(52042, 1832, '_calendar_event_item_child_event_end_time', 'field_calendar_child_event_end_time'),
(52043, 1832, 'calendar_event_item_child_event_end_time', '22:00:00'),
(52044, 1832, '_calendar_event_item_content_repeater', 'field_calendar_content_repeater'),
(52045, 1832, '_calendar_event_item_content_repeater_0_content_title', 'field_calendar_content_repeater_title'),
(52046, 1832, 'calendar_event_item_content_repeater_0_content_title', 'Biographie'),
(52047, 1832, '_calendar_event_item_content_repeater_0_content_text', 'field_calendar_content_repeater_text'),
(52048, 1832, 'calendar_event_item_content_repeater_0_content_text', 'Yvonne Venegas est née en 1970 à Long Beach et a grandi à Tijuana, Basse-Californie. Elle vit et travaille à New York où elle a étudié au International Center of Photography. Depuis 1991, Venegas a exposé ses photographies au Portugal et au Mexique et lors d\'expositions collectives à San Diego, New York, Tijuana, Mexico, Madrid et Valence.'),
(52049, 1832, 'calendar_event_item_content_repeater', '1'),
(52050, 1832, '_calendar_event_item_collaborators', 'field_calendar_collaborators'),
(52051, 1832, 'calendar_event_item_collaborators', ''),
(52052, 1832, '_wp_page_template', 'default'),
(52053, 1832, '_wpml_word_count', '{\"total\":284,\"to_translate\":{\"en\":284}}'),
(52054, 1832, '_wpml_media_featured', '1'),
(52055, 1832, '_wpml_media_duplicate', '1'),
(52056, 1833, '_', 'field_calendar_details_tab_3'),
(52057, 1833, '_calendar_event_item_calendar_season', 'field_calendar_season_relation'),
(52058, 1833, 'calendar_event_item_calendar_season', '192'),
(52059, 1833, '_calendar_event_item_calendar_type', 'field_calendar_type_relation'),
(52060, 1833, 'calendar_event_item_calendar_type', '9'),
(52061, 1833, '_calendar_event_item_calendar_event_category', 'field_calendar_category_relation'),
(52062, 1833, 'calendar_event_item_calendar_event_category', ''),
(52063, 1833, '_calendar_event_item_location', 'field_calendar_location'),
(52064, 1833, 'calendar_event_item_location', ''),
(52065, 1833, '_calendar_event_item_start_date', 'field_calendar_start_date'),
(52066, 1833, 'calendar_event_item_start_date', '20020830'),
(52067, 1833, '_calendar_event_item_start_time', 'field_calendar_start_time'),
(52068, 1833, 'calendar_event_item_start_time', '00:00'),
(52069, 1833, '_calendar_event_item_end_date', 'field_calendar_end_date'),
(52070, 1833, 'calendar_event_item_end_date', '20020929'),
(52071, 1833, '_calendar_event_item_end_time', 'field_calendar_end_time'),
(52072, 1833, 'calendar_event_item_end_time', '00:00'),
(52073, 1833, '_calendar_event_item_artist', 'field_calendar_artist'),
(52074, 1833, 'calendar_event_item_artist', 'a:1:{i:0;s:4:\"2734\";}'),
(52075, 1833, '_calendar_event_item_child_event_title', 'field_calendar_child_event_title'),
(52076, 1833, 'calendar_event_item_child_event_title', ''),
(52077, 1833, '_calendar_event_item_child_event_start_date', 'field_calendar_child_event_start_date'),
(52078, 1833, 'calendar_event_item_child_event_start_date', ''),
(52079, 1833, '_calendar_event_item_child_event_start_time', 'field_calendar_child_event_start_time'),
(52080, 1833, 'calendar_event_item_child_event_start_time', ''),
(52081, 1833, '_calendar_event_item_child_event_end_date', 'field_calendar_child_event_end_date'),
(52082, 1833, 'calendar_event_item_child_event_end_date', ''),
(52083, 1833, '_calendar_event_item_child_event_end_time', 'field_calendar_child_event_end_time'),
(52084, 1833, 'calendar_event_item_child_event_end_time', ''),
(52085, 1833, '_calendar_event_item_content_repeater', 'field_calendar_content_repeater'),
(52086, 1833, '_calendar_event_item_content_repeater_0_content_title', 'field_calendar_content_repeater_title'),
(52087, 1833, 'calendar_event_item_content_repeater_0_content_title', 'Biographie'),
(52088, 1833, '_calendar_event_item_content_repeater_0_content_text', 'field_calendar_content_repeater_text'),
(52089, 1833, 'calendar_event_item_content_repeater_0_content_text', 'Née en 1973 à Mexico, Carla Herrera-Prats détient une licence en arts plastiques de l\'Escuela Nacional de Pintura, Escultura y Grabado de Mexico. Elle fait actuellement une maîtrise en photographie au California Institute of the Arts. Son travail a été présenté au Mexique, aux États-Unis, au Japon et à Porto Rico. L\'artiste a mérité la bourse jeunes créateurs 1999-2000 du FONCA en photographie.'),
(52090, 1833, 'calendar_event_item_content_repeater', '1'),
(52091, 1833, '_calendar_event_item_collaborators', 'field_calendar_collaborators'),
(52092, 1833, 'calendar_event_item_collaborators', ''),
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(52094, 1833, '_wpml_word_count', '{\"total\":264,\"to_translate\":{\"en\":264}}'),
(52095, 1833, '_wpml_media_featured', '1'),
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(52097, 1834, '_', 'field_calendar_details_tab_3'),
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(52099, 1834, 'calendar_event_item_calendar_season', '194'),
(52100, 1834, '_calendar_event_item_calendar_type', 'field_calendar_type_relation'),
(52101, 1834, 'calendar_event_item_calendar_type', '9'),
(52102, 1834, '_calendar_event_item_calendar_event_category', 'field_calendar_category_relation'),
(52103, 1834, 'calendar_event_item_calendar_event_category', ''),
(52104, 1834, '_calendar_event_item_location', 'field_calendar_location'),
(52105, 1834, 'calendar_event_item_location', ''),
(52106, 1834, '_calendar_event_item_start_date', 'field_calendar_start_date'),
(52107, 1834, 'calendar_event_item_start_date', '20020618'),
(52108, 1834, '_calendar_event_item_start_time', 'field_calendar_start_time'),
(52109, 1834, 'calendar_event_item_start_time', '00:00'),
(52110, 1834, '_calendar_event_item_end_date', 'field_calendar_end_date'),
(52111, 1834, 'calendar_event_item_end_date', '20020622'),
(52112, 1834, '_calendar_event_item_end_time', 'field_calendar_end_time'),
(52113, 1834, 'calendar_event_item_end_time', '00:00'),
(52114, 1834, '_calendar_event_item_artist', 'field_calendar_artist'),
(52115, 1834, 'calendar_event_item_artist', 'a:1:{i:0;s:4:\"3080\";}'),
(52116, 1834, '_calendar_event_item_child_event_title', 'field_calendar_child_event_title'),
(52117, 1834, 'calendar_event_item_child_event_title', 'Vernissage'),
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(52499, 1844, 'calendar_event_item_content_repeater_0_content_text', 'Né en 1965 à Kitimat en Colombie-Britannique, Arthur Renwickest membre de la Premières Nations Haisla. Après des études au Emily Carr College of Art and Design de Vancouver, il effectue une maîtrise en photographie à l\'Université Concordia à Montréal (1993). Porteur d\'un questionnement sur l\'identité culturelle et la colonisation, son travail photographique déjoue les stéréotypes souvent associés aux Premières Nations. Ses œuvres ont été présentées en solo entre autres à la Richmond Art Gallery, au Musée national de Brasilia, au Harbourfront Centre et à la Gallery 44 de Toronto. Récemment, il participait à des expositions collectives au Musée des beaux-arts du Canada (Ottawa) au musée du quai Branly (Paris) et au National Museum of the American Indian du Smithsonian Institute (New York). Représenté par la galerie Katzman Kamen de Toronto, Arthur Renwick a également œuvré à titre de commissaire indépendant, notamment pour The Power Plant Contemporary Art Gallery (Toronto), le Musée canadien des civilisations (Ottawa) et participait à l\'élaboration de la White Mountain Academy of the Arts de Elliot Lake, où il enseignera par la suite. En 2005, il recevait le Prix K.M. Hunter. Arthur Renwick  vit et travaille à Toronto.'),
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(52827, 1848, 'calendar_event_item_content_repeater_0_content_text', 'Annie Baillargeon vit et travaille à Québec. Elle poursuit depuis dix ans une démarche pluridisciplinaire basée sur la représentation exaltée et transgressive du corps féminin. Membre et cofondatrice du collectif multidisciplinaire Les Fermières Obsédées, l\'artiste a participé à des expositions solos et collectives au Québec, au Canada, au pays de Galles, au Brésil, en Pologne, en Irlande, en Australie, en Équateur et en France. Son travail a fait l\'objet d\'une vingtaine d\'articles et de publications, en plus d\'être récompensé de nombreux prix, notamment le Prix Videre, catégorie meilleur évènement.'),
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(52868, 1849, 'calendar_event_item_content_repeater_0_content_text', 'Actif depuis la fin des années 1970, Normand Rajotte a présenté son travail  à l\'occasion de plusieurs expositions individuelles au Québec et au Canada, notamment, à Montréal, à la Galerie Pangée (2011), à L\'Arsenal lors du Mois de la Photo de Montréal 2011 et à la Galerie Occurrence (2004). Ses œuvres figurent dans des collections particulières et publiques au Canada, incluant le Musée d\'art contemporain de Montréal, le Musée national des beaux-arts du Québec (Québec) et le Musée des beaux-arts de Montréal.'),
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(52909, 1850, 'calendar_event_item_content_repeater_0_content_text', 'Diplômée de l\'Université d\'Essen en Allemagne, Birthe Piontek vit à Vancouver (Colombie-Britannique). Son travail photographique, qui interroge la notion d\'identité, s\'intéresse aux relations intimes que les individus nouent avec leur environnement. L\'artiste a participé à de nombreuses expositions individuelles et collectives, notamment au Canada, aux États-Unis, en Allemagne, en Italie et au Brésil. Ses œuvres figurent dans de nombreuses collections publiques et privées, dont celles du Museum of Contemporary Photography de Chicago et du Museum für Angewandte Kunst de Gera en Allemagne. En 2009, son projet <em>The Idea of North</em> a remporté le Critical Mass Book Award et, en 2011, a fait l\'objet d\'une publication chez Photolucida (Portland, OR).'),
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(52950, 1851, 'calendar_event_item_content_repeater_0_content_text', 'Catherine Plaisance œuvre en photographie, installation, dessin et vidéo. On a pu voir son travail, entre autres, au Athens Institute For Contemporary Art (Athens, États-Unis), à la galerie SAS (Montréal), à la Galerie Sans nom (Moncton), à la Maison de la culture Mont-Royal (Montréal), à la Biennale Internationale de l\'Image de Nancy (Nancy, France) ainsi qu\'à la Manif d\'art 3 de Québec (Québec). Elle est cofondatrice du collectif Les Fermières Obsédées, au sein duquel elle fut active de 2001 à 2009. Catherine Plaisance vit à Montréal.'),
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(53032, 1853, 'calendar_event_item_content_repeater_0_content_text', 'Michael Flomen est né à Montréal en 1952. Il a commencé à faire de la photographie vers la fin des années 1960 et, depuis, a présenté ses œuvres sur plusieurs continents. Dans la dernière décennie, les recherches de cet artiste autodidacte ont su mettre à contribution la technique du photogramme visant une proximité intimiste avec la nature comme matériau et lieu de création privilégié. Les photographies de Michael Flomen sont conservées dans de prestigieuses collections de photographie canadiennes et internationales dont celles du George Eastman House, du Los Angeles County Museum of Art, du Whitney Museum of American Art, du Musée des beaux-arts du Canada et du Musée National des Beaux-Arts du Québec.'),
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(53073, 1854, 'calendar_event_item_content_repeater_0_content_text', 'Originaire de l\'Estrie, Louis Perreault vit et travaille à Montréal. Diplômé d\'une maîtrise interdisciplinaire en arts visuels de l\'Université Concordia, il a présenté son travail lors d\'expositions collectives et individuelles au Québec et aux États-Unis, notamment à la Maison de la culture Notre-Dame-de-Grâce (Montréal), à Espace F et au Newspace Center for Photography (Portland, Oregon). Louis Perreault dirige <em>Les Éditions du renard</em>, qui œuvrent dans la microédition de livres photographiques.'),
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(53114, 1855, 'calendar_event_item_content_repeater_0_content_text', 'Né en Suisse mais vivant au Québec depuis de nombreuses années, Mériol Lehmann œuvre dans les domaines des nouveaux médias, de l\'audio et de la photographie. Son travail en performance, en installation et en exposition a été présenté notamment au Mois Multi, au Festival de cinéma des Trois Amériques, à l\'Œil de Poisson, au Festival International de Musique Actuelle de Victoriaville et à la Galerie B-312.'),
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(53196, 1857, 'calendar_event_item_content_repeater_0_content_text', 'Jessica Auer s\'intéresse aux enjeux du paysage contemporain en étudiant le caractère historique et mythologique de certains sites culturels. Diplômée de l\'Université Concordia (MFA in Studio Arts), elle a présenté son travail au Canada et aux États-Unis, notamment au Newspace Center for Photography (Portland, Oregon) et au Centre Canadien d\'Architecture (Montréal). Jessica Auer est co-fondatrice de la Galerie Les Territoires (Montréal) et enseigne la photographie à l\'Université Concordia. Elle est représentée par la Patrick Mikhail Gallery (Ottawa).'),
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(53237, 1858, 'calendar_event_item_content_repeater_0_content_text', 'Récurrent dans le travail de Laura Dutton, le motif de la fenêtre, par le traitement plastique que lui impose l\'artiste, peut être envisagé comme une métaphore de la vie intérieure. La fenêtre suggère en effet la contemplation d\'une réalité extérieure à soi. L\'ouverture qu\'elle évoque vers cette réalité suggère l\'interrelation simultanée entre un sujet et un objet, interrelation rendue possible par la médiation de la lumière. Mais justement, dans le cas des boîtes lumineuses de Dutton, la lumière, loin de n\'être qu\'un véhicule, se substitue à l\'objet pour l\'incarner. Fin en soi de la contemplation que rendent possible les œuvres de l\'artiste, elle s\'offre au regardeur pour elle-même en se drapant de la plasticité des images qui la diffusent.'),
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(53278, 1859, 'calendar_event_item_content_repeater_0_content_text', 'Complétant un baccalauréat en arts visuels et médiatiques de l\'Université Laval, Emmanuelle Duret et Andréanne Gagnon ont présenté leurs oeuvres dans le cadre d\'expositions collectives et individuelles. Le travail de Marc André Jésus, qui étudie présentement les arts visuels à l\'Université Laval, a été présenté à l\'occasion de l\'exposition des finissants en arts plastiques du Cégep de Sainte-Foy en 2011.'),
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(53319, 1815, 'calendar_event_item_content_repeater_0_content_text', 'Formé en arts plastiques et en histoire de l\'art à l\'Université de Montréal, Emmanuel Galland vit et travail à Montréal. Il a exposé ses photographies et ses installations au Québec. Actif au sein du réseau de l\'art montréalais, il a œuvré au Centre d\'art et de diffusion CLARK, à Vidéographe, à MUTEK et à MAI [Montréal, arts interculturels]. En 2010, il a réalisé le commissariat de <em>OFF &amp; ON</em>, première exposition en solo de l\'artiste Roadsworth (Atelier Punkt, Montréal). La même année, il a fait tourner au Québec l\'exposition <em>HAÏTI À VIF - Quinze photojournalistes témoignent du 12/01/2010 sur le vif et après-coup</em>. À l\'automne 2011, il a organisé le projet collectif <em>PEUT MIEUX FAIRE - Cahiers d\'exercices</em> à l\'Œil de Poisson (Québec).'),
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(53401, 1813, 'calendar_event_item_content_repeater_0_content_text', 'Née à São Paulo, Giorgia Volpe vit à Québec depuis 1998. Diplômée d\'un baccalauréat en enseignement des arts plastiques de l\'Université de São Paulo, elle a effectué une maîtrise en arts visuels à l\'Université Laval (2001). S\'intéressant à la mémoire personnelle et collective, sa démarche installative rallie sculpture, vidéo, photographie et modes de confection artisanale. Giorgia Volpe a présenté son travail à l\'occasion de nombreuses expositions et interventions publiques au Canada, en Europe et en Amérique latine. Commissaire de l\'événement <em>Habiter</em> tenu dans le centre-ville de Québec en 2006, la même année elle présentait son <em>Tricot-bus</em> dans le cadre des <em>Convertibles </em>(Parc des Champs-de-Bataille). Son œuvre <em>La chambre des fabulations</em> a été exposée à La Bande Vidéo (Québec, 2008) et à l\'Espace F (Matane, 2009) et en 2010 elle présentait son exposition <em>Territoire imaginé</em> à Vaste et Vague (Carleton-sur-Mer). Giorgia Volpe a participé a plusieurs expositions collectives dont <em>Cynismes ?</em>, la troisième édition de la Manif d\'art à Québec (2005), la 4e Biennale internationale de gravure de Douro (2007) et à l\'événement <em>Contemporary Brazilian Printmakers</em> du Pratt Institute et du Goloborotko\'s Studio à New York (2007).'),
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(53442, 1843, 'calendar_event_item_content_repeater_0_content_text', 'Manon Labrecque vit et travaille à Montréal. Artiste multidisciplinaire, elle réalise des vidéos (monobandes et installations), des performances, des dessins, des photographies, des sculptures ainsi que des installations cinétiques et sonores. Elle a exposé au Québec, en Allemagne, au Mexique et en Angleterre. Présentées dans différents festivals au Canada et à l\'étranger, ses vidéos ont été primées, entre autres, aux Rendez-vous du cinéma québécois (1998 et 2007), à la Manifestation internationale vidéo et art électronique, Montréal (1995) et à la Transmediale, Berlin (2000). En 2009, Manon Labrecque recevait le Prix Graff, décerné pour l\'ensemble de son travail artistique. L\'artiste a bénéficié d\'une résidence à VU PHOTO pour sa participation à la Manif d\'art 6.\r\n\r\nNée à Québec, Nicole Gingras vit à Montréal depuis 1982. Dans le cadre de son travail de commissaire indépendante ou en collaboration avec des galeries universitaires, des centres d\'artistes, des musées et des festivals, elle a conçu plusieurs expositions d\'envergure (monographiques ou thématiques). Mme Gingras a effectué la direction éditoriale de plusieurs publications dont une anthologie sur le son accompagnée d\'un disque compact, publiée aux éditions Artextes. Elle a également élaboré de nombreuses programmations (films, vidéos et art Web) diffusées au Québec, au Canada et en Europe. Nicole Gingras est programmatrice du Festival international du film sur l\'art de Montréal - FIFA expérimental, depuis 2003. Elle enseigne à l\'Université Concordia et elle assurait récemment le commissariat de TraficART 2010, biennale d\'art actuel organisée et produite par [Séquence], Saguenay.\r\nNicole Gingras a étudié en arts visuels, en cinéma et en histoire de l\'art à l\'Université Laval, à l\'Université de Concordia et à l\'Université de Montréal. En 2005, elle a obtenu le prix Joan-Yvonne-Lowndes décerné par le Conseil des Arts du Canada à un conservateur d\'art indépendant, ainsi que le prix George Wittenborn décerné par l\'Art Librarian Society of North America (ARLIS-NA) pour la rédaction du catalogue d\'exposition <em>Raymonde April : Les fleuves invisibles, en 1997</em>.');
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(53583, 1862, 'calendar_event_item_start_date', '20130906'),
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(53585, 1862, 'calendar_event_item_start_time', '00:00'),
(53586, 1862, '_calendar_event_item_end_date', 'field_calendar_end_date'),
(53587, 1862, 'calendar_event_item_end_date', '20131006'),
(53588, 1862, '_calendar_event_item_end_time', 'field_calendar_end_time'),
(53589, 1862, 'calendar_event_item_end_time', '00:00'),
(53590, 1862, '_calendar_event_item_artist', 'field_calendar_artist'),
(53591, 1862, 'calendar_event_item_artist', 'a:1:{i:0;s:4:\"2888\";}'),
(53592, 1862, '_calendar_event_item_child_event_title', 'field_calendar_child_event_title'),
(53593, 1862, 'calendar_event_item_child_event_title', 'Vernissage'),
(53594, 1862, '_calendar_event_item_child_event_start_date', 'field_calendar_child_event_start_date'),
(53595, 1862, 'calendar_event_item_child_event_start_date', '20130906'),
(53596, 1862, '_calendar_event_item_child_event_start_time', 'field_calendar_child_event_start_time'),
(53597, 1862, 'calendar_event_item_child_event_start_time', '17:00:00'),
(53598, 1862, '_calendar_event_item_child_event_end_date', 'field_calendar_child_event_end_date'),
(53599, 1862, 'calendar_event_item_child_event_end_date', '20130906'),
(53600, 1862, '_calendar_event_item_child_event_end_time', 'field_calendar_child_event_end_time'),
(53601, 1862, 'calendar_event_item_child_event_end_time', '21:00:00'),
(53602, 1862, '_calendar_event_item_content_repeater', 'field_calendar_content_repeater'),
(53603, 1862, '_calendar_event_item_content_repeater_0_content_title', 'field_calendar_content_repeater_title'),
(53604, 1862, 'calendar_event_item_content_repeater_0_content_title', 'Biographie'),
(53605, 1862, '_calendar_event_item_content_repeater_0_content_text', 'field_calendar_content_repeater_text'),
(53606, 1862, 'calendar_event_item_content_repeater_0_content_text', 'Né à Lévis en 1978, Guillaume Simoneau vit et travaille à Montréal. Après avoir étudié les sciences pures, Guillaume Simoneau a bénéficié d\'une formation en photographie au collège Dawson (2000) et reçu l\'enseignement de Paul Graham, Rineke Dijkstra et l\'éditeur Michael Mack dans le cadre des ateliers organisés par la fondation Botin (Santander, Espagne). Depuis 2011, sa série <em>Love &amp; War</em> a été présentée à la galerie Les Territoires de Montréal et à la galerie CONTACT de Toronto.'),
(53607, 1862, 'calendar_event_item_content_repeater', '1'),
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(53609, 1862, 'calendar_event_item_collaborators', ''),
(53610, 1862, '_wp_page_template', 'default'),
(53611, 1862, '_wpml_word_count', '{\"total\":153,\"to_translate\":{\"en\":153}}'),
(53612, 1862, '_wpml_media_featured', '1'),
(53613, 1862, '_wpml_media_duplicate', '1'),
(53614, 1863, '_', 'field_calendar_details_tab_3'),
(53615, 1863, '_calendar_event_item_calendar_season', 'field_calendar_season_relation'),
(53616, 1863, 'calendar_event_item_calendar_season', '182'),
(53617, 1863, '_calendar_event_item_calendar_type', 'field_calendar_type_relation'),
(53618, 1863, 'calendar_event_item_calendar_type', '9'),
(53619, 1863, '_calendar_event_item_calendar_event_category', 'field_calendar_category_relation'),
(53620, 1863, 'calendar_event_item_calendar_event_category', ''),
(53621, 1863, '_calendar_event_item_location', 'field_calendar_location'),
(53622, 1863, 'calendar_event_item_location', ''),
(53623, 1863, '_calendar_event_item_start_date', 'field_calendar_start_date'),
(53624, 1863, 'calendar_event_item_start_date', '20130906'),
(53625, 1863, '_calendar_event_item_start_time', 'field_calendar_start_time'),
(53626, 1863, 'calendar_event_item_start_time', '00:00'),
(53627, 1863, '_calendar_event_item_end_date', 'field_calendar_end_date'),
(53628, 1863, 'calendar_event_item_end_date', '20131006'),
(53629, 1863, '_calendar_event_item_end_time', 'field_calendar_end_time'),
(53630, 1863, 'calendar_event_item_end_time', '00:00'),
(53631, 1863, '_calendar_event_item_artist', 'field_calendar_artist'),
(53632, 1863, 'calendar_event_item_artist', 'a:1:{i:0;s:4:\"2887\";}'),
(53633, 1863, '_calendar_event_item_child_event_title', 'field_calendar_child_event_title'),
(53634, 1863, 'calendar_event_item_child_event_title', 'Vernissage'),
(53635, 1863, '_calendar_event_item_child_event_start_date', 'field_calendar_child_event_start_date'),
(53636, 1863, 'calendar_event_item_child_event_start_date', '20130906'),
(53637, 1863, '_calendar_event_item_child_event_start_time', 'field_calendar_child_event_start_time'),
(53638, 1863, 'calendar_event_item_child_event_start_time', '17:00:00'),
(53639, 1863, '_calendar_event_item_child_event_end_date', 'field_calendar_child_event_end_date'),
(53640, 1863, 'calendar_event_item_child_event_end_date', '20130906'),
(53641, 1863, '_calendar_event_item_child_event_end_time', 'field_calendar_child_event_end_time'),
(53642, 1863, 'calendar_event_item_child_event_end_time', '21:00:00'),
(53643, 1863, '_calendar_event_item_content_repeater', 'field_calendar_content_repeater'),
(53644, 1863, '_calendar_event_item_content_repeater_0_content_title', 'field_calendar_content_repeater_title'),
(53645, 1863, 'calendar_event_item_content_repeater_0_content_title', 'Biographie'),
(53646, 1863, '_calendar_event_item_content_repeater_0_content_text', 'field_calendar_content_repeater_text'),
(53647, 1863, 'calendar_event_item_content_repeater_0_content_text', 'Josée Pedneault vit et travaille à Montréal. En 2005, elle a complété une maîtrise en arts plastiques à l\'Université Concordia. Depuis 2006, elle a été artiste en résidence au Ujazdowski Castle, en Pologne (2006), à la Cité des Arts, à Paris (2008), au studio du Québec, à Mexico (2009) et à Sím Reykjavik residency, en Islande (2011). Son travail a été présenté au Canada, en Europe et en Asie. Ses recherches artistiques ont été soutenues par plusieurs bourses du Conseil des arts du Québec et du Canada en plus de s\'être mérité le Prix du public le Devoir/Contact Image au et le William Blair Bruce European Fine Art Travel Scholarship.'),
(53648, 1863, 'calendar_event_item_content_repeater', '1'),
(53649, 1863, '_calendar_event_item_collaborators', 'field_calendar_collaborators'),
(53650, 1863, 'calendar_event_item_collaborators', ''),
(53651, 1863, '_wp_page_template', 'default'),
(53652, 1863, '_wpml_word_count', '{\"total\":103,\"to_translate\":{\"en\":103}}'),
(53653, 1863, '_wpml_media_featured', '1'),
(53654, 1863, '_wpml_media_duplicate', '1'),
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(53657, 1864, 'calendar_event_item_calendar_season', '182'),
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(53659, 1864, 'calendar_event_item_calendar_type', '9'),
(53660, 1864, '_calendar_event_item_calendar_event_category', 'field_calendar_category_relation'),
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(53665, 1864, 'calendar_event_item_start_date', '20131011'),
(53666, 1864, '_calendar_event_item_start_time', 'field_calendar_start_time'),
(53667, 1864, 'calendar_event_item_start_time', '00:00'),
(53668, 1864, '_calendar_event_item_end_date', 'field_calendar_end_date'),
(53669, 1864, 'calendar_event_item_end_date', '20131110'),
(53670, 1864, '_calendar_event_item_end_time', 'field_calendar_end_time'),
(53671, 1864, 'calendar_event_item_end_time', '00:00'),
(53672, 1864, '_calendar_event_item_artist', 'field_calendar_artist'),
(53673, 1864, 'calendar_event_item_artist', 'a:1:{i:0;s:4:\"2889\";}'),
(53674, 1864, '_calendar_event_item_child_event_title', 'field_calendar_child_event_title'),
(53675, 1864, 'calendar_event_item_child_event_title', 'Vernissage'),
(53676, 1864, '_calendar_event_item_child_event_start_date', 'field_calendar_child_event_start_date'),
(53677, 1864, 'calendar_event_item_child_event_start_date', '20131011'),
(53678, 1864, '_calendar_event_item_child_event_start_time', 'field_calendar_child_event_start_time'),
(53679, 1864, 'calendar_event_item_child_event_start_time', '17:00:00'),
(53680, 1864, '_calendar_event_item_child_event_end_date', 'field_calendar_child_event_end_date'),
(53681, 1864, 'calendar_event_item_child_event_end_date', '20131011'),
(53682, 1864, '_calendar_event_item_child_event_end_time', 'field_calendar_child_event_end_time'),
(53683, 1864, 'calendar_event_item_child_event_end_time', '21:00:00'),
(53684, 1864, '_calendar_event_item_content_repeater', 'field_calendar_content_repeater'),
(53685, 1864, '_calendar_event_item_content_repeater_0_content_title', 'field_calendar_content_repeater_title'),
(53686, 1864, 'calendar_event_item_content_repeater_0_content_title', 'Biographie'),
(53687, 1864, '_calendar_event_item_content_repeater_0_content_text', 'field_calendar_content_repeater_text'),
(53688, 1864, 'calendar_event_item_content_repeater_0_content_text', 'L\'artiste montréalaise Marisa Portolese travaille le portrait, le paysage et la nature morte; ses photographies de grande dimension, elle les juxtapose afin d\'explorer la narrativité de la série photographique. Professeure au programme de photographie de l\'Université Concordia, Portolese a exposé son travail au Canada, aux États-Unis et en Europe, notamment les séries <em>Belle de Jour</em> (2002), <em>The Recognitions </em>(2004-2005) et <em>Imagined Paradise</em> (2010). En 2007, l\'artiste fut invitée au Mois de la Photo à Montréal sous le commissariat de Marie Fraser. Son projet <em>Antonia\'s Garden</em> (2011) fut présenté à Occurence. Marisa Portolese est représentée par la Galerie Lilian Rodriguez à Montréal et Charles Guice Contemporary Art à New York.'),
(53689, 1864, 'calendar_event_item_content_repeater', '1'),
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(53706, 1865, 'calendar_event_item_start_date', '20131011'),
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(53708, 1865, 'calendar_event_item_start_time', '00:00'),
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(53710, 1865, 'calendar_event_item_end_date', '20131110'),
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(53712, 1865, 'calendar_event_item_end_time', '00:00'),
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(53716, 1865, 'calendar_event_item_child_event_title', 'Vernissage'),
(53717, 1865, '_calendar_event_item_child_event_start_date', 'field_calendar_child_event_start_date'),
(53718, 1865, 'calendar_event_item_child_event_start_date', '20131011'),
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(53720, 1865, 'calendar_event_item_child_event_start_time', '17:00:00'),
(53721, 1865, '_calendar_event_item_child_event_end_date', 'field_calendar_child_event_end_date'),
(53722, 1865, 'calendar_event_item_child_event_end_date', '20131011'),
(53723, 1865, '_calendar_event_item_child_event_end_time', 'field_calendar_child_event_end_time'),
(53724, 1865, 'calendar_event_item_child_event_end_time', '21:00:00'),
(53725, 1865, '_calendar_event_item_content_repeater', 'field_calendar_content_repeater'),
(53726, 1865, '_calendar_event_item_content_repeater_0_content_title', 'field_calendar_content_repeater_title'),
(53727, 1865, 'calendar_event_item_content_repeater_0_content_title', 'Biographie'),
(53728, 1865, '_calendar_event_item_content_repeater_0_content_text', 'field_calendar_content_repeater_text'),
(53729, 1865, 'calendar_event_item_content_repeater_0_content_text', 'Yan Giguère capte le quotidien, l\'accumule et le collectionne pour en faire un matériau d\'assemblage qui lui permet de proposer des univers poétiques dans lesquels le temps se condense en une constellation d\'images. Son travail a fait l\'objet de plusieurs expositions individuelles, notamment <em>Attraction</em> à la galerie Optica (2009), <em>Choisir</em> au centre VU (2008) et à Occurence (2007) ainsi que <em>Chavirer</em> au centre VU (2002) et à Vox (2001). Ses oeuvres font partie de nombreuses collections privées et publiques dont celles du Musée des beaux-arts du Québec et d\'Hydro-Québec. Yan Giguère vit et travaille à Montréal où il est coordonnateur de l\'atelier de menuiserie du Centre CLARK.'),
(53730, 1865, 'calendar_event_item_content_repeater', '1'),
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(53732, 1865, 'calendar_event_item_collaborators', ''),
(53733, 1865, '_wp_page_template', 'default'),
(53734, 1865, '_wpml_word_count', '{\"total\":130,\"to_translate\":{\"en\":130}}'),
(53735, 1865, '_wpml_media_featured', '1'),
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(53739, 1866, 'calendar_event_item_calendar_season', '182'),
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(53741, 1866, 'calendar_event_item_calendar_type', '9'),
(53742, 1866, '_calendar_event_item_calendar_event_category', 'field_calendar_category_relation'),
(53743, 1866, 'calendar_event_item_calendar_event_category', ''),
(53744, 1866, '_calendar_event_item_location', 'field_calendar_location'),
(53745, 1866, 'calendar_event_item_location', ''),
(53746, 1866, '_calendar_event_item_start_date', 'field_calendar_start_date'),
(53747, 1866, 'calendar_event_item_start_date', '20131115'),
(53748, 1866, '_calendar_event_item_start_time', 'field_calendar_start_time'),
(53749, 1866, 'calendar_event_item_start_time', '00:00'),
(53750, 1866, '_calendar_event_item_end_date', 'field_calendar_end_date'),
(53751, 1866, 'calendar_event_item_end_date', '20131215'),
(53752, 1866, '_calendar_event_item_end_time', 'field_calendar_end_time'),
(53753, 1866, 'calendar_event_item_end_time', '00:00'),
(53754, 1866, '_calendar_event_item_artist', 'field_calendar_artist'),
(53755, 1866, 'calendar_event_item_artist', 'a:1:{i:0;s:4:\"2891\";}'),
(53756, 1866, '_calendar_event_item_child_event_title', 'field_calendar_child_event_title'),
(53757, 1866, 'calendar_event_item_child_event_title', 'Vernissage'),
(53758, 1866, '_calendar_event_item_child_event_start_date', 'field_calendar_child_event_start_date'),
(53759, 1866, 'calendar_event_item_child_event_start_date', '20131115'),
(53760, 1866, '_calendar_event_item_child_event_start_time', 'field_calendar_child_event_start_time'),
(53761, 1866, 'calendar_event_item_child_event_start_time', '17:00:00'),
(53762, 1866, '_calendar_event_item_child_event_end_date', 'field_calendar_child_event_end_date'),
(53763, 1866, 'calendar_event_item_child_event_end_date', '20131115'),
(53764, 1866, '_calendar_event_item_child_event_end_time', 'field_calendar_child_event_end_time'),
(53765, 1866, 'calendar_event_item_child_event_end_time', '21:00:00'),
(53766, 1866, '_calendar_event_item_content_repeater', 'field_calendar_content_repeater'),
(53767, 1866, '_calendar_event_item_content_repeater_0_content_title', 'field_calendar_content_repeater_title'),
(53768, 1866, 'calendar_event_item_content_repeater_0_content_title', 'Biographie'),
(53769, 1866, '_calendar_event_item_content_repeater_0_content_text', 'field_calendar_content_repeater_text'),
(53770, 1866, 'calendar_event_item_content_repeater_0_content_text', 'Gwenaël Bélanger vit et travaille à Montréal où il est professeur à l\'UQAM. Son travail a été présenté au sein de nombreuses expositions collectives dont la <em>Manif d\'art 3 </em>à Québec (2005), le <em>Contact Photography Festival</em> à Toronto (2009) et <em>The Hidden Land </em>à la Galerie Nettie Horn de Londres (2009); et également lors de plusieurs expositions solo partout au Canada, notamment à la Galerie de l\'UQAM, au Musée Régional de Rimouski et à la Galerie Graff qui le représente. De nombreuses collections publiques ont fait l\'acquisition de ses oeuvres en plus de collectionneurs privés au Canada et en Europe. Bélanger est récipiendaire du Prix Pierre-Ayot 2009 de la Ville de Montréal.'),
(53771, 1866, 'calendar_event_item_content_repeater', '1'),
(53772, 1866, '_calendar_event_item_collaborators', 'field_calendar_collaborators'),
(53773, 1866, 'calendar_event_item_collaborators', ''),
(53774, 1866, '_wp_page_template', 'default'),
(53775, 1866, '_wpml_word_count', '{\"total\":205,\"to_translate\":{\"en\":205}}'),
(53776, 1866, '_wpml_media_featured', '1'),
(53777, 1866, '_wpml_media_duplicate', '1'),
(53778, 1867, '_', 'field_calendar_details_tab_3'),
(53779, 1867, '_calendar_event_item_calendar_season', 'field_calendar_season_relation'),
(53780, 1867, 'calendar_event_item_calendar_season', '182'),
(53781, 1867, '_calendar_event_item_calendar_type', 'field_calendar_type_relation'),
(53782, 1867, 'calendar_event_item_calendar_type', '9'),
(53783, 1867, '_calendar_event_item_calendar_event_category', 'field_calendar_category_relation'),
(53784, 1867, 'calendar_event_item_calendar_event_category', ''),
(53785, 1867, '_calendar_event_item_location', 'field_calendar_location'),
(53786, 1867, 'calendar_event_item_location', ''),
(53787, 1867, '_calendar_event_item_start_date', 'field_calendar_start_date'),
(53788, 1867, 'calendar_event_item_start_date', '20131115'),
(53789, 1867, '_calendar_event_item_start_time', 'field_calendar_start_time'),
(53790, 1867, 'calendar_event_item_start_time', '00:00'),
(53791, 1867, '_calendar_event_item_end_date', 'field_calendar_end_date'),
(53792, 1867, 'calendar_event_item_end_date', '20131215'),
(53793, 1867, '_calendar_event_item_end_time', 'field_calendar_end_time'),
(53794, 1867, 'calendar_event_item_end_time', '00:00'),
(53795, 1867, '_calendar_event_item_artist', 'field_calendar_artist'),
(53796, 1867, 'calendar_event_item_artist', 'a:1:{i:0;s:4:\"2890\";}'),
(53797, 1867, '_calendar_event_item_child_event_title', 'field_calendar_child_event_title'),
(53798, 1867, 'calendar_event_item_child_event_title', 'Vernissage'),
(53799, 1867, '_calendar_event_item_child_event_start_date', 'field_calendar_child_event_start_date'),
(53800, 1867, 'calendar_event_item_child_event_start_date', '20131115'),
(53801, 1867, '_calendar_event_item_child_event_start_time', 'field_calendar_child_event_start_time'),
(53802, 1867, 'calendar_event_item_child_event_start_time', '17:00:00'),
(53803, 1867, '_calendar_event_item_child_event_end_date', 'field_calendar_child_event_end_date'),
(53804, 1867, 'calendar_event_item_child_event_end_date', '20131115'),
(53805, 1867, '_calendar_event_item_child_event_end_time', 'field_calendar_child_event_end_time'),
(53806, 1867, 'calendar_event_item_child_event_end_time', '21:00:00'),
(53807, 1867, '_calendar_event_item_content_repeater', 'field_calendar_content_repeater'),
(53808, 1867, '_calendar_event_item_content_repeater_0_content_title', 'field_calendar_content_repeater_title'),
(53809, 1867, 'calendar_event_item_content_repeater_0_content_title', 'Biographie'),
(53810, 1867, '_calendar_event_item_content_repeater_0_content_text', 'field_calendar_content_repeater_text'),
(53811, 1867, 'calendar_event_item_content_repeater_0_content_text', 'Richard Deschênes oeuvre en peinture, en dessin et aussi à partir de photographies. Il vit et travaille à Montréal où il a fait un baccalauréat en arts visuels à l\'Université Concordia (1985) avant de poursuivre ses études au Pratt Graphics Center à New York (1986). Ses oeuvres ont été présentées lors de nombreuses expositions partout au Québec et à l\'international notamment à Paris, Shanghai, en Espagne, à Londres et New York où il a réalisé des résidences. Récompensé par plusieurs bourses du Conseil des Arts du Canada et du Conseil des Arts et des Lettres du Québec son travail fait partie de plusieurs collections privées et publiques.'),
(53812, 1867, 'calendar_event_item_content_repeater', '1'),
(53813, 1867, '_calendar_event_item_collaborators', 'field_calendar_collaborators'),
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(53852, 1868, 'calendar_event_item_content_repeater_0_content_text', 'Mika Goodfriend vit et travaille à Montréal où il poursuit une maîtrise en photographie à l\'Université de Concordia. Sa démarche artistique s\'intéresse aux formes d\'expression de l\'identité et de la culture québécoises. Récemment, il a été récipiendaire de distinctions telles que le <em>Fast Forward</em> de Magenta en 2011 ainsi que le prix national du <em>BMO 1st Art!</em> en 2012 qui lui a valu une exposition au MOCCA. Ses oeuvres ont été présentées au Canada et en Europe et font partie de plusieurs collections publiques et privées, notamment la Banque de Montréal.'),
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(53893, 1869, 'calendar_event_item_content_repeater_0_content_text', 'André Barrette est né en 1958 à Espanola, Ontario. Il vit et travaille à Québec où il est actif dans le milieu de la photographie depuis plus de vingt-cinq ans. L\'artiste a présenté son travail au Québec à la Galerie VOX de Montréal, à L\'espace F de Matane, en France et à Cracovie en Pologne. Depuis 2000, il développe une production photographique résolument dépouillée, aux chromatismes subtils, qui entretient une relation équivoque avec le sujet initiaI. Récemment, sa série ALL U CAN EAT a été présentée à Gallery 44 de Toronto, au centre VU de Québec et à la Fototeca de La Havane à Cuba. En 2008, il participe à la Manifestation internationale d\'art de Québec et à l\'exposition <em>Zacharie Vincent et ses amis</em> à l\'Espace 400<sup>e</sup>, puis, en 2011, à l\'exposition <em>Images instantanées?</em> présentée par l\'AutocART des arts visuels.\r\n\r\nOriginaire de Longueuil, Tristan Fortin Le Breton a obtenu en 2001 un baccalauréat en arts visuels, avec spécialisation en photographie, à l\'Université Concordia. Depuis quelques années, il témoigne, par l\'image, de différentes transformations survenues dans les espaces périurbains. Son approche explore la notion de paysage et notre rapport à l\'environnement. Issu d\'une collaboration entre Le Devoir et l\'Office national du film du Canada et réalisé en 2011, son projet interactif <em>Territoires</em>.'),
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(53934, 1870, 'calendar_event_item_content_repeater_0_content_text', 'Caroline Gagné et François Lamontagne vivent et travaillent à Québec. La pratique de Gagné explore les lieux en tant que porteurs de contenu latent en observant les infimes changements qui les révèlent. Le travail de Lamontagne tente de rendre visible l\'essence des êtres et des choses, de les fixer - en quelque sorte -ne serait-ce qu\'un moment - par la pratique de la photographie, la sculpture et l\'écriture. Les deux artistes ont conjugué leurs démarches lors d\'une résidence réalisée à VU.'),
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(53975, 1871, 'calendar_event_item_content_repeater_0_content_text', 'Les installations cinétiques de Robyn Moody explorent (en tout ou en partie) les relations complexes entre les avancées technologiques, les croyances humaines et la compréhension des relations qu\'entretient le public avec la science, la politique et le monde naturel. Ses oeuvres ont été présentées au Canada et en Europe, notamment lors d\'expositions individuelles à la PM Galerie (Berlin, Allemagne), à la Lydgalleriet (Bergen, Norvège) et à Articule (Montréal). Nominé pour le prix Sobey en 2010 et 2012, l\'artiste vit et travaille à Calgary.'),
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(54016, 1872, 'calendar_event_item_content_repeater_0_content_text', 'Serge Clément pratique une photographie de questionnement, de recherche et d\'auteur. Offrant des images poétiques et déroutantes, sa démarche se décline du documentaire à l\'installation en passant par le commentaire social, le récit poétique et l\'essai photographique. Le travail de Clément a fait l\'objet d\'expositions solo dans différents pays d\'Europe, à Hong Kong et au Canada. Le photographe a publié plusieurs livres photographiques, notamment <em>Courant ~ contre-courants</em> (Marval, 2007). Il est récipiendaire de nombreuses bourses du Conseil des arts du Canada et du Conseil des arts et des lettres du Québec. Serge Clément vit et travaille à Montréal.'),
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(54139, 1874, 'calendar_event_item_content_repeater_0_content_text', 'Virginie Laganière est titulaire d\'un baccalauréat et d\'une maîtrise en arts visuels et médiatiques de l\'Université du Québec à Montréal. Elle a également poursuivi des études en son et vidéo à l\'École Nationale Supérieure des Arts Décoratifs de Paris. Jean-Maxime Dufresne est, quant à lui, récipiendaire d\'un baccalauréat en architecture de l\'Université McGill (programme d\'échange avec l\'Universidad de los Andes à Bogotá), ainsi que d\'une maîtrise en communication, médias interactifs de l\'Université du Québec à Montréal. Leur travail de collaboration cumule des expériences de résidences et des expositions au Canada et à l\'international. Récemment, leur travail a été présenté à Homesession (Barcelone, ES, 2012), Action Art Actuel (Saint-Jean-sur-Richelieu, CA, 2012) et à la Fonderie Darling (Montréal, CA, 2010).'),
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(54221, 1875, 'calendar_event_item_content_repeater_0_content_text', 'Le duo d\'artistes Condé &amp; Beveridge a participé à de nombreuses expositions individuelles et collectives au Canada et à l\'international. Récemment, le Yukon Arts Centre (Whitehorse, CA, 2012), la Toronto Free Gallery (Toronto, CA, 2012) et Cage (New York, US, 2012) leur ont consacré des expositions individuelles. Conformément à leur démarche artistique, leur travail a également été exposé dans plusieurs endroits non artistiques, tels que les locaux syndicaux, les panneaux publicitaires et les abribus. Leurs œuvres ont été acquises par plusieurs collections communautaires et publiques, dont le Stedelijk Museum à Amsterdam, le Musée des beaux-arts du Canada et l\'Art Gallery of Ontario. Ils ont reçu un doctorat honorifique de l\'OCAD University et une Reconnaissance de mérite artistique de l\'Université du Québec à Montréal.'),
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(54303, 1877, 'calendar_event_item_content_repeater_0_content_text', 'Le travail de Vincent Lafrance est traversé par l\'idée du simulacre, de la perception et de ses failles. Se jouant de la virtuosité photographique et du hasard, il compose avec les moyens traditionnels de la photographie. Son œuvre vidéographique utilise davantage le langage comme effet de confusion, il produit des fictions qui errent avec fluidité entre le drame et la comédie. Il détient un baccalauréat en photographie de l\'université Concordia. Son travail a été présenté au Canada et en Europe.'),
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(54344, 1878, 'calendar_event_item_content_repeater_0_content_text', '<strong>Lancement du livre</strong>\r\n\r\n<strong>Donigan Cumming: The Stage\r\nBooks on Books # 19\r\nErrata Editions</strong>\r\n\r\nVU souligne la réédition du livre photographique <strong><em>Donigan Cumming: The Stage</em></strong> par les éditions Errata en présentant une <strong>conférence de Michel Hardy-Vallée</strong> ainsi que le <strong>lancement québécois du livre</strong>. Cet événement s\'inscrit dans les réflexions récentes de VU par rapport au livre photographique. La conférence d\'une durée approximative d\'une heure sera suivie du lancement, en présence du photographe.\r\n\r\n45 $ - <em>The Stage</em>\r\nSpécial lancement : 55 $ - <em>The Stage</em> et 2 publications VU sur Donigan Cumming\r\n\r\nParallèlement à cet événement, du 1<sup>er</sup> au 9 novembre, la Galerie Michel Guimont présente <em>Donigan Cumming, «The Stage», 1991-2014</em>, une exposition d\'œuvres récentes de Donigan Cumming liées à <em>The Stage</em>. - Galerie Michel Guimont, 273, rue Saint-Paul, Québec.'),
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(54426, 1879, 'calendar_event_item_content_repeater_0_content_text', 'Un échange entre VU (Québec) et Street Level Photoworks (Glasgow)\r\n\r\nCet échange a eu lieu grâce au soutien de l\'Entente de développement culturel entre le ministère de la Culture et des Communications (MCCQ) et la Ville de Québec, ainsi que du MCCQ et du British Council.'),
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(54506, 1881, 'calendar_event_item_content_repeater_0_content_title', 'Biographie'),
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(54508, 1881, 'calendar_event_item_content_repeater_0_content_text', 'Fiona Annis est une artiste et chercheuse qui vit et travaille à Montréal. Sa démarche artistique touche aux domaines de la photographie, de l\'installation et à diverses formes d\'interventions textuelles. Titulaire d\'un diplôme de maîtrise de l\'École des Beaux-Arts de Glasgow, elle a récemment terminé un doctorat interdisciplinaire à l\'Université Concordia où elle enseigne actuellement. Annis a présenté son travail tant au Canada qu\'à l\'étranger, dans diverses galeries et musées, notamment : l\'AC Institute (New York), le Centre Canadien d\'Architecture (Montréal), la Goldsmith\'s University (Londres), la LowSalt Gallery (Glasgow), et l\'Art Gallery of Alberta (Edmonton). Ses projets ont été publiés dans <em>BlackFlash Magazine</em>, <em>Front: Contemporary Art &amp; Ideas</em>, et <em>Imagining Science</em>, gagnant du New York Book Show Award. Annis explore actuellement le potentiel alchimique des processus photographiques antiques, une recherche qui a récemment été amorcée dans le cadre d\'une résidence d\'artiste à la Penumbra Foundation de New York. Elle collabore en continu avec La Société des archives affectives, et réalisera prochainement des expositions individuelles à Gallery 44 (Toronto), à Caravansérail (Rimouski), et à AceArt (Winnipeg).'),
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(54530, 1882, 'calendar_event_item_end_date', '20141005'),
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(54536, 1882, 'calendar_event_item_child_event_title', 'Vernissage'),
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(54547, 1882, 'calendar_event_item_content_repeater_0_content_title', 'Biographie'),
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(54549, 1882, 'calendar_event_item_content_repeater_0_content_text', 'Yann Pocreau est né à Québec en 1980. Il vit et travaille à Montréal. Par la photographie, il s\'intéresse aux fortes présences du lieu et du sujet, à leur intime cohabitation. Dans ses recherches récentes, il s\'intéresse à la lumière comme sujet vivant et à l\'effet de celle-ci sur la trame narrative des images. Il a participé à plusieurs expositions canadiennes, américaines et européennes, notamment <em>Québec Gold</em>, présentée à Reims, en France; <em>Exercices d\'empathie</em>, à l\'Espace Bortier de Bruxelles; <em>Expansion</em>, à la Galerie de l\'UQAM; <em>Out of Grace</em>, à la Galerie Leonard &amp; Bina Ellen; au Mois de la Photo à Montréal en 2011, aux expositions Under the Radar; the New Visionaries et Paperwork à New York et récemment à l\'exposition <em>L\'image rôde </em>au Fresnoy, France (Louise Déry, commissaire) et à la 5<sup>e</sup> biennale de Sinop en Turquie. Son travail a été commenté dans divers magazines et ses œuvres sont présentes dans les collections de la Banque Nationale du Canada, d\'Hydro-Québec, de la Ville de Montréal, du Musée des beaux-arts de Montréal, du Musée d\'art de Joliette, dans la collection Prêt d\'œuvres d\'art du Musée national des beaux-arts du Québec. Il a été coordonnateur général du Centre d\'art et de diffusion CLARK jusqu\'en 2014, et est président de regroupement des centres d\'artistes autogérés depuis 2013. Yann Pocreau est représenté par la Galerie Simon Blais.'),
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(54670, 1884, 'calendar_event_item_content_repeater_0_content_title', 'Biographie'),
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(54711, 1885, 'calendar_event_item_content_repeater_0_content_title', 'Biographie'),
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(54731, 1886, 'calendar_event_item_start_date', '20150109'),
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(54735, 1886, 'calendar_event_item_end_date', '20150208'),
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(54741, 1886, 'calendar_event_item_child_event_title', 'Vernissage'),
(54742, 1886, '_calendar_event_item_child_event_start_date', 'field_calendar_child_event_start_date'),
(54743, 1886, 'calendar_event_item_child_event_start_date', '20150109'),
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(54746, 1886, '_calendar_event_item_child_event_end_date', 'field_calendar_child_event_end_date'),
(54747, 1886, 'calendar_event_item_child_event_end_date', '20150109'),
(54748, 1886, '_calendar_event_item_child_event_end_time', 'field_calendar_child_event_end_time'),
(54749, 1886, 'calendar_event_item_child_event_end_time', '21:00:00'),
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(54751, 1886, '_calendar_event_item_content_repeater_0_content_title', 'field_calendar_content_repeater_title'),
(54752, 1886, 'calendar_event_item_content_repeater_0_content_title', 'Biographie'),
(54753, 1886, '_calendar_event_item_content_repeater_0_content_text', 'field_calendar_content_repeater_text'),
(54754, 1886, 'calendar_event_item_content_repeater_0_content_text', 'Gabriel Coutu-Dumont est né en 1978 à Montréal et a étudié en photographie au Cégep du Vieux-Montréal. Artiste multidisciplinaire qui a notamment travaillé en collectif (RACAM, nAnalog et Silent Partners) et avec différents organismes dont MUTEK, son travail a été présenté à la WIR Gallery (Berlin), au Centre Clark (Montréal), à l\'Espace F (Matane), à Latitude 53 (Edmonton). Il a participé à de nombreuses expositions collectives au Canada, aux États-Unis, au Mexique et en Belgique.'),
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(54757, 1886, 'calendar_event_item_collaborators', ''),
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(54776, 1887, 'calendar_event_item_end_date', '20150315'),
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(54782, 1887, 'calendar_event_item_child_event_title', 'Vernissage'),
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(54793, 1887, 'calendar_event_item_content_repeater_0_content_title', 'Biographie'),
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(54795, 1887, 'calendar_event_item_content_repeater_0_content_text', 'Originaire de Québec, Léna Mill-Reuillard vit et travaille à Montréal. Suite à sa formation en cinéma (profil direction photo) à l\'Université du Québec à Montréal, elle entame une maîtrise en arts visuels et médiatiques où elle explore l\'imbrication temporelle entre les médiums photographique et vidéographique. Elle complète son parcours par <em>Mirari</em>, une exposition solo présentée à la Galerie de l\'UQAM en novembre 2013. Récemment, elle obtient la bourse de résidence conjointe PRIM/Dazibao qui sera diffusée à l\'automne 2015. En parallèle, elle fait la direction photo d\'une dizaine de courts-métrages et de trois longs-métrages documentaires qui ont voyagé dans de nombreux festivals à travers le monde. Entre autres, <em>La coupe, </em>dont elle signe l\'image, a gagné de nombreux prix dont le prix du jury pour le meilleur court-métrage international au festival de Sundance 2014'),
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(54900, 1890, '_calendar_event_item_end_time', 'field_calendar_end_time'),
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(54905, 1890, 'calendar_event_item_child_event_title', 'Vernissage'),
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(54918, 1890, 'calendar_event_item_content_repeater_0_content_text', 'Jacinthe Robillard vit et travaille à Montréal. Diplômée de l\'UQÀM en communications (2004) et de l\'Université Concordia en arts visuels (baccalauréat 2009, maîtrise 2012), son travail, soutenu par le Conseil des arts et lettres du Québec, a été présenté tant au Québec qu\'au Canada dans plusieurs expositions individuelles (Eastern Edge, les Territoires, DARE-DARE et Verticale) et collectives (Salle Alfred-Pellan, CCA, Galerie Fofa et Espace F). Son projet <em>l\'étendue de mes connaissances</em> vient d\'être sélectionné pour l\'exposition <em>reGeneration3 : 50 photographes de demain</em> qui voyagera de l\'Europe à l\'Asie, en passant par l\'Amérique du Nord jusqu\'à la fin de l\'année 2016. Elle a été active au sein du CA de Verticale, centre d\'artistes pendant quelques années, et elle est l\'une des co-fondatrices du centre le Cabinet, espace de production photographique. Ses œuvres se retrouvent dans différentes collections privées et publiques (Musée de l\'Élysée, Caisses Desjardins, Ville de Laval).\r\n\r\nL\'artiste souhaite remercier le Conseil des arts et des lettres du Québec.'),
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(54959, 1891, 'calendar_event_item_content_repeater_0_content_text', 'Steven Beckly est un artiste qui œuvre en photographie, en sculpture et en installation pour explorer la complexité de l\'intimité, des relations et du langage. Son travail a été présenté au Canada et à l\'international. Il vit présentement à Guelph, en Ontario, où il est candidat à la maîtrise en beaux-arts de l\'Université de Guelph.'),
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(55000, 1892, 'calendar_event_item_content_repeater_0_content_text', 'Julie Tremble détient une maîtrise en études cinématographiques et un baccalauréat combinant cinéma et philosophie (Université de Montréal). Son travail a été présenté dans différents centres d\'artistes, galeries et festivals au Canada et en Europe. En 2013, elle a reçu le prix du Conseil des arts et des lettres du Québec (CALQ) pour la meilleure œuvre d\'art et d\'expérimentation, remis dans le cadre des 31e Rendez-vous du cinéma québécois. Ses vidéos sont distribuées par Groupe Intervention Vidéo (GIV). Elle est représentée par la Galerie Joyce Yahouda. Elle réside actuellement à Montréal.'),
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(55041, 1876, 'calendar_event_item_content_repeater_0_content_text', 'John Boyle-Singfield est né en 1987. Il a étudié à l\'École nationale supérieure des beaux-arts de Lyon et à l\'Université du Québec à Chicoutimi, où il a obtenu son baccalauréat. Son travail a été présenté aux États-Unis et au Canada, notamment la galerie Justina M. Barnicke, Toronto, SAW Gallery, Ottawa; Family Business, New York; Vu Photo, Québec; Centre Clark, Montréal; Eastern Bloc, Montréal; Espace Virtuel, Chicoutimi; Inter le Lieu, Québec; Vaste et Vague, Carleton-sur-mer et à la Galerie sans Nom, Moncton. Boyle-Singfield vit et travaille à Montréal.'),
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(55082, 1880, 'calendar_event_item_content_repeater_0_content_text', 'Pierre Bourgault vit à Saint-Jean-Port-Joli. Artiste inspiré par les grands espaces, ses réalisations découlent de ses expériences personnelles de marin. De l\'intégration des arts à l\'architecture, réalisée en quantité depuis 1982, en passant par la procession performative à l\'installation, Bourgault modernise les pratiques artistiques et soulève des préoccupations légitimes pour l\'habitat et pour les milieux mariniers. Ses œuvres appellent à nous questionner sur notre rapport au temps et à l\'espace. Ses réalisations ont été vues dans divers lieux reconnus tels que le Custom House (Westport, Irlande), le Toronto Sculpture Garden (Toronto), le Musée national des beaux-arts du Québec (Québec), les Jardins de Métis (Grand-Métis, Québec), l\'Haïfa Museum (Wadi Nisnas, Israël), et le Middelheim (Anvers, Belgique). Ses œuvres monumentales sont présentées dans plusieurs espaces publics tant au Canada qu\'à l\'étranger. Il a reçu un grand nombre de bourses du Conseil des arts du Canada, du Conseil des arts et des lettres du Québec et du Ministère des Affaires culturelles du Québec. Il a été fondateur et directeur de l\'école de sculpture de Saint-Jean-Port-Joli, ainsi qu\'un des fondateurs du centre d\'artistes Est-Nord-Est.'),
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(55205, 1883, 'calendar_event_item_content_repeater_0_content_text', 'Pour de plus amples renseignements sur les 24 heures de science, <a href=\"http://www.science24heures.com/\">cliquez ici</a>.'),
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(55244, 1893, 'calendar_event_item_content_repeater_0_content_title', 'Biographie'),
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(55246, 1893, 'calendar_event_item_content_repeater_0_content_text', 'Née à Montréal, Ève Cadieux vit et travaille à Québec. Diplômée de l\'Université de Montréal, elle est titulaire d\'une maîtrise en histoire de l\'art et création visuelle. Ses œuvres ont été exposées au Québec, au Canada et à l\'étranger. Sa série photographique <em>Les Antres</em> a notamment fait partie de l\'exposition itinérante <em>Obra Coleccion. El artista como coleccionista</em>, commissariée par Joan Fontcuberta et présentée à la Foto Colectania de Barcelone, à la Sala San Benito de Valladolid et au Centro Andaluz de la Fotografia d\'Almeria. Explorant une fascination toujours grandissante pour les objets glanés au fil du temps et pour les lieux porteurs de mémoire, le travail d\'Ève Cadieux est souvent photographique et réserve une place prépondérante à l\'écrit par le biais de l\'installation et du livre d\'artiste.'),
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(55284, 1894, '_calendar_event_item_content_repeater_0_content_title', 'field_calendar_content_repeater_title'),
(55285, 1894, 'calendar_event_item_content_repeater_0_content_title', 'Biographie'),
(55286, 1894, '_calendar_event_item_content_repeater_0_content_text', 'field_calendar_content_repeater_text'),
(55287, 1894, 'calendar_event_item_content_repeater_0_content_text', 'Né à Plessisville en 1947, Reno Salvail vit et travaille à Québec. Des expositions de son travail ont été présentées au Québec, au Canada, aux États-Unis et en Europe. Il a été gratifié de plusieurs bourses et prix du Conseil des arts du Canada, du Conseil des arts et des lettres du Québec ainsi que du ministère de la Culture français. Sa démarche est celle d\'un artiste aventurier qui considère la planète terre comme lieu de création, source d\'inspiration et matière première de l\'œuvre.'),
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(55325, 1895, '_calendar_event_item_content_repeater_0_content_title', 'field_calendar_content_repeater_title'),
(55326, 1895, 'calendar_event_item_content_repeater_0_content_title', 'Biographie'),
(55327, 1895, '_calendar_event_item_content_repeater_0_content_text', 'field_calendar_content_repeater_text'),
(55328, 1895, 'calendar_event_item_content_repeater_0_content_text', 'Jinyoung Kim traduit des histoires qui lui sont personnelles en visions poétiques, où se trouvent condensés des éléments à la fois symboliques et métaphoriques. Son travail résonne avec des expériences du quotidien, auxquelles elle attribue un sens en se les appropriant dans différents contextes. Elle s\'intéresse à l\'identité en lien avec la liminalité et le déplacement. Kim est titulaire d\'un baccalauréat en beaux-arts de l\'université torontoise OCAD et d\'une maîtrise en beaux-arts de l\'Université Concordia. Ses œuvres ont été présentées à Toronto et à Montréal, notamment à la Galerie Leonard-et-Bina-Ellen, à la Galerie Lilian Rodriguez et à l\'Espace Cercle Carré. En 2014, elle a fait partie des candidats pour les Bourses Claudine et Stephen Bronfman en art contemporain, et a été récipiendaire de la Roloff Beny Foundation Fellowship in Photography. Kim vit et travaille à Montréal.'),
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(55356, 1896, 'calendar_event_item_child_event_title', 'Vernissage'),
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(55366, 1896, '_calendar_event_item_content_repeater_0_content_title', 'field_calendar_content_repeater_title'),
(55367, 1896, 'calendar_event_item_content_repeater_0_content_title', 'Biographie'),
(55368, 1896, '_calendar_event_item_content_repeater_0_content_text', 'field_calendar_content_repeater_text'),
(55369, 1896, 'calendar_event_item_content_repeater_0_content_text', 'Née en 1984, Stéphanie Roland vit et travaille principalement à Bruxelles, mais aussi autour du monde au rythme des résidences d\'artistes auxquelles elle participe activement. Elle y développe un travail multidisciplinaire et des expérimentations autour de l\'image photographique, en questionnant l\'aspect fictionnel du médium et son rapport au cinéma. Ses œuvres ont été présentées dans de nombreuses expositions à l\'international, notamment à Los Angeles, Buenos Aires, Barcelone et Athènes. Diplômée de l\'École nationale supérieure des arts visuels de La Cambre, elle est également récipiendaire d\'un grand nombre de prix et bourses, notamment la bourse de la Fondation de la Vocation, le Prix Médiatine du public et le Full Contact Award 2012 du festival international de photographie Scan de Tarragone. Elle a récemment été mise en nomination pour le Prix HSBC pour la Photographie ainsi que pour le prix Oskar Barnack Leica.'),
(55370, 1896, 'calendar_event_item_content_repeater', '1'),
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(55492, 1899, 'calendar_event_item_content_repeater_0_content_text', 'Klara Källström et Thobias Fäldt sont des photographes suédois vivant à Stockholm. Fondateurs de la maison d\'édition B-B-B Books, ils privilégient le livre comme médium de création et de diffusion de séries photographiques abordant différents enjeux historiques et politiques. En 2013, ils avaient profité d\'un séjour de trois mois à Québec, en résidence d\'artistes au Studio international de la coopérative Méduse, pour terminer la mise en forme de la série <em>A.BEACH</em>, qui porte sur le conflit israélo-palestinien, pour finaliser la production de leur publication <em>Gottsunda</em>, et pour amorcer la série <em>Village</em>.'),
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(55533, 1900, 'calendar_event_item_content_repeater_0_content_text', 'Née en 1986, Laia Abril vit et travaille à Barcelone. Son travail a été exposé dans plusieurs galeries et festivals, notamment à la galerie Ivorypress à Madrid (2015) ; à PhotoEspaña à Madrid (2014) ; au Musée de l\'Elysée à Lausanne (2014) ; au Lodz Fotofestiwal (2013) ; au centre Arts Santa Mònica à Barcelone (2013) ; au Fotomuseum Winterthur (2012) ; au Festival d\'hiver de Sarajevo (2012) ; au Festival Lumix à Hanovre (2012) ; au New York Photo Festival (2011) ; au Studio la Città à Verone (2010) ; et à Caja Madrid (2010). L\'artiste est récipiendaire de plusieurs prix et distinctions, tels que le CENTER Choice Award (2013), et elle a été choisie pour la Fabrica, résidence d\'artistes de Benetton à Trévise (2013). Elle a été mise en nomination pour le Joop Swart Masterclass et pour le prix FOAM Paul Huf. Son livre <em>The Epilogue</em> a été sélectionné pour le PhotoBook Awards 2014 de Paris Photo-Aperture Foundation. Laia Abril est représentée par INSTITUTE à Los Angeles et à Bath.'),
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(55574, 1901, 'calendar_event_item_content_repeater_0_content_text', 'Jacynthe Carrier emploie la photographie et la vidéo pour capter différentes manœuvres artistiques qui engagent des corps dans l\'environnement et qui redéfinissent la manière dont on s\'approprie les territoires. Les compositions élaborées dans ses scènes s\'apparentent à des tableaux vivants, qui se situent moins dans la pose que dans le mouvement, aussi épuré soit-il. Ses œuvres réinventent des manières de faire et d\'être en invoquant la poésie des corps, du geste et de la présence.\r\n\r\nTitulaire d\'une maîtrise de l\'Université Concordia, Jacinthe Carrier a présenté son travail dans plusieurs événements et expositions individuelles et collectives (le Fresnoy, la Triennale québécoise, la Manifestation d\'art de Québec, le Musée régional de Rimouski, le centre VU, la Galerie de l\'UQAM), ainsi qu\'à l\'international dans le contexte de programmations vidéo (Canada, Europe, Brésil, États-Unis). Ses œuvres font partie de plusieurs collections privées et muséales. Elle a été finaliste pour le Québec en figurant sur la longue liste du Prix artistique Sobey en 2013, et elle fut honorée en 2012 par le Prix Pierre-Ayot, reconnaissant l\'excellence de la nouvelle création en arts visuels. Elle est représentée par la Galerie Antoine Ertaskiran à Montréal.'),
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(55697, 1904, 'calendar_event_item_content_repeater_0_content_text', 'Jonas St.Michael est né à Montréal et détient une maîtrise en beaux-arts de Goldsmiths, University of London ainsi qu\'un baccalauréat en beaux-arts de l\'Université Concordia. Sa pratique photographique explore la nature de la représentation et sa relation avec des contextes culturels et sociaux plus larges. Bien que ses projets soient variés, ils partagent un thème commun dans la mesure où l\'objectif est de communiquer une réalité sociale tout en abordant la zone entre la vérité et la fiction dans l\'image figurative. Il a exposé à l\'échelle nationale et internationale, notamment à OK Harris (New York, USA) et à Latitude 53 (Edmonton, Canada). En 2016, son travail sera présenté à la Galerie d\'Orléans de l\'École d\'art d\'Ottawa. Il sera en résidence à la British School at Rome dès le mois de janvier.'),
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(55738, 1905, 'calendar_event_item_content_repeater_0_content_text', 'Elis Hoffman vit et travaille à Stockholm, en Suède. Ses projets prennent la forme  d\'expositions et de livres, et il travaille également comme photographe indépendant depuis 2007. Cette exposition à VU est sa première à l\'extérieur de l\'Europe, où son travail a été présenté à de nombreuses reprises. Il a reçu de nombreux prix et subventions, notamment le prix du Jury des Rencontres photographiques de Montpellier en 2009 pour sa série <em>Tonight</em>, et le TT:s Photo Award en 2014, considéré le plus important prix que peut recevoir un photographe en Suède. Il a reçu ce prix pour <em>Fading</em>, pour lequel il a aussi reçu plusieurs subventions du Swedish Arts Grant Committee, en plus d\'avoir été un des gagnants du Deutscher Fotobuchpreis en 2015. Son livre Fading a été publié par Kehrer Verlag et a été lance à Paris Photo en 2014. Il a aussi reçu une subvention de la Swedish Authors Foundation pour son livre <em>De Flyktiga</em> en 2014.'),
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(55779, 1906, 'calendar_event_item_content_repeater_0_content_text', 'Patrick Beaulieu est artiste multidisciplinaire. Sensible aux rapports entre l\'homme et les forces insaisissables qui l\'entourent, il s\'attarde à l\'espace entre les choses et au-delà d\'elles. Ses réalisations donnent lieu à un corpus d\'œuvres d\'arts visuels combinant sculptures, installations, vidéos, photographies et interventions <em>in-situ</em> / <em>in-socius.</em> Ses œuvres expriment un tout au moyen de détails : le voyage et la traversée des frontières sont contenus dans une plume d\'oiseau migrateur, le destin d\'un papillon monarque dans une aile et celui d\'un arbre dans le bruissement de ses feuilles au vent. Depuis une douzaine d\'années, son travail s\'est forgé autour d\'expériences de parcours et rencontres lors d\'une série trajectoires performatives à travers l\'Amérique du Nord. Faisant appel à la collaboration d\'auteurs, philosophes et architectes paysagistes, il terminait en 2013 une trilogie d\'odyssées transfrontières qui consistait à suivre, par voie de terre, la trajectoire aérienne de la migration annuelle des papillons monarques (<em>Vecteur Monarque,</em> 2007), à poursuivre durant 25 jours les vents d\'Amérique dans une sorte de navigation continentale (<em>Ventury,</em> 2010) et à s\'abandonner au destin et à la chance sur les chemins du hasard (<em>Vegas,</em> 2012). À l\'été 2014, il se lançait dans une lente dérive continentale en kayak, sillonnant les méandres qui le menèrent de la source d\'une rivière du sud du Québec jusqu\'à l\'océan Atlantique, à l\'embouchure du fleuve Hudson, à New York. Naviguant au rythme subtil des courants durant 25 jours, il capta en images ces <em>points de confluences </em>où les paysages et les rencontres humaines génèrent de la poésie (<em>Méandre,</em> 2014).\r\n\r\nSon travail a été présenté dans divers pays. Mentionnons notamment les expositions individuelles en Belgique (Experimental Intermedia, 2005), à Singapour (Plastique Kinetic Worms art center, 2006), au Mexique (Centro de la Imagen, 2006 et Musée d\'art contemporain de Morelia, 2008). Au Canada, ses œuvres ont, entre autres, été exposées au Banff New Media Institute, à la Art Gallery of Windsor, à la Galerie Leonard-et-Bina-Ellen, au Centre Clark, au Centre d\'exposition CIRCA, au Musée de Lachine, à la Galerie des arts visuels de l\'Université Laval, au Musée des beaux-arts de Sherbrooke et ponctuellement, depuis 2006, à la Galerie Art Mûr qui le représente à Montréal. Son travail se retrouve dans des collections publiques et privées au Canada, aux États-Unis, en France et au Mexique. Il inscrit son travail en art public au Québec et à l\'étranger depuis une dizaine d\'années, autant dans le contexte d\'œuvres publiques permanentes que d\'œuvres éphémères présentées dans le cadre d\'évènements artistiques.\r\n\r\n<a href=\"http://patrickbeaulieu.ca\">patrickbeaulieu.ca</a>'),
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(55820, 1907, 'calendar_event_item_content_repeater_0_content_text', 'Nadège Grebmeier Forget (n. 1985) est artiste visuelle, performeuse, commissaire et coordonnatrice de projets à la pige. Sa présence est active et soutenue au sein de la communauté artistique de Montréal, tant dans le milieu des arts visuels que celui des arts de la scène. Depuis 2009, elle a organisé et pris part à de nombreux événements, festivals, panels, résidences et expositions collectives au Canada comme en Allemagne. Son travail en performance a notamment été présenté à Viva! Art Action! (2011), au OFFTA (2012), au Month of Performance Art - Berlin (2013), à The Mountain Standard Time Performative Art Festival (2014). Elle a aussi participé au projet <em>Adventures Can be Found Anywhere, même dans la mélancolie</em>, une exposition performative signée PME-ART présentée à la Galerie Leonard-et-Bina-Ellen dans le cadre du Festival actOral (2014). En mars 2015, elle a co-produit <em>Oxymorons </em>avec le Youtheatre, une installation-performance conçue pour des groupes scolaires d\'adolescents (13-17 ans), présenté au Centre Segal des arts de la scène. Ses œuvres les plus récentes ont, entre autres, été exposées au Musée régional de Rimouski et au Musée d\'art contemporain des Laurentides. Des écrits sur son travail peuvent être lus dans les revues <em>Aparté : arts vivants recherche et création</em> et <em>JEU </em>ainsi que dans le livre <em>CORE 2015</em> (publié par la Glassel School of Art et le Musée des beaux-arts de Houston). Elle a siégé sur plusieurs comités de sélection et de consultation pour des festivals, centres d\'artistes et institutions dont, présentement, le comité de direction de la Galerie de l\'UQAM et le conseil d\'administration du Centre CLARK. Elle est cofondatrice du collectif de commissaires N. &amp; M. (une collaboration avec Manon Tourigny depuis 2011) et coinstigatrice de LEGS (un événement itinérant de performances à relais d\'une journée). Aura lieu en 2016 plusieurs activités et collaborations à suivre dont sa toute première participation à une exposition aux États-Unis à la galerie She Works Flexible de Houston, Texas.\r\n\r\nwww.nadege-grebmeier-forget.com'),
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(55861, 1908, 'calendar_event_item_content_repeater_0_content_text', '<strong>Charinthorn Rachurutchata</strong> est une artiste photographe diplômée de l\'Université Sukhothai. Après plusieurs années à avoir travaillé comme photographe de mode, elle s\'est orientée vers la photographie d\'art. Son travail a été présenté en exposition à Bangkok, et l\'artiste a fait des résidences d\'artistes au Japon et en Thaïlande. Ses œuvres abordent des thèmes reliés à l\'imagination et à la solitude, et se penchent sur la manière dont l\'identité, la psychologie, le surréalisme et le fantastique teintent les univers de l\'enfance et de l\'adolescence.\r\n\r\n<strong>Miti Ruangkritya</strong> est un photographe thaïlandais qui s\'intéresse à la ville, ses environnements, ses gens et ses transformations. Ses œuvres ont circulé à l\'international, notamment dans des expositions individuelles à Singapore, Bangkok et Venise. Il a également présenté son travail dans des festivals en France, en Angleterre, aux Pays-Bas et à Singapore. Son portfolio a fait l\'objet de publications dans le British Journal of Photography, De L\'air et Le Monde. Son travail a été récompensé par la Magenta Foundation et par le Reviewers Choice Award du festival Format.\r\n\r\n<strong>Marc-André Jésus</strong> vit et travaille dans la région de Québec, Canada. Il a exposé son travail au Québec, notamment lors de: L\'art à l\'acte, Cégep de Sainte-Foy (QC, CA), Rencontre inter-collégial, Cégep du Vieux-Montréal (QC, CA), Extra-Muros, La Rotonde (QC, CA), Face-à-face / Pli selon pli, VU photos (QC, CA), Banc d\'essai, Galerie des arts visuels de l\'Université Laval (QC, CA), #ARV2015, Le Réacteur (QC, CA). À la fin de son parcours scolaire, il a remporté la bourse Louis Garneau, un prix qui souligne la qualité du dossier scolaire et les perspectives d\'avenir.\r\n\r\n<strong>Renaud Philippe</strong> a grandi et vit à Québec, Canada. Son travail a obtenu la médaille d\'Or du Prix des Magazines Canadien dans la catégorie Photojournalisme et essai photographique, le prix Flash Forward de la Magenta Foundation en 2014 et 2015, une mention d\'excellence au Picture of the Years International Award (POYi). Il est récipiendaire de trois Grand Prix du journalisme indépendant de l\'Association de journalistes indépendants du Québec et d\'un prix Antoine Desilet de la Fédération professionnel des journalistes du Québec.'),
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(55902, 1909, 'calendar_event_item_content_repeater_0_content_text', 'L\'art de Jocelyn Robert est essentiellement interdisciplinaire. Il a réalisé de nombreuses expositions en solo au Canada et à l\'international, en plus de participer à des collaborations et expositions de groupe partout dans le monde. Ses vidéos et œuvres d\'art médiatique ont été vus dans des évènements d\'envergure et ses créations sonores ont été publiées sur de nombreuses étiquettes de disque. Il a publié des textes théoriques ou de création dans des revues spécialisées et dans des catalogues d\'art, ainsi qu\'un roman poétique aux éditions Le Quartanier. Le centre VOX, la Galerie de l\'UQAM et le Musée des Beaux-Arts de Nantes ont consacré des catalogues sur son travail. Il a également produit des créations radiophoniques, des concerts et des performances. Ses œuvres font partie de nombreuses collections publiques et privées. <a href=\"http://www.jocelynrobert.com\" target=\"_blank\" rel=\"noopener\">jocelynrobert.com</a>'),
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(55943, 1910, 'calendar_event_item_content_repeater_0_content_text', 'Caroline Cloutier vit et travaille à Montréal et elle pratique principalement la photographie et l\'installation. Ses œuvres ont été présentées au Québec et à Toronto lors d\'expositions en centres d\'artistes, symposiums et foires. Sa première résidence à l\'étranger a été effectuée en 2014 à Linz (Autriche), où s\'est amorcée la recherche ayant mené au corpus <em>Contre-espaces</em>. Une exposition y est prévue en 2016 et marquera la première diffusion de son travail à l\'étranger. Elle a été boursière du Conseil des arts et des lettres du Québec, du Conseil des arts du Canada et de la SODEC. Elle possède un baccalauréat en arts visuels et médiatiques de l\'UQAM et elle est représentée par la Galerie Nicolas Robert, à Montréal. <a href=\"http://www.carolinecloutier.net\" target=\"_blank\" rel=\"noopener\">carolinecloutier.net</a>'),
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(56025, 1912, 'calendar_event_item_content_repeater_0_content_text', 'Dans ses recherches et sa pratique artistique, François Lemieux aborde la mise en récit d\'expérimentations collectives. Il est titulaire d\'un baccalauréat du programme d\'études interdisciplinaires en beaux-arts de l\'Université Concordia et d\'une maîtrise en arts visuels et médiatiques de l\'Université du Québec à Montréal. Son travail a été présenté lors d\'expositions individuelles et collectives au Canada, notamment au Musée d\'art contemporain de Montréal, à la Galerie Leonard-et-Bina-Ellen de l\'Université Concordia et au Centre Banff. Il a également exposé au Springhill Institute (Birmingham, Angleterre), aux galeries 1646 et Walden Affairs (Pays-Bas), au Leipzig Kunstverein, à la galerie Blümen et au KW Berlin (Allemagne), à la Fabrica de Vapore et dans le cadre du programme de la Fondazione Antonio Ratti (Italie). Il a également initié des projets collectifs dont <em>We Left the Warm Stable and Entered the Latex Void</em> de 2008 à 2010 et la publication <em>Le Merle, Cahier sur les mots et les gestes</em> fondée en 2012. Il prend part à divers projets collectifs dont <em>Entrepreneurs du Commun.</em>'),
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(56107, 1913, 'calendar_event_item_content_repeater_0_content_text', 'Une collaboration entre VU et Sherpa.\r\n\r\nCette collaboration a eu lieu grâce au soutien de l\'Entente de développement culturel entre le ministère de la Culture et des Communications et la Ville de Québec.\r\n\r\n<img style=\"border: 0px none\" src=\"http://www.ville.quebec.qc.ca/logos/developpement_culturel/img/logo_entente_noir.jpg\" alt=\"Entre de développement culturel\" width=\"100\" height=\"47\" />'),
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INSERT INTO `workspace_postmeta` (`meta_id`, `post_id`, `meta_key`, `meta_value`) VALUES
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(56189, 1915, 'calendar_event_item_content_repeater_0_content_text', 'Au cours des trente-cinq dernières années, Bertrand Carrière a développé une œuvre photographique autour de deux axes. D\'abord, une voie documentaire englobant des paysages, vastes et intimes, ainsi que des portraits, par lesquels il s\'intéresse à la mémoire et à l\'histoire des lieux. De ces recherches émergent des images qui tentent de donner une parole aux choses muettes, à celles qui disparaissent. Puis, une autre approche, plus intime, est caractérisée par une pratique quotidienne et une disponibilité du regard aux irrégularités du visible. Il y explore la réalité pour toutes ses résonances autobiographiques.  Que ce soit sur les murs, dans les espaces pour l\'art public ou dans ses livres, son travail se déploie en séries explorant les liens narratifs qui se développent entre les images. Son travail a été exposé au Québec, au Canada, aux États-Unis, en Europe, en Russie et en Chine. En 2004, il a réalisé <em>913</em>, un film documentaire sur la mémoire du raid de Dieppe. En 2005, il reçoit le Prix de la création en région du Conseil des arts et des lettres du Québec pour la Montérégie. Il est également récipiendaire de bourses du Conseil des arts du Canada et du Conseil des arts et des lettres du Québec. Ses œuvres sont présentes dans de nombreuses collections publiques et privées. Ses œuvres sont représentées à Montréal par la Galerie Simon Blais à Montréal, à Toronto par la Stephen Bulger Gallery, et sont distribuées par l\'agence Vu à Paris. Il enseigne la photographie au cégep André-Laurendeau, à Montréal. Né en 1957 à Ottawa, il vit et travaille à Longueuil.'),
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(56230, 1916, 'calendar_event_item_content_repeater_0_content_text', '<strong>Charinthorn Rachurutchata</strong> est une artiste photographe diplômée de l\'Université Sukhothai. Après plusieurs années à avoir travaillé comme photographe de mode, elle s\'est orientée vers la photographie d\'art. Son travail a été présenté en exposition à Bangkok, et l\'artiste a fait des résidences d\'artistes au Japon et en Thaïlande. Ses œuvres abordent des thèmes reliés à l\'imagination et à la solitude, et se penchent sur la manière dont l\'identité, la psychologie, le surréalisme et le fantastique teintent les univers de l\'enfance et de l\'adolescence.\r\n\r\n<strong>Miti Ruangkritya</strong> est un photographe thaïlandais qui s\'intéresse à la ville, ses environnements, ses gens et ses transformations. Ses œuvres ont circulé à l\'international, notamment dans des expositions individuelles à Singapore, Bangkok et Venise. Il a également présenté son travail dans des festivals en France, en Angleterre, aux Pays-Bas et à Singapore. Son portfolio a fait l\'objet de publications dans le British Journal of Photography, De L\'air et Le Monde. Son travail a été récompensé par la Magenta Foundation et par le Reviewers Choice Award du festival Format.\r\n\r\n<strong>Marc-André Jésus</strong> vit et travaille dans la région de Québec, Canada. Il a exposé son travail au Québec, notamment lors de: L\'art à l\'acte, Cégep de Sainte-Foy (QC, CA), Rencontre inter-collégial, Cégep du Vieux-Montréal (QC, CA), Extra-Muros, La Rotonde (QC, CA), Face-à-face / Pli selon pli, VU photos (QC, CA), Banc d\'essai, Galerie des arts visuels de l\'Université Laval (QC, CA), #ARV2015, Le Réacteur (QC, CA). À la fin de son parcours scolaire, il a remporté la bourse Louis Garneau, un prix qui souligne la qualité du dossier scolaire et les perspectives d\'avenir.\r\n\r\n<strong>Renaud Philippe</strong> a grandi et vit à Québec, Canada. Son travail a obtenu la médaille d\'Or du Prix des Magazines Canadien dans la catégorie Photojournalisme et essai photographique, le prix Flash Forward de la Magenta Foundation en 2014 et 2015, une mention d\'excellence au Picture of the Years International Award (POYi). Il est récipiendaire de trois Grand Prix du journalisme indépendant de l\'Association de journalistes indépendants du Québec et d\'un prix Antoine Desilet de la Fédération professionnel des journalistes du Québec.'),
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(56271, 1917, 'calendar_event_item_content_repeater_0_content_text', 'Née à Montréal, <strong>Ève Cadieux</strong> vit et travaille à Québec. Diplômée de l\'Université de Montréal, elle est titulaire d\'une maîtrise en histoire de l\'art et création visuelle. Ses œuvres ont été exposées au Québec, au Canada et à l\'étranger. Sa série photographique <em>Les Antres</em> a notamment fait partie de l\'exposition itinérante <em>Obra Coleccion. El artista como coleccionista</em>, commissariée par Joan Fontcuberta et présentée à la Foto Colectania de Barcelone, à la Sala San Benito de Valladolid et au Centro Andaluz de la Fotografia d\'Almeria. Explorant une fascination toujours grandissante pour les objets glanés au fil du temps et pour les lieux porteurs de mémoire, le travail d\'Ève Cadieux est souvent photographique et réserve une place prépondérante à l\'écrit par le biais de l\'installation et du livre d\'artiste. evecadieux.com\r\n\r\n<strong><strong>Renaud Philippe</strong> </strong>a grandi et vit à Québec, Canada. Son travail a obtenu la médaille d\'Or du Prix des Magazines Canadien dans la catégorie Photojournalisme et essai photographique, le prix Flash Forward de la Magenta Foundation en 2014 et 2015, une mention d\'excellence au Picture of the Years International Award (POYi). Il est récipiendaire de trois Grand Prix du journalisme indépendant de l\'Association de journalistes indépendants du Québec et d\'un prix Antoine Desilet de la Fédération professionnel des journalistes du Québec. <a href=\"http://www.renaudphilippe.com\">renaudphilippe.com</a>\r\n\r\n<strong>Richard Baillargeon</strong> est anthropologue de formation et poursuit un travail artistique reposant sur la rencontre de l\'image photographique et du texte. Sa pratique professionnelle s\'étend également à la gestion culturelle, au commissariat d\'expositions, à l\'organisation d\'événements et à l\'écriture. Ses œuvres ont fait l\'objet de plusieurs publications et ont été exposées dans de nombreuses expositions tant au Québec, au Canada qu\'à l\'étranger, en plus de se retrouver dans les collections de plusieurs institutions publiques. Parmi ses dernières expositions, mentionnons <em>Marques de l\'exsangue</em> présenté au Centre Expression de Saint-Hyacinthe en 2008 et <em>Anticoste</em> présentée en 2012 à la Galerie des arts visuels de l\'Université Laval et plus récemment, en 2016, au Musée régional de la Côte-Nord à Sept-Îles. Richard Baillargeon a participé activement à la fondation de VU, centre de diffusion et de production de la photographie (Québec). Récipiendaire du Prix du duc et de la duchesse de York en photographie (1987) du Conseil des arts du Canada, il a été de 1989 à 1994 directeur du programme de photographie du Banff Centre for the Arts (Alberta) et directeur artistique du Centre de sculpture Est-Nord-Est à St-Jean-Port-Joli (Québec) de 1995 à 1997. Il est présentement professeur à l\'École des arts visuels de l\'Université Laval (Québec, Canada). Ses travaux de recherche-création ont été subventionnés par le Fonds de Recherche du Québec en Sciences sociales et culture (FRQSC) et portent sur les questions du regard et du territoire en s\'intéressant en particulier à la représentation photographique du paysage en arts visuels actuels. Il vit et travaille à Québec. <a href=\"http://www.richardbaillargeon.com\">richardbaillargeon.com</a>'),
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(56353, 1919, 'calendar_event_item_content_repeater_0_content_text', 'L\'art de Jocelyn Robert est essentiellement interdisciplinaire. Il a réalisé de nombreuses expositions en solo au Canada et à l\'international, en plus de participer à des collaborations et expositions de groupe partout dans le monde. Ses vidéos et œuvres d\'art médiatique ont été vus dans des évènements d\'envergure et ses créations sonores ont été publiées sur de nombreuses étiquettes de disque. Il a publié des textes théoriques ou de création dans des revues spécialisées et dans des catalogues d\'art, ainsi qu\'un roman poétique aux éditions Le Quartanier. Le centre VOX, la Galerie de l\'UQAM et le Musée des Beaux-Arts de Nantes ont consacré des catalogues sur son travail. Il a également produit des créations radiophoniques, des concerts et des performances. Ses œuvres font partie de nombreuses collections publiques et privées. <a href=\"http://www.jocelynrobert.com\" target=\"_blank\" rel=\"noopener\">jocelynrobert.com</a>'),
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(56433, 1921, 'calendar_event_item_content_repeater_0_content_title', 'Biographie'),
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(56435, 1921, 'calendar_event_item_content_repeater_0_content_text', 'Originaire de Chicago, John Steck a exposé son travail dans plusieurs galeries aux États-Unis. Au cours des trois dernières années, il a effectué des résidences d\'artiste en Irlande et en Finlande et il a été finaliste pour la bourse US Fullbright Student en 2015 et en 2016. Il a enseigné l\'histoire de la photographie et du livre photographique au Chicago Photography Center à Chicago et enseigne présentement au Waudonsee Community College à Sugar Groove. Dans la dernière année, son travail a été présenté à la galerie Sector 2337 à Chicago ainsi qu\'au Museum of Contemporary Photography à Chicago. En plus de sa charge d\'enseignement, John Steck a aussi travaillé comme assistant à l\'enseignement dans trois différentes institutions au cours des huit dernières années.'),
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(56474, 1922, 'calendar_event_item_content_repeater_0_content_title', 'Biographie'),
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(56476, 1922, 'calendar_event_item_content_repeater_0_content_text', 'Adepte du mal-fait étincelant, de l\'agriculture en quinconce et des maisons d\'horreurs, Charles Fleury construit des objets et des images qui forment des récits chaotiques complexes inspirés de certains codes politiques, anthropologiques et religieux. Il cherche, par leur décontextualisation, à questionner le sens de certaines structures établies trop souvent prises pour acquis.  Le projet présenté à VU extrapole une vision comico-pathétique d\'un royaume inhumain où règne la foi, le pouvoir et la vanité. Les œuvres de Charles Fleury ont été présentées entre autres à Morgan Bridge (2013), à Regart (2012), au studio d\'Essai de Méduse (2011), à la Galerie des arts visuels de l\'Université Laval (2009), à La Bande Vidéo (2008) et dans la plupart des écocentres de la région. Boursier de la Fondation René-Richard pour la maîtrise en arts visuels de l\'Université Laval (2009) et de Première Ovation (2011 et 2012), il adore recevoir des bourses. Il s\'est d\'ailleurs mérité le Prix Videre de la relève pour son exposition <em>Apparitions futuristes: en aval des couches et du suprême </em>présentée au centre VU en 2015. Il a étudié la biologie, l\'agriculture, l\'enseignement, les arts visuels et la confection de radeaux en citrouilles géantes. Charles Fleury vit toujours en basse-ville de Québec, mais tenterait de fuir vers une forêt quelconque.'),
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(56545, 1924, 'calendar_event_item_child_event_title', 'Vernissage'),
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(56556, 1924, 'calendar_event_item_content_repeater_0_content_title', 'Biographie'),
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(56558, 1924, 'calendar_event_item_content_repeater_0_content_text', 'Matthieu Brouillard est un artiste visuel né à Montréal en 1976. Il a étudié les arts visuels et médiatiques à l\'Université du Québec à Montréal, où il a obtenu un doctorat avec une thèse portant sur la photographie et la notion de « crise du sujet » chez les penseurs français du poststructuralisme. Son travail plastique et ses écrits ont été présentés dans de nombreuses publications (Ciel Variable, SHOTS Magazine, revue Les Écrits, Samuel Beckett Aujourd\'hui), galeries et institutions liées aux arts (Dazibao, Gallery 44, OBORO, Photoforum Pasquart, Musée de l\'Élysée, Le Fresnoy, Kunsthalle Bern, iaab Projektraum, Musée d\'art contemporain de Baie-Saint-Paul). Brouillard a collaboré avec des metteurs en scène de théâtre et pris part à un projet qui visait à mettre en relation architecture, littérature et vidéo (<em>Les Archi-fictions</em>, 2006). Il a été chargé de cours et chercheur invité dans diverses universités et écoles d\'art (Université de Zürich, Université de Berne, Université des arts et du design de Karlsruhe, Département Cinéma/Cinéma du réel de la Haute École d\'arts et de design de Genève). Il a publié trois livres : <em>Narragonie</em>(avec un avant-propos du romancier Gaétan Soucy, J\'ai VU, 2007); <em>Darkness Implacable</em> (avec un essai de James D. Campbell, Sagamie, 2013); et <em>Coming Through the Fog </em>(en duo avec Donigan Cumming, publié par Sagamie et la Galerie FoFA, 2012). Dans ces livres se combinent recherche plastique, attrait pour des considérations d\'ordre psychologique et existentiel, et observations de natures théorique et historique sur la photographie. Son travail fait partie de collections privées et publiques au Canada, en Allemagne et en Suisse et a reçu maintes fois le soutien du Conseil des arts du Canada, du Conseil des arts et des lettres du Québec et du Fonds québécois de recherche sur la société et la culture (FQRSC).'),
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(56623, 1926, 'calendar_event_item_end_time', '00:00'),
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(56627, 1926, 'calendar_event_item_child_event_title', 'Vernissage'),
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(56629, 1926, 'calendar_event_item_child_event_start_date', '20170113'),
(56630, 1926, '_calendar_event_item_child_event_start_time', 'field_calendar_child_event_start_time'),
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(56635, 1926, 'calendar_event_item_child_event_end_time', '21:00:00'),
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(56637, 1926, '_calendar_event_item_content_repeater_0_content_title', 'field_calendar_content_repeater_title'),
(56638, 1926, 'calendar_event_item_content_repeater_0_content_title', 'Biographie'),
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(56640, 1926, 'calendar_event_item_content_repeater_0_content_text', 'Née en 1971 à Montréal où elle vit, Emmanuelle Léonard détient un baccalauréat de l\'Université Concordia et une maîtrise de l\'Université du Québec à Montréal. Son travail a été présenté dans de nombreuses expositions, notamment au Musée d\'art contemporain de Montréal, à la Kunsthaus Dresden et au Neuer Berliner Kunstverein (Allemagne), à la Art Gallery of Ontario et à Mercer Union (Toronto), au Mois de la Photo à Montréal et à Optica (Montréal), à L\'Œil de Poisson (Québec) et à Expression, Saint-Hyacinthe. L\'artiste participe à la Triennale québécoise de 2011, à la Biennale de Montréal de 2014 et à l\'exposition <em>À Montréal, quand l\'image rôde</em> au Fresnoy (France), en 2013. Elle a effectué des résidences d\'artistes à la Villa Arson (France), à la Fondation Christoph Mérian (Suisse) et à la Fondation finlandaise de résidences d\'artistes (Finlande). Récipiendaire du Prix Pierre-Ayot en 2005, elle a été nominée pour le Grange Prize en 2012, et finaliste du premier Prix en art actuel du Musée national des beaux-arts du Québec en 2013 et du Prix Louis-Comtois en 2014. Elle est sélectionnée pour le Programme d\'arts des Forces canadiennes pour une résidence en 2017.'),
(56641, 1926, 'calendar_event_item_content_repeater', '1'),
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(56656, 1927, 'calendar_event_item_location', ''),
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(56660, 1927, 'calendar_event_item_start_time', '00:00'),
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(56668, 1927, 'calendar_event_item_child_event_title', 'Vernissage'),
(56669, 1927, '_calendar_event_item_child_event_start_date', 'field_calendar_child_event_start_date'),
(56670, 1927, 'calendar_event_item_child_event_start_date', '20170218'),
(56671, 1927, '_calendar_event_item_child_event_start_time', 'field_calendar_child_event_start_time'),
(56672, 1927, 'calendar_event_item_child_event_start_time', '17:00:00'),
(56673, 1927, '_calendar_event_item_child_event_end_date', 'field_calendar_child_event_end_date'),
(56674, 1927, 'calendar_event_item_child_event_end_date', '20170218'),
(56675, 1927, '_calendar_event_item_child_event_end_time', 'field_calendar_child_event_end_time'),
(56676, 1927, 'calendar_event_item_child_event_end_time', '21:00:00'),
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(56678, 1927, '_calendar_event_item_content_repeater_0_content_title', 'field_calendar_content_repeater_title'),
(56679, 1927, 'calendar_event_item_content_repeater_0_content_title', 'Biographie'),
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(56681, 1927, 'calendar_event_item_content_repeater_0_content_text', 'Sarah Anne Johnson détient un baccalauréat de l\'Université du Manitoba et une maîtrise de la Yale School of Art. Son travail a été présenté dans de nombreuses expositions individuelles et collectives à travers le monde. Elle a fait partie de la liste courte du Prix Sobey pour les arts en 2011 et 2015. Ses photographies se retrouvent dans plusieurs collections prestigieuses, dont celles du Guggenheim Museum, du Musée des beaux-arts du Canada et du Musée des beaux-arts de Montréal. L\'artiste est représentée par les galeries Julie Saul (New York), Stephen Bulger (Toronto) et Division (Montréal).'),
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(56709, 1928, 'calendar_event_item_child_event_title', 'Vernissage'),
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(56722, 1928, 'calendar_event_item_content_repeater_0_content_text', 'Reconnue comme l\'une des principaux représentants d\'une nouvelle génération d\'artistes travaillant avec les technologies numériques pour créer des paysages surréels, Kelly Richardson a été largement acclamé en Amérique du Nord, en Asie et en Europe. Ces expositions récentes incluent SMoCA (É-U), CAG Vancouver, VOID Derry (Irlande), Naturhistorisches Museum Wien (Autriche) et une revue majeure à Albright-Knox (É-U). Son œuvre a été sélectionnée pour les biennales de Beijing, de Busan, du Canada, de Gwangju et de Montréal, ainsi que d\'importantes expositions d\'images animées dont <em>The Cinema Effect: Illusion, Reality and the Moving Image</em> au Hirshhorn Museum and Sculpture Garden (É-U), <em>Videosphere: A New Generation</em> à la galerie d\'art Albright-Knox (É-U) et <em>Visions Fugitives</em> au Fresnoy (France). Ses installations vidéo ont été présentées au Festival international du film de Toronto (2012), au Festival du film de Sundance (2011 et 2009) et en 2009 elle a été récompensée en tant qu\'artiste vedette des Américains aux Arts National Arts Awards. L\'œuvre de Richardson a été ajoutée dans d\'importantes collections de musées du Royaume-Uni, des États-Unis et du Canada, tel qu\'au Hirshhorn Museum and Sculpture Garden, au SMoCA, à la galerie d\'art Albright-Knox, au Musée des beaux-arts du Canada, au Musée d\'art contemporain de Montréal, à la Arts Council Collection (Angleterre) et à la Towner Gallery.\r\n\r\nKelly Richardson est née à Burlington, en Ontario, au Canada, en 1972. Après avoir étudié les arts visuels et les beaux-arts, elle obtient son diplôme de premier cycle à l\'OCAD (Canada) et sa maîtrise au NSCAD (Canada) ainsi qu\'à Newcastle University (Royaume-Uni). Elle vit et travaille en Angleterre depuis 2003.'),
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(56804, 1930, 'calendar_event_item_content_repeater_0_content_text', 'Né à Halifax en 1984, Christopher Boyne détient un baccalauréat en arts visuels de la Ryerson University de Toronto et une maîtrise en pratique des arts de l\'Université Concordia. Il vit et travaille à Montréal et à Halifax. Son travail a été présenté au Canada et aux États-Unis. Ses plus récentes expositions incluent <em>stepside</em> au Harbourfront Center de Toronto et <em>Geneva</em> à Access Gallery de Vancouver. Boyne figure aussi parmi le premier groupe d\'artistes retenus pour le programme de résidence <em>Twenty-three Days at Sea: A Travelling Artist Residency </em>(Vingt-trois jours en mer : une résidence d\'artiste itinérante).  Il a également participé à une résidence aux Îles-de-la-Madeleine, intitulée <em>Le Chant des pistes</em> et organisée par le centre d\'artistes Admare.'),
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(56845, 1931, 'calendar_event_item_content_repeater_0_content_text', 'Né en 1985, Shuwei Liu est un artiste qui vit à Shanghai, où il travaille avec la photographie et la vidéo. Son travail a été présenté à Arte Fiera Bologna 2017, à la Power Station of Art, et au Three Shadows Photography Art Centre. Il a été finaliste du LensCulture Portrait Awards en 2016 et du Barcelona International Photography Awards en 2015. Il a reçu le Emerging Chinese Artist Award qui lui a valu une résidence d\'artiste au Red Gate, à Beijing. Ses oeuvres ont été publiées dans les magazines Der Greif, GUP, LEAP, Art World, parmi d\'autres. En mai et juin 2017, il sera en résidence au Vermont Studio Center.'),
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(56886, 1932, 'calendar_event_item_content_repeater_0_content_text', '<strong>Martin Guimont</strong>\r\n\r\nMartin Guimont est diplômé de l\'École des arts visuels et médiatiques de l\'UQÀM. Son travail fut entre autres présenté lors d\'expositions collectives à Arts Underground (Whitehorse, Yukon, 2010), La Graineterie (Houilles, France, 2011) et à Espace Projet (Montréal, 2014), puis lors d\'expositions individuelles à la galerie La Vitrine du centre Est-Nord-Est (Saint-Jean-Port-Joli, 2010) et au Yukon Arts Centre (Whitehorse, Yukon, 2011). Il a également participé à des résidences d\'artistes, notamment au centre Est-Nord-Est (2010) ainsi qu\'à Arts Underground (Whitehorse, 2010).  Il a publié un premier livre d\'artiste intitulé Obstacles en 2012, puis en publiera un second en 2017. Son travail a reçu le soutien du Conseil des arts et lettres du Québec dans le cadre d\'une bourse de recherche et création en 2013.\r\n\r\n<strong>Alphiya Joncas</strong>\r\n\r\nNée en Russie, adoptée aux Îles-de-la-Madeleine, Alphiya Joncas complète son baccalauréat en arts visuels et médiatiques à l\'Université Laval.  En mai 2016, elle réalise avec d\'autres collègues une première expérience d\'autodiffusion lors de l\'exposition La fois où on voulait se couper les cheveux. L\'artiste a également agi en tant que co-commissaire de l\'exposition Persona Grata en 2016. Elle a présenté ses œuvres dans l\'exposition collective Elles pensaient comme ça alors que moi pas. en 2017  à la Salle d\'exposition du Pavillon Alphonse-Desjardins de l\'Université Laval, un évènement satellite de Manif d\'art 8, la biennale de Québec. Alphiya Joncas est impliquée auprès du centre d\'artistesAdMare.\r\n\r\n<strong>Audrée Demers-Roberge</strong>\r\n\r\nAudrée Demers-Roberge a obtenu un baccalauréat en arts visuels et médiatiques à l\'Université Laval avec une année d\'études à l\'Université de Laponie en Finlande. Elle est présentement à la maîtrise en arts visuels et a complété un microprogramme en agriculture biologique en 2015. L\'artiste a présenté Morceler le paysage, une exposition solo au Cercle à Québec (2016). Son travail a également fait l\'objet de plusieurs expositions collectives dont la Foire en art actuel de Québec (2014), De passage à la salle d\'exposition du pavillon Alphonse-Desjardins (2015) etRepérage au Musée d\'art contemporain de Baie-Saint-Paul (2012). L\'artiste travaille à la publication d\'un livre avec l\'artiste Amélie Laurence Fortin. Elle a fait des résidences d\'artistes à Prima Ink en Norvège, au centre Est-Nord-Est à Saint-Jean-Port-Joli, au Art nature/Land-art Hudson à Hudson, au Casey House à Terre-Neuve et au Robert Street Social Center à Halifax.'),
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(56927, 1933, 'calendar_event_item_content_repeater_0_content_text', 'Né en 1983 et diplômé de l\'École supérieure d\'art et de design d\'Orléans, Jérémie Lenoir construit depuis près de dix ans une anthropologie des paysages contemporains. Ses projets révèlent la globalisation des formes, fonctions et usages de nos espaces de vie par la conjugaison d\'un point de vue photographique aérien et d\'influences puisées dans la peinture. Entre la nécessité de capturer le réel et celle de sa transfiguration en tableaux, ses photographies tentent d\'apporter à nos territoires contemporains un réalisme nouveau. Jérémie Lenoir est l\'auteur de <em>Territoires occupés</em> (LME, 2009), <em>Transfigurations</em> (Filigranes, 2011) et <em>NORD</em> (Light Motiv, 2016). Il a été lauréat, entres autres, de la Bourse de la Fondation Mécène et Loire et du 18<sup>e</sup> prix A.M.E. (Art et mécénat d\'entreprise en Essonne).'),
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(56968, 1934, 'calendar_event_item_content_repeater_0_content_text', 'Installations photographiques : Donald Weber, Louis Perreault\r\n\r\nLivres présentés : Donald Weber, Michel Huneault, Virginie Rebetez, Ed Templeton, Doug Rickard, Don Hudson, Huger Foote, Louis Perreault, Bertien van Manen, JH Engström, Josée Schryer, Robert Frank\r\n\r\nExposition réfléchie par Charles-Frédérick Ouellet'),
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(57009, 1935, 'calendar_event_item_content_repeater_0_content_text', 'Charles-Étienne Brochu, Jacynthe Carrier, Charles Guilbert et Nathalie Caron avec la collaboration de Jean Corbeil, Nadia Myre, Jean-François Prost/ Adaptative Actions, Outre-Vie/ Afterlife (Raymonde April, Jessica Auer, Jacques Bellavance, Velibor Bozovic, Gwynne Fulton, Katie Jung, Jinyoug Kim, Lise Latreille, Celia Perrin-Sidarous, Marie-Christine Simard, Bogdan Stoica, Andrea Szilasi, Chih-Chien Wang)\r\n\r\nAvec un texte collaboratif entre Caroline Loncol Daigneault et Anne-Marie Proulx.\r\n\r\n<em>Ensemble</em> est un projet imaginé par Anne-Marie Proulx.'),
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(57091, 1937, 'calendar_event_item_content_repeater_0_content_text', 'Depuis 2004 la pratique artistique d\'Alexandre Berthier évolue au sein de trois domaines qui parfois se recoupent : les arts visuels, les arts médiatiques ainsi que les arts de la scène. Dans la plupart de ses projets il collabore avec d\'autres artistes. Sa principale collaboration se fait avec l\'artiste Karl-Otto von Oertzen sous le duo Marswalkers, qui existe depuis plus d\'une dizaine d\'années. Ils ont présenté leur travail dans des centres comme CIANT à Prague, The Public à Birmingham, Wimbledon School of Art à Londres, Rockport Center for Contemporary Art aux USA, centre d\'art l\'OEil de Poisson à Québec, ainsi qu\'au centre d\'art TUPAC à Lima, Pérou. Ils ont participé à la 6ème manifestation internationale vidéo et art électronique de Montréal et au Mois Multi 12. En 2013 ils étaient en résidence de création au centre BANG à Chicoutimi. Leur prochaine oeuvre va être présentée au Mois Multi 2016.\r\n\r\nEn solo, Alexandre Berthier développe sa pratique personnelle de la vidéo, du son et de la photographie. Son travail a été montré entre autres dans les festivals suivants : Mois Multi à Québec, Bains Numériques à Paris, Nouveau Cinéma à Montréal, Sounds like à Saskatoon, au centre d\'art Espace F à Matane.\r\n\r\nEn parallèle, il réalise des oeuvres vidéo et audio pour divers commanditaires, compagnies de danse et de théâtre. Il a par exemple participé au parcours du Carrefour de théâtre en 2013 et 2014, et collabore régulièrement avec les compagnies Théâtre Rude Ingénierie, l\'Orchestre d\'Hommes Orchestres ainsi que la compagnie de danse Code Universel. Il a réalisé une création vidéo multiécran d\'envergure pour le Conseil Régional PACA fin 2009 à Marseille. Il a été 2 ans programmateur vidéo au Cercle à Québec, et on fait régulièrement appel à lui pour des conceptions vidéo live pour différents évènements : MNBAQ, Manif d\'Art, Festival d\'Été, OSQ, Mois Multi. Il réalise régulièrement des vidéos et des captations pour différents artistes et centres d\'art. En 2015 il a co-réalisé un long métrage documentaire sur l\'aventure des BGL à la Biennale de Venise.'),
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(57132, 1938, 'calendar_event_item_content_repeater_0_content_text', 'Jean-François Prost est un artiste diplômé en architecture et en design de l\'environnement; il s\'intéresse aux nouveaux territoires urbains de recherche en marge des zones investies habituellement : qu\'il s\'agisse de lieux (et situations) négligés, indéterminés ou d\'autres surcontrôlés et sans spécificité apparente. Depuis 1998, son travail individuel et en tant que fondateur de la plateforme Adaptive Actions (2007) et co-fondateur de l\'atelier SYN- (2000) a été présenté à la Liverpool Biennial 2006, à la Biennale d\'architecture internationale de Rotterdam, au Centre Canadien d\'Architecture à Montréal, à Dare Dare, à la 3e Manif d\'art de Québec, à la Biennale 2010 Madrid Abierto, aux fondations Graham et Musagetes et plus récemment à la Triennale d\'Architecture de Lisbonne et à la biennale d\'architecture de Sao Paulo. En 2014, suite à la parution du livre <em>Hétéropolis</em>, la plateforme Adaptive Actions a fait l\'objet d\'une série d\'interventions et d\'ateliers, en particulier à Montréal pour la biennale BNLMTL et à la galerie Optica, et tout dernièrement en 2015 au MUAC à Mexico et au Tokyo Wonder Site au Japon dans le cadre de deux résidences. Il a quatre nouveaux projets en cours dont la série <em>Arrêts</em> à Mexico à la Galerie Leonard-et-Ellen Bina (Montréal), <em>Queer City</em> à Sao Paulo et un nouveau projet de livre produit avec VU. Il vit et travaille à Montréal et à Mexico.'),
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(57214, 1940, 'calendar_event_item_content_repeater_0_content_text', 'Alexis Desgagnés est engagé dans une recherche polymorphe explorant divers champs de la création, en particulier ceux de l\'écriture et de la photographie. Embrassant un éventail de pratiques, son travail d\'historien de l\'art (PhD, Université de Montréal, 2009), de commissaire d\'expositions, d\'artiste et d\'auteur interroge l\'inscription de la culture québécoise dans l\'histoire. Après ses études, Desgagnés a œuvré à la coordination du centre d\'artistes autogéré VU PHOTO, avant d\'occuper les fonctions de rédacteur adjoint à <em>Ciel variable</em>, magazine auquel il collabore régulièrement. Au cours des dernières années, il a présenté ses œuvres dans le cadre d\'expositions individuelles et collectives, notamment à l\'Œil de poisson (Québec), la Bande vidéo (Québec) Regart (Lévis) et Daïmôn (Gatineau). Grâce au soutien du Conseil des arts et des lettres du Québec, Desgagnés a récemment publié un premier livre intitulé <em>Banqueroute </em>(Les Éditions du renard, 2016), un recueil alliant photographie et poésie. Originaire de Québec, Alexis Desgagnés vit à Montréal, où il enseigne l\'histoire de l\'art et est un membre actif du centre d\'artistes autogéré Clark.'),
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(57255, 1941, 'calendar_event_item_content_repeater_0_content_text', 'Lors de ses études, John Blouin devient projectionniste à l\'ONF. Il y fonde Cabina Obscura, performances cinématographiques alliant projecteurs 35-16 mm et numériques, ombres et trame sonore en direct. Il déambule ainsi dans quelques villes et festivals, de Montréal à Beijing. John s\'intéresse à une autre facette de l\'image en réalisant des courts métrages dont Change Over, Filmstripe et Gate, trilogie sur la mort d\'un cinéma.\r\n\r\nJohn vient de terminer un court documentaire avec l\'ONF et Spira, Lou, la Vie! Il est en post-production avec l\'ONF sur Armand par Vaillancourt, son long métrage sur le célèbre sculpteur.\r\n\r\nLUX, une installation cinématographique, et Cap au Pire, un nouveau cycle de performance, sont ses toutes dernières œuvres en circulation.'),
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(57294, 1942, 'calendar_event_item_content_repeater_0_content_title', 'Biographie'),
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(57296, 1942, 'calendar_event_item_content_repeater_0_content_text', '<!-- p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 9.0px Helvetica} -->\r\n<p style=\"text-align: justify\">Tristan Fortin Le Breton vit à Deschambault. Il a complété en 2001 un Baccalauréat en Arts Visuels, spécialisation en photographie à l\'Université Concordia. Depuis très longtemps, il explore par l\'image les lieux et paysages, s\'intéressant particulièrement à l\'acte photographique et à son statut documentaire. Son approche interroge la notion de paysage tout en questionnant notre rapport à l\'environnement. Utilisant des techniques de photographie traditionnelle combinée à des manipulations plastiques, l\'artiste developpe une esthetique photographique qui questionne nos mécanismes de perception.</p>'),
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