<strong>John Steck</strong>’s ephemeral images, <strong>Pascale LeBlanc Lavigne</strong>’s kinetic and sound pieces, <strong>Michelle Lacombe</strong>’s performed photographs, and <strong>Lucie Rocher</strong>’s in-situ intervention form a collective uniting improbable encounters of the senses. Photography appears in an oblique way; it is suggested, mistreated, underlying, latent, almost absent. The extreme limit of risk perhaps being disappearance, destruction, suffering, or death, <em>Je n’ai du reste rien de spécial à vous dire (In fact, I have nothing in particular to say to you)</em> reveals different ways of reflecting and carrying with us what remains. It shows us the residue, the traces that appear when something slips away.