An artwork often happens by accident. Working with the spatialization of the image, Lucie Rocher transposes onto the exhibition an idea of the construction site or the studio, where the artwork is in a state of becoming or of transformation, without need of definition. The photograph is an artwork, but also the residue of another one, or the material for one. Because beyond the frame of the artwork, beyond the limits of the exhibition, the artwork has the possibility of continuing to exist, transforming, until it appears differently somewhere else, in another time, on the periphery of now. The labour of art is thus presented as a form of mise en abyme, where each artwork integrates the ones that preceded it, as well as finds itself somewhere in the ones to come.

This exhibition are part of the <em>Inventing Risk</em> programming, which invites us to reconsider the way we make art and the way we think the image.