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data, 8508 characters](/figma)-->Partenaires'),(163829,4746,'_sections_3_section_layouts_3_content_parts_0_content_title','field_l_content_content_title'),(163830,4746,'sections_3_section_layouts_3_content_parts_0_content_wrap','h2'),(163831,4746,'_sections_3_section_layouts_3_content_parts_0_content_wrap','field_l_content_content_wrap'),(163832,4746,'sections_3_section_layouts_3_content_parts_0_title_type','h2'),(163833,4746,'_sections_3_section_layouts_3_content_parts_0_title_type','field_l_content_title_type'),(163834,4746,'sections_3_section_layouts_3_content_parts_1_content_text','VU est membre de la coopérative Méduse, du Regroupement des centres d’artistes autogérés du Québec (RCAAQ), de la table des arts visuels du Conseil de la culture des régions de Québec et de Chaudière-Appalaches et du Collectif d’éditeurs d’art contemporain (CÉAC).\r\n\r\nVU reçoit l’appui récurrent du Conseil des arts et des lettres du Québec, du Conseil des arts du Canada et de la Ville de 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en 1988 près de Paris, Lucie Rocher développe une pratique photographique mettant en scène le processus et les temps de fabrication d\'une image. 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Bouabane has an MFA in Studio Arts, Photography from Concordia University, Montreal and a AOCAD from OCAD. His work has been exhibited in many galleries including Centre A (Vancouver), Contemporary Calgary (Calgary) &amp; Gallery 44 Centre For Contemporary Photography (Toronto). He has received many awards and grants from the Toronto Arts Council, Ontario Arts Council &amp; the Canada Council for the Arts. He currently holds positions in the Photography Department at OCADU and York University. Upcoming exhibitions include The New Gallery in 2018.'),(164307,4760,'calendar_event_item_content_repeater','1'),(164308,4760,'_calendar_event_item_collaborators','field_calendar_collaborators'),(164309,4760,'calendar_event_item_collaborators',''),(164310,4760,'_wpml_media_featured','1'),(164311,4760,'_wpml_media_duplicate','1'),(164312,4760,'_wc_memberships_force_public','no'),(164313,4760,'_wc_memberships_use_custom_content_restricted_message','no'),(164314,4760,'sections_0_section_layouts',''),(164315,4760,'_sections_0_section_layouts','field_section_layouts'),(164316,4760,'sections_0_section_settings_section_id',''),(164317,4760,'_sections_0_section_settings_section_id','field_clone_section_setting_section_id'),(164318,4760,'sections_0_section_settings_hide_section','0'),(164319,4760,'_sections_0_section_settings_hide_section','field_clone_section_setting_hide_section'),(164320,4760,'sections_0_section_settings_padding_settings','none'),(164321,4760,'_sections_0_section_settings_padding_settings','field_clone_section_settings_padding_settings'),(164322,4760,'sections_0_section_settings_color','white'),(164323,4760,'_sections_0_section_settings_color','field_clone_section_settings_background_color_field_clone_site_colors'),(164324,4760,'sections_0_section_settings_background_type','normal'),(164325,4760,'_sections_0_section_settings_background_type','field_clone_section_settings_background_type'),(164326,4760,'sections_0_section_settings',''),(164327,4760,'_sections_0_section_settings','field_section_settings_field_clone_section_settings_group'),(164328,4760,'sections','1'),(164329,4760,'_sections','field_sections'),(164331,4760,'_yoast_wpseo_primary_museo_calendar_season',''),(164332,4760,'_yoast_wpseo_primary_museo_calendar_type',''),(164333,4760,'_yoast_wpseo_primary_museo_calendar_event_category',''),(164335,4760,'_thumbnail_id','3151'),(164336,4760,'_edit_lock','1561651820:4'),(164337,4760,'_edit_last','4'),(164338,4760,'_wpml_media_has_media','1'),(164339,4762,'_wpml_word_count','{\"total\":0,\"to_translate\":{\"en\":185,\"fr\":185}}'),(164342,4762,'_alp_processed','1561651986'),(164343,4762,'_wp_page_template','default'),(164344,4762,'_','field_calendar_details_tab_3'),(164345,4762,'_calendar_event_item_calendar_season','field_calendar_season_relation'),(164346,4762,'calendar_event_item_calendar_season','33'),(164347,4762,'_calendar_event_item_calendar_type','field_calendar_type_relation'),(164348,4762,'calendar_event_item_calendar_type','27'),(164349,4762,'_calendar_event_item_calendar_event_category','field_calendar_category_relation'),(164350,4762,'calendar_event_item_calendar_event_category',''),(164351,4762,'_calendar_event_item_location','field_calendar_location'),(164352,4762,'calendar_event_item_location',''),(164353,4762,'_calendar_event_item_start_date','field_calendar_start_date'),(164354,4762,'calendar_event_item_start_date','20171027'),(164355,4762,'_calendar_event_item_start_time','field_calendar_start_time'),(164356,4762,'calendar_event_item_start_time','00:00'),(164357,4762,'_calendar_event_item_end_date','field_calendar_end_date'),(164358,4762,'calendar_event_item_end_date','20171203'),(164359,4762,'_calendar_event_item_end_time','field_calendar_end_time'),(164360,4762,'calendar_event_item_end_time','00:00'),(164361,4762,'_calendar_event_item_artist','field_calendar_artist'),(164362,4762,'calendar_event_item_artist','a:1:{i:0;s:4:\"3025\";}'),(164363,4762,'_calendar_event_item_child_event_title','field_calendar_child_event_title'),(164364,4762,'calendar_event_item_child_event_title','Vernissage'),(164365,4762,'_calendar_event_item_child_event_start_date','field_calendar_child_event_start_date'),(164366,4762,'calendar_event_item_child_event_start_date','20171027'),(164367,4762,'_calendar_event_item_child_event_start_time','field_calendar_child_event_start_time'),(164368,4762,'calendar_event_item_child_event_start_time','17:00:00'),(164369,4762,'_calendar_event_item_child_event_end_date','field_calendar_child_event_end_date'),(164370,4762,'calendar_event_item_child_event_end_date','20171027'),(164371,4762,'_calendar_event_item_child_event_end_time','field_calendar_child_event_end_time'),(164372,4762,'calendar_event_item_child_event_end_time','21:00:00'),(164373,4762,'_calendar_event_item_content_repeater','field_calendar_content_repeater'),(164374,4762,'_calendar_event_item_content_repeater_0_content_title','field_calendar_content_repeater_title'),(164375,4762,'calendar_event_item_content_repeater_0_content_title','Biography'),(164376,4762,'_calendar_event_item_content_repeater_0_content_text','field_calendar_content_repeater_text'),(164377,4762,'calendar_event_item_content_repeater_0_content_text','Leisure is a conceptual collaborative art practice between Meredith Carruthers (1975) and Susannah Wesley (1976), based in Montréal. Working together under the name Leisure since 2004, they engage with cultural historical narratives through research, conversation, published texts, curatorial projects and art production. Leisure has produced exhibitions and special projects in Canada and abroad, and participated in residencies in St. John\'s (The Rooms, Newfoundland, 2016); Dawson City (KIAC, Yukon, 2010); Vienna (Kunstverein das weisse haus, Austria, 2008) and Banff (Banff Centre for the Arts, AB, 2007). Their recent research on gesture and spatial narrative has included <em>Dualité/Dualité</em> (Artexte, Montreal, 2015), <em>Conversations With Magic Stones</em> as part of <em>The Let Down Reflex</em> (EFA, New York, 2016) and <em>Panning for Gold/Walking You Through It</em><em> </em>exhibited as part of <em>In Search of Expo 67</em> (Musée d\'art contemporain de Montréal, 2017). 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19:53:32'),(165526,4784,'_end_date','2020-06-27 19:54:49'),(165530,4777,'_wc_memberships_access_granted','a:1:{i:4784;a:2:{s:15:\"already_granted\";s:3:\"yes\";s:21:\"granting_order_status\";s:10:\"processing\";}}'),(165531,4777,'_paypal_transaction_fee','1.03'),(165532,4777,'_edit_last','4'),(165534,4540,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographie</span>\r\n\r\nConservateur de l’art actuel (de 2000 à ce jour) au Musée national des beaux-arts du Québec (MNBAQ) depuis 2012, Bernard Lamarche a été conservateur de l’art contemporain au Musée régional de Rimouski de 2005 à 2012. Il avait auparavant travaillé pendant près de dix ans comme critique d’art et journaliste pour le quotidien Le Devoir. En 2018, il signait le commissariat de l’exposition Fait Main/Hand made, au MNBAQ. Il a contribué au catalogue de l’exposition Morelli, du 1700 La Poste à Montréal, en 2017. Il a publié par ailleurs un nombre croissant d’articles et de catalogues d’exposition.'),(165535,4540,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(165536,4540,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(165537,4540,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(165538,4540,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(165539,4540,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(165540,4540,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(165541,4540,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(165542,4540,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(165543,4540,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(165544,4540,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(165545,4540,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(165546,4540,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(165547,4540,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(165548,4540,'sections_0_section_layouts_0_layout_settings_display_settings',''),(165549,4540,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(165550,4540,'sections_0_section_layouts_0_layout_settings',''),(165551,4540,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(165552,4787,'artist_extra_authors',''),(165553,4787,'_artist_extra_authors','field_artist_extra_authors'),(165554,4787,'sections_0_section_layouts','a:1:{i:0;s:4:\"text\";}'),(165555,4787,'_sections_0_section_layouts','field_section_layouts'),(165556,4787,'sections_0_section_settings_section_id',''),(165557,4787,'_sections_0_section_settings_section_id','field_clone_section_setting_section_id'),(165558,4787,'sections_0_section_settings_hide_section','0'),(165559,4787,'_sections_0_section_settings_hide_section','field_clone_section_setting_hide_section'),(165560,4787,'sections_0_section_settings_padding_settings','none'),(165561,4787,'_sections_0_section_settings_padding_settings','field_clone_section_settings_padding_settings'),(165562,4787,'sections_0_section_settings_color','white'),(165563,4787,'_sections_0_section_settings_color','field_clone_section_settings_background_color_field_clone_site_colors'),(165564,4787,'sections_0_section_settings_background_type','normal'),(165565,4787,'_sections_0_section_settings_background_type','field_clone_section_settings_background_type'),(165566,4787,'sections_0_section_settings',''),(165567,4787,'_sections_0_section_settings','field_section_settings_field_clone_section_settings_group'),(165568,4787,'sections','1'),(165569,4787,'_sections','field_sections'),(165570,4787,'sections_0_section_layouts_0_content_text','<h6><strong>Bernard Lamarche</strong></h6>\r\n<h6>Conservateur de l’art actuel (de 2000 à ce jour) au Musée national des beaux-arts du Québec (MNBAQ) depuis 2012, Bernard Lamarche a été conservateur de l’art contemporain au Musée régional de Rimouski de 2005 à 2012. Il avait auparavant travaillé pendant près de dix ans comme critique d’art et journaliste pour le quotidien <em>Le Devoir</em>. En 2018, il signait le commissariat de l’exposition <em>Fait Main/Hand made</em>, au MNBAQ. Il a contribué au catalogue de l’exposition <em>Morelli</em>, du 1700 La Poste à Montréal, en 2017. Il a publié par ailleurs un nombre croissant d’articles et de catalogues d’exposition.</h6>'),(165571,4787,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(165572,4787,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(165573,4787,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(165574,4787,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(165575,4787,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(165576,4787,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(165577,4787,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(165578,4787,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(165579,4787,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(165580,4787,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(165581,4787,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(165582,4787,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(165583,4787,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(165584,4787,'sections_0_section_layouts_0_layout_settings_display_settings',''),(165585,4787,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(165586,4787,'sections_0_section_layouts_0_layout_settings',''),(165587,4787,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(165590,4788,'artist_extra_authors',''),(165591,4788,'_artist_extra_authors','field_artist_extra_authors'),(165592,4788,'sections_0_section_layouts','a:1:{i:0;s:4:\"text\";}'),(165593,4788,'_sections_0_section_layouts','field_section_layouts'),(165594,4788,'sections_0_section_settings_section_id',''),(165595,4788,'_sections_0_section_settings_section_id','field_clone_section_setting_section_id'),(165596,4788,'sections_0_section_settings_hide_section','0'),(165597,4788,'_sections_0_section_settings_hide_section','field_clone_section_setting_hide_section'),(165598,4788,'sections_0_section_settings_padding_settings','none'),(165599,4788,'_sections_0_section_settings_padding_settings','field_clone_section_settings_padding_settings'),(165600,4788,'sections_0_section_settings_color','white'),(165601,4788,'_sections_0_section_settings_color','field_clone_section_settings_background_color_field_clone_site_colors'),(165602,4788,'sections_0_section_settings_background_type','normal'),(165603,4788,'_sections_0_section_settings_background_type','field_clone_section_settings_background_type'),(165604,4788,'sections_0_section_settings',''),(165605,4788,'_sections_0_section_settings','field_section_settings_field_clone_section_settings_group'),(165606,4788,'sections','1'),(165607,4788,'_sections','field_sections'),(165608,4788,'sections_0_section_layouts_0_content_text','<h6>Bernard Lamarche</h6>\r\n<h6>Conservateur de l’art actuel (de 2000 à ce jour) au Musée national des beaux-arts du Québec (MNBAQ) depuis 2012, Bernard Lamarche a été conservateur de l’art contemporain au Musée régional de Rimouski de 2005 à 2012. Il avait auparavant travaillé pendant près de dix ans comme critique d’art et journaliste pour le quotidien <em>Le Devoir</em>. En 2018, il signait le commissariat de l’exposition <em>Fait Main/Hand made</em>, au MNBAQ. Il a contribué au catalogue de l’exposition <em>Morelli</em>, du 1700 La Poste à Montréal, en 2017. Il a publié par ailleurs un nombre croissant d’articles et de catalogues d’exposition.</h6>'),(165609,4788,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(165610,4788,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(165611,4788,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(165612,4788,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(165613,4788,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(165614,4788,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(165615,4788,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(165616,4788,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(165617,4788,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(165618,4788,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(165619,4788,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(165620,4788,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(165621,4788,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(165622,4788,'sections_0_section_layouts_0_layout_settings_display_settings',''),(165623,4788,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(165624,4788,'sections_0_section_layouts_0_layout_settings',''),(165625,4788,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(165628,4789,'artist_extra_authors',''),(165629,4789,'_artist_extra_authors','field_artist_extra_authors'),(165630,4789,'sections_0_section_layouts','a:1:{i:0;s:4:\"text\";}'),(165631,4789,'_sections_0_section_layouts','field_section_layouts'),(165632,4789,'sections_0_section_settings_section_id',''),(165633,4789,'_sections_0_section_settings_section_id','field_clone_section_setting_section_id'),(165634,4789,'sections_0_section_settings_hide_section','0'),(165635,4789,'_sections_0_section_settings_hide_section','field_clone_section_setting_hide_section'),(165636,4789,'sections_0_section_settings_padding_settings','none'),(165637,4789,'_sections_0_section_settings_padding_settings','field_clone_section_settings_padding_settings'),(165638,4789,'sections_0_section_settings_color','white'),(165639,4789,'_sections_0_section_settings_color','field_clone_section_settings_background_color_field_clone_site_colors'),(165640,4789,'sections_0_section_settings_background_type','normal'),(165641,4789,'_sections_0_section_settings_background_type','field_clone_section_settings_background_type'),(165642,4789,'sections_0_section_settings',''),(165643,4789,'_sections_0_section_settings','field_section_settings_field_clone_section_settings_group'),(165644,4789,'sections','1'),(165645,4789,'_sections','field_sections'),(165646,4789,'sections_0_section_layouts_0_content_text','<h6>Biographie</h6>\r\n<h6>Conservateur de l’art actuel (de 2000 à ce jour) au Musée national des beaux-arts du Québec (MNBAQ) depuis 2012, Bernard Lamarche a été conservateur de l’art contemporain au Musée régional de Rimouski de 2005 à 2012. Il avait auparavant travaillé pendant près de dix ans comme critique d’art et journaliste pour le quotidien <em>Le Devoir</em>. En 2018, il signait le commissariat de l’exposition <em>Fait Main/Hand made</em>, au MNBAQ. Il a contribué au catalogue de l’exposition <em>Morelli</em>, du 1700 La Poste à Montréal, en 2017. Il a publié par ailleurs un nombre croissant d’articles et de catalogues d’exposition.</h6>'),(165647,4789,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(165648,4789,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(165649,4789,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(165650,4789,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(165651,4789,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(165652,4789,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(165653,4789,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(165654,4789,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(165655,4789,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(165656,4789,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(165657,4789,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(165658,4789,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(165659,4789,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(165660,4789,'sections_0_section_layouts_0_layout_settings_display_settings',''),(165661,4789,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(165662,4789,'sections_0_section_layouts_0_layout_settings',''),(165663,4789,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(165666,4790,'artist_extra_authors',''),(165667,4790,'_artist_extra_authors','field_artist_extra_authors'),(165668,4790,'sections_0_section_layouts','a:1:{i:0;s:4:\"text\";}'),(165669,4790,'_sections_0_section_layouts','field_section_layouts'),(165670,4790,'sections_0_section_settings_section_id',''),(165671,4790,'_sections_0_section_settings_section_id','field_clone_section_setting_section_id'),(165672,4790,'sections_0_section_settings_hide_section','0'),(165673,4790,'_sections_0_section_settings_hide_section','field_clone_section_setting_hide_section'),(165674,4790,'sections_0_section_settings_padding_settings','none'),(165675,4790,'_sections_0_section_settings_padding_settings','field_clone_section_settings_padding_settings'),(165676,4790,'sections_0_section_settings_color','white'),(165677,4790,'_sections_0_section_settings_color','field_clone_section_settings_background_color_field_clone_site_colors'),(165678,4790,'sections_0_section_settings_background_type','normal'),(165679,4790,'_sections_0_section_settings_background_type','field_clone_section_settings_background_type'),(165680,4790,'sections_0_section_settings',''),(165681,4790,'_sections_0_section_settings','field_section_settings_field_clone_section_settings_group'),(165682,4790,'sections','1'),(165683,4790,'_sections','field_sections'),(165684,4790,'sections_0_section_layouts_0_content_text','Biographie\r\n\r\nConservateur de l’art actuel (de 2000 à ce jour) au Musée national des beaux-arts du Québec (MNBAQ) depuis 2012, Bernard Lamarche a été conservateur de l’art contemporain au Musée régional de Rimouski de 2005 à 2012. Il avait auparavant travaillé pendant près de dix ans comme critique d’art et journaliste pour le quotidien <em>Le Devoir</em>. En 2018, il signait le commissariat de l’exposition <em>Fait Main/Hand made</em>, au MNBAQ. Il a contribué au catalogue de l’exposition <em>Morelli</em>, du 1700 La Poste à Montréal, en 2017. Il a publié par ailleurs un nombre croissant d’articles et de catalogues d’exposition.'),(165685,4790,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(165686,4790,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(165687,4790,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(165688,4790,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(165689,4790,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(165690,4790,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(165691,4790,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(165692,4790,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(165693,4790,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(165694,4790,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(165695,4790,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(165696,4790,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(165697,4790,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(165698,4790,'sections_0_section_layouts_0_layout_settings_display_settings',''),(165699,4790,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(165700,4790,'sections_0_section_layouts_0_layout_settings',''),(165701,4790,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(165704,4791,'artist_extra_authors',''),(165705,4791,'_artist_extra_authors','field_artist_extra_authors'),(165706,4791,'sections_0_section_layouts','a:1:{i:0;s:4:\"text\";}'),(165707,4791,'_sections_0_section_layouts','field_section_layouts'),(165708,4791,'sections_0_section_settings_section_id',''),(165709,4791,'_sections_0_section_settings_section_id','field_clone_section_setting_section_id'),(165710,4791,'sections_0_section_settings_hide_section','0'),(165711,4791,'_sections_0_section_settings_hide_section','field_clone_section_setting_hide_section'),(165712,4791,'sections_0_section_settings_padding_settings','none'),(165713,4791,'_sections_0_section_settings_padding_settings','field_clone_section_settings_padding_settings'),(165714,4791,'sections_0_section_settings_color','white'),(165715,4791,'_sections_0_section_settings_color','field_clone_section_settings_background_color_field_clone_site_colors'),(165716,4791,'sections_0_section_settings_background_type','normal'),(165717,4791,'_sections_0_section_settings_background_type','field_clone_section_settings_background_type'),(165718,4791,'sections_0_section_settings',''),(165719,4791,'_sections_0_section_settings','field_section_settings_field_clone_section_settings_group'),(165720,4791,'sections','1'),(165721,4791,'_sections','field_sections'),(165722,4791,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographie</span>\r\n\r\nConservateur de l’art actuel (de 2000 à ce jour) au Musée national des beaux-arts du Québec (MNBAQ) depuis 2012, Bernard Lamarche a été conservateur de l’art contemporain au Musée régional de Rimouski de 2005 à 2012. Il avait auparavant travaillé pendant près de dix ans comme critique d’art et journaliste pour le quotidien <em>Le Devoir</em>. En 2018, il signait le commissariat de l’exposition <em>Fait Main/Hand made</em>, au MNBAQ. Il a contribué au catalogue de l’exposition <em>Morelli</em>, du 1700 La Poste à Montréal, en 2017. Il a publié par ailleurs un nombre croissant d’articles et de catalogues d’exposition.'),(165723,4791,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(165724,4791,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(165725,4791,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(165726,4791,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(165727,4791,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(165728,4791,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(165729,4791,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(165730,4791,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(165731,4791,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(165732,4791,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(165733,4791,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(165734,4791,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(165735,4791,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(165736,4791,'sections_0_section_layouts_0_layout_settings_display_settings',''),(165737,4791,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(165738,4791,'sections_0_section_layouts_0_layout_settings',''),(165739,4791,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(165742,4792,'artist_extra_authors',''),(165743,4792,'_artist_extra_authors','field_artist_extra_authors'),(165744,4792,'sections_0_section_layouts','a:1:{i:0;s:4:\"text\";}'),(165745,4792,'_sections_0_section_layouts','field_section_layouts'),(165746,4792,'sections_0_section_settings_section_id',''),(165747,4792,'_sections_0_section_settings_section_id','field_clone_section_setting_section_id'),(165748,4792,'sections_0_section_settings_hide_section','0'),(165749,4792,'_sections_0_section_settings_hide_section','field_clone_section_setting_hide_section'),(165750,4792,'sections_0_section_settings_padding_settings','none'),(165751,4792,'_sections_0_section_settings_padding_settings','field_clone_section_settings_padding_settings'),(165752,4792,'sections_0_section_settings_color','white'),(165753,4792,'_sections_0_section_settings_color','field_clone_section_settings_background_color_field_clone_site_colors'),(165754,4792,'sections_0_section_settings_background_type','normal'),(165755,4792,'_sections_0_section_settings_background_type','field_clone_section_settings_background_type'),(165756,4792,'sections_0_section_settings',''),(165757,4792,'_sections_0_section_settings','field_section_settings_field_clone_section_settings_group'),(165758,4792,'sections','1'),(165759,4792,'_sections','field_sections'),(165760,4792,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographie</span>\r\n\r\nConservateur de l’art actuel (de 2000 à ce jour) au Musée national des beaux-arts du Québec (MNBAQ) depuis 2012, Bernard Lamarche a été conservateur de l’art contemporain au Musée régional de Rimouski de 2005 à 2012. Il avait auparavant travaillé pendant près de dix ans comme critique d’art et journaliste pour le quotidien Le Devoir. En 2018, il signait le commissariat de l’exposition Fait Main/Hand made, au MNBAQ. Il a contribué au catalogue de l’exposition Morelli, du 1700 La Poste à Montréal, en 2017. Il a publié par ailleurs un nombre croissant d’articles et de catalogues d’exposition.'),(165761,4792,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(165762,4792,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(165763,4792,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(165764,4792,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(165765,4792,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(165766,4792,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(165767,4792,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(165768,4792,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(165769,4792,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(165770,4792,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(165771,4792,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(165772,4792,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(165773,4792,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(165774,4792,'sections_0_section_layouts_0_layout_settings_display_settings',''),(165775,4792,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(165776,4792,'sections_0_section_layouts_0_layout_settings',''),(165777,4792,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(165780,2601,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographie</span>\r\n\r\nJosée Schryer vit et travaille à Montréal. Elle a obtenu son baccalauréat en photographie et en histoire de l’art de l’université Concordia et sa maitrise en photographie de l’université de Hartford au Connecticut. Son travail a été exposé à l’international et sa première monographie, sur-la-Rouge, fut publiée à Berlin en 2016. Elle est aussi co-fondatrice du Photobook Club - Montréal.'),(165781,2601,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(165782,2601,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(165783,2601,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(165784,2601,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(165785,2601,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(165786,2601,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(165787,2601,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(165788,2601,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(165789,2601,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(165790,2601,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(165791,2601,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(165792,2601,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(165793,2601,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(165794,2601,'sections_0_section_layouts_0_layout_settings_display_settings',''),(165795,2601,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(165796,2601,'sections_0_section_layouts_0_layout_settings',''),(165797,2601,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(165798,4794,'artist_extra_authors',''),(165799,4794,'_artist_extra_authors','field_artist_extra_authors'),(165800,4794,'sections_0_section_layouts','a:1:{i:0;s:4:\"text\";}'),(165801,4794,'_sections_0_section_layouts','field_section_layouts'),(165802,4794,'sections_0_section_settings_section_id',''),(165803,4794,'_sections_0_section_settings_section_id','field_clone_section_setting_section_id'),(165804,4794,'sections_0_section_settings_hide_section','0'),(165805,4794,'_sections_0_section_settings_hide_section','field_clone_section_setting_hide_section'),(165806,4794,'sections_0_section_settings_padding_settings','none'),(165807,4794,'_sections_0_section_settings_padding_settings','field_clone_section_settings_padding_settings'),(165808,4794,'sections_0_section_settings_color','white'),(165809,4794,'_sections_0_section_settings_color','field_clone_section_settings_background_color_field_clone_site_colors'),(165810,4794,'sections_0_section_settings_background_type','normal'),(165811,4794,'_sections_0_section_settings_background_type','field_clone_section_settings_background_type'),(165812,4794,'sections_0_section_settings',''),(165813,4794,'_sections_0_section_settings','field_section_settings_field_clone_section_settings_group'),(165814,4794,'sections','1'),(165815,4794,'_sections','field_sections'),(165816,4794,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographie</span>\r\n\r\nJosée Schryer vit et travaille à Montréal. Elle a obtenu son baccalauréat en photographie et en histoire de l’art de l’université Concordia et sa maitrise en photographie de l’université de Hartford au Connecticut. Son travail a été exposé à l’international et sa première monographie, <em>sur-la-Rouge</em>, fut publiée à Berlin en 2016. Elle est aussi co-fondatrice du Photobook Club - Montréal.'),(165817,4794,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(165818,4794,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(165819,4794,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(165820,4794,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(165821,4794,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(165822,4794,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(165823,4794,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(165824,4794,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(165825,4794,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(165826,4794,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(165827,4794,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(165828,4794,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(165829,4794,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(165830,4794,'sections_0_section_layouts_0_layout_settings_display_settings',''),(165831,4794,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(165832,4794,'sections_0_section_layouts_0_layout_settings',''),(165833,4794,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(165835,2616,'_wpml_media_usage','a:1:{s:5:\"posts\";a:1:{i:0;i:2601;}}'),(165836,2615,'_wpml_media_usage','a:1:{s:5:\"posts\";a:1:{i:0;i:2601;}}'),(165838,4795,'artist_extra_authors',''),(165839,4795,'_artist_extra_authors','field_artist_extra_authors'),(165840,4795,'sections_0_section_layouts','a:1:{i:0;s:4:\"text\";}'),(165841,4795,'_sections_0_section_layouts','field_section_layouts'),(165842,4795,'sections_0_section_settings_section_id',''),(165843,4795,'_sections_0_section_settings_section_id','field_clone_section_setting_section_id'),(165844,4795,'sections_0_section_settings_hide_section','0'),(165845,4795,'_sections_0_section_settings_hide_section','field_clone_section_setting_hide_section'),(165846,4795,'sections_0_section_settings_padding_settings','none'),(165847,4795,'_sections_0_section_settings_padding_settings','field_clone_section_settings_padding_settings'),(165848,4795,'sections_0_section_settings_color','white'),(165849,4795,'_sections_0_section_settings_color','field_clone_section_settings_background_color_field_clone_site_colors'),(165850,4795,'sections_0_section_settings_background_type','normal'),(165851,4795,'_sections_0_section_settings_background_type','field_clone_section_settings_background_type'),(165852,4795,'sections_0_section_settings',''),(165853,4795,'_sections_0_section_settings','field_section_settings_field_clone_section_settings_group'),(165854,4795,'sections','1'),(165855,4795,'_sections','field_sections'),(165856,4795,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographie</span>\r\n\r\nJosée Schryer vit et travaille à Montréal. Elle a obtenu son baccalauréat en photographie et en histoire de l’art de l’université Concordia et sa maitrise en photographie de l’université de Hartford au Connecticut. Son travail a été exposé à l’international et sa première monographie, sur-la-Rouge, fut publiée à Berlin en 2016. Elle est aussi co-fondatrice du Photobook Club - Montréal.'),(165857,4795,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(165858,4795,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(165859,4795,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(165860,4795,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(165861,4795,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(165862,4795,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(165863,4795,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(165864,4795,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(165865,4795,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(165866,4795,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(165867,4795,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(165868,4795,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(165869,4795,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(165870,4795,'sections_0_section_layouts_0_layout_settings_display_settings',''),(165871,4795,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(165872,4795,'sections_0_section_layouts_0_layout_settings',''),(165873,4795,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(165876,2170,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographie</span>\r\n\r\nMona Hakim est historienne de l’art, critique et commissaire indépendante. Ses recherches portent sur des enjeux liés aux pratiques photographiques contemporaines et actuelles. Ses écrits paraissent dans les catalogues d’exposition, monographies d’artistes et revues spécialisées. À titre de commissaire, elle a réalisé plus d’une vingtaine d’expositions; une des plus récentes, en co-commissariat, traçait un portrait de la photographie québécoise des quinze dernières années et a circulé dans trois musées mexicains en 2017 sous la direction d’Occurrence, espace d’art et d’essai contemporains. Elle est également active comme conférencière, membre de jurys et de conseils d’administration. Elle a enseigné l’histoire de l’art et l’histoire de la photographie au collégial de 1996 à 2015 et siège depuis 2013 au sein des comités de sélection de la Politique d’intégration des arts à l’architecture.'),(165877,2170,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(165878,2170,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(165879,2170,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(165880,2170,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(165881,2170,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(165882,2170,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(165883,2170,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(165884,2170,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(165885,2170,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(165886,2170,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(165887,2170,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(165888,2170,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(165889,2170,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(165890,2170,'sections_0_section_layouts_0_layout_settings_display_settings',''),(165891,2170,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(165892,2170,'sections_0_section_layouts_0_layout_settings',''),(165893,2170,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(165894,4796,'artist_extra_authors',''),(165895,4796,'_artist_extra_authors','field_artist_extra_authors'),(165896,4796,'sections_0_section_layouts','a:1:{i:0;s:4:\"text\";}'),(165897,4796,'_sections_0_section_layouts','field_section_layouts'),(165898,4796,'sections_0_section_settings_section_id',''),(165899,4796,'_sections_0_section_settings_section_id','field_clone_section_setting_section_id'),(165900,4796,'sections_0_section_settings_hide_section','0'),(165901,4796,'_sections_0_section_settings_hide_section','field_clone_section_setting_hide_section'),(165902,4796,'sections_0_section_settings_padding_settings','none'),(165903,4796,'_sections_0_section_settings_padding_settings','field_clone_section_settings_padding_settings'),(165904,4796,'sections_0_section_settings_color','white'),(165905,4796,'_sections_0_section_settings_color','field_clone_section_settings_background_color_field_clone_site_colors'),(165906,4796,'sections_0_section_settings_background_type','normal'),(165907,4796,'_sections_0_section_settings_background_type','field_clone_section_settings_background_type'),(165908,4796,'sections_0_section_settings',''),(165909,4796,'_sections_0_section_settings','field_section_settings_field_clone_section_settings_group'),(165910,4796,'sections','1'),(165911,4796,'_sections','field_sections'),(165912,4796,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographie</span>\r\n\r\nMona Hakim est historienne de l’art, critique et commissaire indépendante. Ses recherches portent sur des enjeux liés aux pratiques photographiques contemporaines et actuelles. Ses écrits paraissent dans les catalogues d’exposition, monographies d’artistes et revues spécialisées. À titre de commissaire, elle a réalisé plus d’une vingtaine d’expositions; une des plus récentes, en co-commissariat, traçait un portrait de la photographie québécoise des quinze dernières années et a circulé dans trois musées mexicains en 2017 sous la direction d’Occurrence, espace d’art et d’essai contemporains. Elle est également active comme conférencière, membre de jurys et de conseils d’administration. Elle a enseigné l’histoire de l’art et l’histoire de la photographie au collégial de 1996 à 2015 et siège depuis 2013 au sein des comités de sélection de la Politique d’intégration des arts à l’architecture.'),(165913,4796,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(165914,4796,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(165915,4796,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(165916,4796,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(165917,4796,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(165918,4796,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(165919,4796,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(165920,4796,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(165921,4796,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(165922,4796,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(165923,4796,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(165924,4796,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(165925,4796,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(165926,4796,'sections_0_section_layouts_0_layout_settings_display_settings',''),(165927,4796,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(165928,4796,'sections_0_section_layouts_0_layout_settings',''),(165929,4796,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(165932,2132,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographie </span>\r\n\r\nClaire Moeder conçoit depuis 2008 des projets d’exposition et d’écriture dans un esprit d’étroite collaboration avec les artistes. Ils ont donné lieu à des diffusions aux formes variées dépassant l’unique cadre du commissariat ou du texte d’exposition : expositions individuelle et collective (Sayeh Sarfaraz, Jacinthe Lessard-L., Loin des yeux), présentations publiques, atelier à ciel ouvert, marche expérimentale, textes critiques et de fiction. Elle a débuté fin 2014 une nouvelle perspective de travail qui lie étroitement texte et image : son goût pour les mots s’y associe à celui pour les images capricieuses et cachées, issues de créations d’artistes complices (Jacinthe Lessard-L., André Fortino, Fiona Annis, Janie Julien-Fort). Parallèlement, elle a développé des ateliers d’écriture destinés aux artistes pour offrir un lieu et un temps privilégiés afin d’aborder leur pratique à travers des exercices d’écriture.'),(165933,2132,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(165934,2132,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(165935,2132,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(165936,2132,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(165937,2132,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(165938,2132,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(165939,2132,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(165940,2132,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(165941,2132,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(165942,2132,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(165943,2132,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(165944,2132,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(165945,2132,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(165946,2132,'sections_0_section_layouts_0_layout_settings_display_settings',''),(165947,2132,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(165948,2132,'sections_0_section_layouts_0_layout_settings',''),(165949,2132,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(165950,4798,'artist_extra_authors',''),(165951,4798,'_artist_extra_authors','field_artist_extra_authors'),(165952,4798,'sections_0_section_layouts','a:1:{i:0;s:4:\"text\";}'),(165953,4798,'_sections_0_section_layouts','field_section_layouts'),(165954,4798,'sections_0_section_settings_section_id',''),(165955,4798,'_sections_0_section_settings_section_id','field_clone_section_setting_section_id'),(165956,4798,'sections_0_section_settings_hide_section','0'),(165957,4798,'_sections_0_section_settings_hide_section','field_clone_section_setting_hide_section'),(165958,4798,'sections_0_section_settings_padding_settings','none'),(165959,4798,'_sections_0_section_settings_padding_settings','field_clone_section_settings_padding_settings'),(165960,4798,'sections_0_section_settings_color','white'),(165961,4798,'_sections_0_section_settings_color','field_clone_section_settings_background_color_field_clone_site_colors'),(165962,4798,'sections_0_section_settings_background_type','normal'),(165963,4798,'_sections_0_section_settings_background_type','field_clone_section_settings_background_type'),(165964,4798,'sections_0_section_settings',''),(165965,4798,'_sections_0_section_settings','field_section_settings_field_clone_section_settings_group'),(165966,4798,'sections','1'),(165967,4798,'_sections','field_sections'),(165968,4798,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographie </span>\r\n\r\nClaire Moeder conçoit depuis 2008 des projets d’exposition et d’écriture dans un esprit d’étroite collaboration avec les artistes. Ils ont donné lieu à des diffusions aux formes variées dépassant l’unique cadre du commissariat ou du texte d’exposition : expositions individuelle et collective (Sayeh Sarfaraz, Jacinthe Lessard-L., Loin des yeux), présentations publiques, atelier à ciel ouvert, marche expérimentale, textes critiques et de fiction. Elle a débuté fin 2014 une nouvelle perspective de travail qui lie étroitement texte et image : son goût pour les mots s’y associe à celui pour les images capricieuses et cachées, issues de créations d’artistes complices (Jacinthe Lessard-L., André Fortino, Fiona Annis, Janie Julien-Fort). Parallèlement, elle a développé des ateliers d’écriture destinés aux artistes pour offrir un lieu et un temps privilégiés afin d’aborder leur pratique à travers des exercices d’écriture.'),(165969,4798,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(165970,4798,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(165971,4798,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(165972,4798,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(165973,4798,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(165974,4798,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(165975,4798,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(165976,4798,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(165977,4798,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(165978,4798,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(165979,4798,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(165980,4798,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(165981,4798,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(165982,4798,'sections_0_section_layouts_0_layout_settings_display_settings',''),(165983,4798,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(165984,4798,'sections_0_section_layouts_0_layout_settings',''),(165985,4798,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(165988,4799,'artist_extra_authors',''),(165989,4799,'_artist_extra_authors','field_artist_extra_authors'),(165990,4799,'sections_0_section_layouts','a:1:{i:0;s:4:\"text\";}'),(165991,4799,'_sections_0_section_layouts','field_section_layouts'),(165992,4799,'sections_0_section_settings_section_id',''),(165993,4799,'_sections_0_section_settings_section_id','field_clone_section_setting_section_id'),(165994,4799,'sections_0_section_settings_hide_section','0'),(165995,4799,'_sections_0_section_settings_hide_section','field_clone_section_setting_hide_section'),(165996,4799,'sections_0_section_settings_padding_settings','none'),(165997,4799,'_sections_0_section_settings_padding_settings','field_clone_section_settings_padding_settings'),(165998,4799,'sections_0_section_settings_color','white'),(165999,4799,'_sections_0_section_settings_color','field_clone_section_settings_background_color_field_clone_site_colors'),(166000,4799,'sections_0_section_settings_background_type','normal'),(166001,4799,'_sections_0_section_settings_background_type','field_clone_section_settings_background_type'),(166002,4799,'sections_0_section_settings',''),(166003,4799,'_sections_0_section_settings','field_section_settings_field_clone_section_settings_group'),(166004,4799,'sections','1'),(166005,4799,'_sections','field_sections'),(166006,4799,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographie </span>\r\n\r\nClaire Moeder conçoit depuis 2008 des projets d’exposition et d’écriture dans un esprit d’étroite collaboration avec les artistes. Ils ont donné lieu à des diffusions aux formes variées dépassant l’unique cadre du commissariat ou du texte d’exposition : expositions individuelle et collective (Sayeh Sarfaraz, Jacinthe Lessard-L., Loin des yeux), présentations publiques, atelier à ciel ouvert, marche expérimentale, textes critiques et de fiction. Elle a débuté fin 2014 une nouvelle perspective de travail qui lie étroitement texte et image : son goût pour les mots s’y associe à celui pour les images capricieuses et cachées, issues de créations d’artistes complices (Jacinthe Lessard-L., André Fortino, Fiona Annis, Janie Julien-Fort). Parallèlement, elle a développé des ateliers d’écriture destinés aux artistes pour offrir un lieu et un temps privilégiés afin d’aborder leur pratique à travers des exercices d’écriture.'),(166007,4799,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(166008,4799,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(166009,4799,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(166010,4799,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(166011,4799,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(166012,4799,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(166013,4799,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(166014,4799,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(166015,4799,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(166016,4799,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(166017,4799,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(166018,4799,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(166019,4799,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(166020,4799,'sections_0_section_layouts_0_layout_settings_display_settings',''),(166021,4799,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(166022,4799,'sections_0_section_layouts_0_layout_settings',''),(166023,4799,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(166026,1687,'_wc_memberships_force_public','no'),(166027,1687,'_wc_memberships_use_custom_post_content_restricted_message','no'),(166028,1687,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographie</span>\r\n\r\nCandidate à la maîtrise en histoire de l’art à l’Université Laval, Michelle Drapeau est une commissaire de la relève originaire de Moncton et résidant à Québec. Elle compte à son actif des expériences à titre d’assistante conservatrice de l’art actuel au Musée national des beaux-arts du Québec, de rédactrice de contenu pour la médiation de cette même institution, de coordonnatrice du Symposium international d’art contemporain de Baie-Saint-Paul et d’auxiliaire d’enseignement en histoire de l’art à l’Université Laval.\r\n\r\nElle est actuellement commissaire adjointe de Manif d’art 9 – La biennale de Québec; commissaire d’Images rémanentes, un parcours d’art public permanent subventionné par le Conseil des arts du Canada (Moncton); et chargée de projet pour la Maison de la littérature. Elle s’implique dans la communauté artistique en siégeant au conseil d’administration de la Foire en art actuel de Québec et en animant le magazine culturel hebdomadaire À l’est de vos empires sur les ondes de CHYZ 94.3.'),(166029,1687,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(166030,1687,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(166031,1687,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(166032,1687,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(166033,1687,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(166034,1687,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(166035,1687,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(166036,1687,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(166037,1687,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(166038,1687,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(166039,1687,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(166040,1687,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(166041,1687,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(166042,1687,'sections_0_section_layouts_0_layout_settings_display_settings',''),(166043,1687,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(166044,1687,'sections_0_section_layouts_0_layout_settings',''),(166045,1687,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(166046,4801,'post_image_principale','1688'),(166047,4801,'_post_image_principale','field_5183ab4b7b751'),(166048,4801,'artist_extra_authors',''),(166049,4801,'_artist_extra_authors','field_artist_extra_authors'),(166050,4801,'sections_0_section_layouts','a:1:{i:0;s:4:\"text\";}'),(166051,4801,'_sections_0_section_layouts','field_section_layouts'),(166052,4801,'sections_0_section_settings_section_id',''),(166053,4801,'_sections_0_section_settings_section_id','field_clone_section_setting_section_id'),(166054,4801,'sections_0_section_settings_hide_section','0'),(166055,4801,'_sections_0_section_settings_hide_section','field_clone_section_setting_hide_section'),(166056,4801,'sections_0_section_settings_padding_settings','none'),(166057,4801,'_sections_0_section_settings_padding_settings','field_clone_section_settings_padding_settings'),(166058,4801,'sections_0_section_settings_color','white'),(166059,4801,'_sections_0_section_settings_color','field_clone_section_settings_background_color_field_clone_site_colors'),(166060,4801,'sections_0_section_settings_background_type','normal'),(166061,4801,'_sections_0_section_settings_background_type','field_clone_section_settings_background_type'),(166062,4801,'sections_0_section_settings',''),(166063,4801,'_sections_0_section_settings','field_section_settings_field_clone_section_settings_group'),(166064,4801,'sections','1'),(166065,4801,'_sections','field_sections'),(166066,4801,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographie</span>\r\n\r\nCandidate à la maîtrise en histoire de l’art à l’Université Laval, Michelle Drapeau est une commissaire de la relève originaire de Moncton et résidant à Québec. Elle compte à son actif des expériences à titre d’assistante conservatrice de l’art actuel au Musée national des beaux-arts du Québec, de rédactrice de contenu pour la médiation de cette même institution, de coordonnatrice du Symposium international d’art contemporain de Baie-Saint-Paul et d’auxiliaire d’enseignement en histoire de l’art à l’Université Laval.\r\n\r\nElle est actuellement commissaire adjointe de Manif d’art 9 – La biennale de Québec; commissaire d’Images rémanentes, un parcours d’art public permanent subventionné par le Conseil des arts du Canada (Moncton); et chargée de projet pour la Maison de la littérature. Elle s’implique dans la communauté artistique en siégeant au conseil d’administration de la Foire en art actuel de Québec et en animant le magazine culturel hebdomadaire À l’est de vos empires sur les ondes de CHYZ 94.3.'),(166067,4801,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(166068,4801,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(166069,4801,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(166070,4801,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(166071,4801,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(166072,4801,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(166073,4801,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(166074,4801,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(166075,4801,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(166076,4801,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(166077,4801,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(166078,4801,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(166079,4801,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(166080,4801,'sections_0_section_layouts_0_layout_settings_display_settings',''),(166081,4801,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(166082,4801,'sections_0_section_layouts_0_layout_settings',''),(166083,4801,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(166086,4802,'post_image_principale','1663'),(166087,4802,'_post_image_principale','field_5183ab4b7b751'),(166088,4802,'artist_extra_authors',''),(166089,4802,'_artist_extra_authors','field_artist_extra_authors'),(166090,4802,'sections_0_section_layouts',''),(166091,4802,'_sections_0_section_layouts','field_section_layouts'),(166092,4802,'sections_0_section_settings_section_id',''),(166093,4802,'_sections_0_section_settings_section_id','field_clone_section_setting_section_id'),(166094,4802,'sections_0_section_settings_hide_section','0'),(166095,4802,'_sections_0_section_settings_hide_section','field_clone_section_setting_hide_section'),(166096,4802,'sections_0_section_settings_padding_settings','none'),(166097,4802,'_sections_0_section_settings_padding_settings','field_clone_section_settings_padding_settings'),(166098,4802,'sections_0_section_settings_color','white'),(166099,4802,'_sections_0_section_settings_color','field_clone_section_settings_background_color_field_clone_site_colors'),(166100,4802,'sections_0_section_settings_background_type','normal'),(166101,4802,'_sections_0_section_settings_background_type','field_clone_section_settings_background_type'),(166102,4802,'sections_0_section_settings',''),(166103,4802,'_sections_0_section_settings','field_section_settings_field_clone_section_settings_group'),(166104,4802,'sections','1'),(166105,4802,'_sections','field_sections'),(166108,4803,'post_image_principale','1663'),(166109,4803,'_post_image_principale','field_5183ab4b7b751'),(166110,4803,'artist_extra_authors',''),(166111,4803,'_artist_extra_authors','field_artist_extra_authors'),(166112,4803,'sections_0_section_layouts',''),(166113,4803,'_sections_0_section_layouts','field_section_layouts'),(166114,4803,'sections_0_section_settings_section_id',''),(166115,4803,'_sections_0_section_settings_section_id','field_clone_section_setting_section_id'),(166116,4803,'sections_0_section_settings_hide_section','0'),(166117,4803,'_sections_0_section_settings_hide_section','field_clone_section_setting_hide_section'),(166118,4803,'sections_0_section_settings_padding_settings','none'),(166119,4803,'_sections_0_section_settings_padding_settings','field_clone_section_settings_padding_settings'),(166120,4803,'sections_0_section_settings_color','white'),(166121,4803,'_sections_0_section_settings_color','field_clone_section_settings_background_color_field_clone_site_colors'),(166122,4803,'sections_0_section_settings_background_type','normal'),(166123,4803,'_sections_0_section_settings_background_type','field_clone_section_settings_background_type'),(166124,4803,'sections_0_section_settings',''),(166125,4803,'_sections_0_section_settings','field_section_settings_field_clone_section_settings_group'),(166126,4803,'sections','1'),(166127,4803,'_sections','field_sections'),(166130,1647,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographie </span>\r\n\r\nNathalie Bachand est auteure et commissaire. Activement impliquée dans le milieu culturel, elle écrit régulièrement sur les arts visuels et médiatiques. Elle s’intéresse aux problématiques du numérique et à ses conditions d’émergence dans l’art contemporain. En 2016, elle co-commissariait avec Chloé Grondeau l’exposition ADC/DAC de l’artiste new yorkais Phillip David Stearns, présentée à Diagonale dans le cadre de la 3e édition de la BIAN. Plus récemment, elle a été commissaire de l’exposition de groupe The Dead Web – La fin, présentée à Eastern Bloc et du projet de 32 expositions UN MILLION D’HORIZONS du réseau Accès culture pour le 375e de Montréal qui avait lieu à l’été 2017. Elle occupe actuellement le poste de direction des savoirs culturels pour le Centre en art actuel Sporobole où elle écrit de courts essais qui abordent les relations art-science.'),(166131,1647,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(166132,1647,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(166133,1647,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(166134,1647,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(166135,1647,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(166136,1647,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(166137,1647,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(166138,1647,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(166139,1647,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(166140,1647,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(166141,1647,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(166142,1647,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(166143,1647,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(166144,1647,'sections_0_section_layouts_0_layout_settings_display_settings',''),(166145,1647,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(166146,1647,'sections_0_section_layouts_0_layout_settings',''),(166147,1647,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(166148,4805,'post_image_principale','1648'),(166149,4805,'_post_image_principale','field_5183ab4b7b751'),(166150,4805,'artist_extra_authors',''),(166151,4805,'_artist_extra_authors','field_artist_extra_authors'),(166152,4805,'sections_0_section_layouts','a:1:{i:0;s:4:\"text\";}'),(166153,4805,'_sections_0_section_layouts','field_section_layouts'),(166154,4805,'sections_0_section_settings_section_id',''),(166155,4805,'_sections_0_section_settings_section_id','field_clone_section_setting_section_id'),(166156,4805,'sections_0_section_settings_hide_section','0'),(166157,4805,'_sections_0_section_settings_hide_section','field_clone_section_setting_hide_section'),(166158,4805,'sections_0_section_settings_padding_settings','none'),(166159,4805,'_sections_0_section_settings_padding_settings','field_clone_section_settings_padding_settings'),(166160,4805,'sections_0_section_settings_color','white'),(166161,4805,'_sections_0_section_settings_color','field_clone_section_settings_background_color_field_clone_site_colors'),(166162,4805,'sections_0_section_settings_background_type','normal'),(166163,4805,'_sections_0_section_settings_background_type','field_clone_section_settings_background_type'),(166164,4805,'sections_0_section_settings',''),(166165,4805,'_sections_0_section_settings','field_section_settings_field_clone_section_settings_group'),(166166,4805,'sections','1'),(166167,4805,'_sections','field_sections'),(166168,4805,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographie </span>\r\n\r\nNathalie Bachand est auteure et commissaire. Activement impliquée dans le milieu culturel, elle écrit régulièrement sur les arts visuels et médiatiques. Elle s’intéresse aux problématiques du numérique et à ses conditions d’émergence dans l’art contemporain. En 2016, elle co-commissariait avec Chloé Grondeau l’exposition ADC/DAC de l’artiste new yorkais Phillip David Stearns, présentée à Diagonale dans le cadre de la 3e édition de la BIAN. Plus récemment, elle a été commissaire de l’exposition de groupe The Dead Web – La fin, présentée à Eastern Bloc et du projet de 32 expositions UN MILLION D’HORIZONS du réseau Accès culture pour le 375e de Montréal qui avait lieu à l’été 2017. Elle occupe actuellement le poste de direction des savoirs culturels pour le Centre en art actuel Sporobole où elle écrit de courts essais qui abordent les relations art-science.'),(166169,4805,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(166170,4805,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(166171,4805,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(166172,4805,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(166173,4805,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(166174,4805,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(166175,4805,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(166176,4805,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(166177,4805,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(166178,4805,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(166179,4805,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(166180,4805,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(166181,4805,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(166182,4805,'sections_0_section_layouts_0_layout_settings_display_settings',''),(166183,4805,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(166184,4805,'sections_0_section_layouts_0_layout_settings',''),(166185,4805,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(166188,1625,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographie</span>\r\n\r\nPéio Eliceiry est un artiste multidisciplinaire. Il s’intéresse généralement à l’image, ses modes d’apparition et ses implications dans la pensée contemporaine. Peintre, graveur, lecteur, marcheur, penseur, photographe comme tout le monde et auteur à ses heures, il tente une existence libre des entraves de la standardisation. Son travail en arts visuels a été présenté au Québec dans différents centres d’artistes et galeries, notamment lors d’expositions individuelles à L’Œil de Poisson à Québec et au Centre d’essai en art imprimé Arprim à Montréal. Il est titulaire d’une maîtrise en arts de l’Université Laval à Québec. Il vit et travaille à Québec.\r\nL’auteur tient à remercier le soleil, la lune et les artistes sans qui tout cela ne serait pas possible, le centre VU ainsi que Pascale pour son soutien indéfectible.'),(166189,1625,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(166190,1625,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(166191,1625,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(166192,1625,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(166193,1625,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(166194,1625,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(166195,1625,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(166196,1625,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(166197,1625,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(166198,1625,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(166199,1625,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(166200,1625,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(166201,1625,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(166202,1625,'sections_0_section_layouts_0_layout_settings_display_settings',''),(166203,1625,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(166204,1625,'sections_0_section_layouts_0_layout_settings',''),(166205,1625,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(166206,4807,'post_image_principale','1627'),(166207,4807,'_post_image_principale','field_5183ab4b7b751'),(166208,4807,'artist_extra_authors',''),(166209,4807,'_artist_extra_authors','field_artist_extra_authors'),(166210,4807,'sections_0_section_layouts','a:1:{i:0;s:4:\"text\";}'),(166211,4807,'_sections_0_section_layouts','field_section_layouts'),(166212,4807,'sections_0_section_settings_section_id',''),(166213,4807,'_sections_0_section_settings_section_id','field_clone_section_setting_section_id'),(166214,4807,'sections_0_section_settings_hide_section','0'),(166215,4807,'_sections_0_section_settings_hide_section','field_clone_section_setting_hide_section'),(166216,4807,'sections_0_section_settings_padding_settings','none'),(166217,4807,'_sections_0_section_settings_padding_settings','field_clone_section_settings_padding_settings'),(166218,4807,'sections_0_section_settings_color','white'),(166219,4807,'_sections_0_section_settings_color','field_clone_section_settings_background_color_field_clone_site_colors'),(166220,4807,'sections_0_section_settings_background_type','normal'),(166221,4807,'_sections_0_section_settings_background_type','field_clone_section_settings_background_type'),(166222,4807,'sections_0_section_settings',''),(166223,4807,'_sections_0_section_settings','field_section_settings_field_clone_section_settings_group'),(166224,4807,'sections','1'),(166225,4807,'_sections','field_sections'),(166226,4807,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographie</span>\r\n\r\nPéio Eliceiry est un artiste multidisciplinaire. Il s’intéresse généralement à l’image, ses modes d’apparition et ses implications dans la pensée contemporaine. Peintre, graveur, lecteur, marcheur, penseur, photographe comme tout le monde et auteur à ses heures, il tente une existence libre des entraves de la standardisation. Son travail en arts visuels a été présenté au Québec dans différents centres d’artistes et galeries, notamment lors d’expositions individuelles à L’Œil de Poisson à Québec et au Centre d’essai en art imprimé Arprim à Montréal. Il est titulaire d’une maîtrise en arts de l’Université Laval à Québec. Il vit et travaille à Québec.\r\nL’auteur tient à remercier le soleil, la lune et les artistes sans qui tout cela ne serait pas possible, le centre VU ainsi que Pascale pour son soutien indéfectible.'),(166227,4807,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(166228,4807,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(166229,4807,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(166230,4807,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(166231,4807,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(166232,4807,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(166233,4807,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(166234,4807,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(166235,4807,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(166236,4807,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(166237,4807,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(166238,4807,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(166239,4807,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(166240,4807,'sections_0_section_layouts_0_layout_settings_display_settings',''),(166241,4807,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(166242,4807,'sections_0_section_layouts_0_layout_settings',''),(166243,4807,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(166246,4808,'post_image_principale','1627'),(166247,4808,'_post_image_principale','field_5183ab4b7b751'),(166248,4808,'artist_extra_authors',''),(166249,4808,'_artist_extra_authors','field_artist_extra_authors'),(166250,4808,'sections_0_section_layouts','a:1:{i:0;s:4:\"text\";}'),(166251,4808,'_sections_0_section_layouts','field_section_layouts'),(166252,4808,'sections_0_section_settings_section_id',''),(166253,4808,'_sections_0_section_settings_section_id','field_clone_section_setting_section_id'),(166254,4808,'sections_0_section_settings_hide_section','0'),(166255,4808,'_sections_0_section_settings_hide_section','field_clone_section_setting_hide_section'),(166256,4808,'sections_0_section_settings_padding_settings','none'),(166257,4808,'_sections_0_section_settings_padding_settings','field_clone_section_settings_padding_settings'),(166258,4808,'sections_0_section_settings_color','white'),(166259,4808,'_sections_0_section_settings_color','field_clone_section_settings_background_color_field_clone_site_colors'),(166260,4808,'sections_0_section_settings_background_type','normal'),(166261,4808,'_sections_0_section_settings_background_type','field_clone_section_settings_background_type'),(166262,4808,'sections_0_section_settings',''),(166263,4808,'_sections_0_section_settings','field_section_settings_field_clone_section_settings_group'),(166264,4808,'sections','1'),(166265,4808,'_sections','field_sections'),(166266,4808,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographie</span>\r\n\r\nPéio Eliceiry est un artiste multidisciplinaire. Il s’intéresse généralement à l’image, ses modes d’apparition et ses implications dans la pensée contemporaine. Peintre, graveur, lecteur, marcheur, penseur, photographe comme tout le monde et auteur à ses heures, il tente une existence libre des entraves de la standardisation. Son travail en arts visuels a été présenté au Québec dans différents centres d’artistes et galeries, notamment lors d’expositions individuelles à L’Œil de Poisson à Québec et au Centre d’essai en art imprimé Arprim à Montréal. Il est titulaire d’une maîtrise en arts de l’Université Laval à Québec. Il vit et travaille à Québec.\r\nL’auteur tient à remercier le soleil, la lune et les artistes sans qui tout cela ne serait pas possible, le centre VU ainsi que Pascale pour son soutien indéfectible.'),(166267,4808,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(166268,4808,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(166269,4808,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(166270,4808,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(166271,4808,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(166272,4808,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(166273,4808,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(166274,4808,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(166275,4808,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(166276,4808,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(166277,4808,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(166278,4808,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(166279,4808,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(166280,4808,'sections_0_section_layouts_0_layout_settings_display_settings',''),(166281,4808,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(166282,4808,'sections_0_section_layouts_0_layout_settings',''),(166283,4808,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(166293,1603,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographie</span>\r\n\r\nCandidate au doctorat en histoire de l’art à l’Université du Québec à Montréal, Anne-Marie Dubois est également essayiste et critique d’art. Guidées par une approche féministe néo-matérialiste, ses recherches portent principalement sur les enjeux discursifs et matériels du bio-art et des pratiques performatives d’artistes issu.e.s de la multitude queer.'),(166294,1603,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(166295,1603,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(166296,1603,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(166297,1603,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(166298,1603,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(166299,1603,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(166300,1603,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(166301,1603,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(166302,1603,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(166303,1603,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(166304,1603,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(166305,1603,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(166306,1603,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(166307,1603,'sections_0_section_layouts_0_layout_settings_display_settings',''),(166308,1603,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(166309,1603,'sections_0_section_layouts_0_layout_settings',''),(166310,1603,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(166311,4812,'post_image_principale','1613'),(166312,4812,'_post_image_principale','field_5183ab4b7b751'),(166313,4812,'artist_extra_authors',''),(166314,4812,'_artist_extra_authors','field_artist_extra_authors'),(166315,4812,'sections_0_section_layouts','a:1:{i:0;s:4:\"text\";}'),(166316,4812,'_sections_0_section_layouts','field_section_layouts'),(166317,4812,'sections_0_section_settings_section_id',''),(166318,4812,'_sections_0_section_settings_section_id','field_clone_section_setting_section_id'),(166319,4812,'sections_0_section_settings_hide_section','0'),(166320,4812,'_sections_0_section_settings_hide_section','field_clone_section_setting_hide_section'),(166321,4812,'sections_0_section_settings_padding_settings','none'),(166322,4812,'_sections_0_section_settings_padding_settings','field_clone_section_settings_padding_settings'),(166323,4812,'sections_0_section_settings_color','white'),(166324,4812,'_sections_0_section_settings_color','field_clone_section_settings_background_color_field_clone_site_colors'),(166325,4812,'sections_0_section_settings_background_type','normal'),(166326,4812,'_sections_0_section_settings_background_type','field_clone_section_settings_background_type'),(166327,4812,'sections_0_section_settings',''),(166328,4812,'_sections_0_section_settings','field_section_settings_field_clone_section_settings_group'),(166329,4812,'sections','1'),(166330,4812,'_sections','field_sections'),(166331,4812,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographie</span>\r\n\r\nCandidate au doctorat en histoire de l’art à l’Université du Québec à Montréal, Anne-Marie Dubois est également essayiste et critique d’art. Guidées par une approche féministe néo-matérialiste, ses recherches portent principalement sur les enjeux discursifs et matériels du bio-art et des pratiques performatives d’artistes issu.e.s de la multitude queer.'),(166332,4812,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(166333,4812,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(166334,4812,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(166335,4812,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(166336,4812,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(166337,4812,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(166338,4812,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(166339,4812,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(166340,4812,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(166341,4812,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(166342,4812,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(166343,4812,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(166344,4812,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(166345,4812,'sections_0_section_layouts_0_layout_settings_display_settings',''),(166346,4812,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(166347,4812,'sections_0_section_layouts_0_layout_settings',''),(166348,4812,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(166351,1569,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographie </span>\r\n\r\nDe Québec, Hélène Matte est une poète issue des arts visuels qui dit, une artiste plasticienne qui écrit. Détentrice d’une maîtrise en arts visuels, elle est doctorante en littérature, art de la scène et de l’écran à l’Université Laval. Elle est auteure de nombreux articles sur l’art, conceptrice et organisatrice d’évènements culturels, et sa pratique interdisciplinaire interroge particulièrement le dessin, l’art-action, et les poésies manifestes hors du livre. Elle compte à son actif plusieurs expositions et performances en Europe, au Canada et ailleurs en Amériques.'),(166352,1569,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(166353,1569,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(166354,1569,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(166355,1569,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(166356,1569,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(166357,1569,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(166358,1569,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(166359,1569,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(166360,1569,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(166361,1569,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(166362,1569,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(166363,1569,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(166364,1569,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(166365,1569,'sections_0_section_layouts_0_layout_settings_display_settings',''),(166366,1569,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(166367,1569,'sections_0_section_layouts_0_layout_settings',''),(166368,1569,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(166369,4814,'post_image_principale','1599'),(166370,4814,'_post_image_principale','field_5183ab4b7b751'),(166371,4814,'artist_extra_authors',''),(166372,4814,'_artist_extra_authors','field_artist_extra_authors'),(166373,4814,'sections_0_section_layouts','a:1:{i:0;s:4:\"text\";}'),(166374,4814,'_sections_0_section_layouts','field_section_layouts'),(166375,4814,'sections_0_section_settings_section_id',''),(166376,4814,'_sections_0_section_settings_section_id','field_clone_section_setting_section_id'),(166377,4814,'sections_0_section_settings_hide_section','0'),(166378,4814,'_sections_0_section_settings_hide_section','field_clone_section_setting_hide_section'),(166379,4814,'sections_0_section_settings_padding_settings','none'),(166380,4814,'_sections_0_section_settings_padding_settings','field_clone_section_settings_padding_settings'),(166381,4814,'sections_0_section_settings_color','white'),(166382,4814,'_sections_0_section_settings_color','field_clone_section_settings_background_color_field_clone_site_colors'),(166383,4814,'sections_0_section_settings_background_type','normal'),(166384,4814,'_sections_0_section_settings_background_type','field_clone_section_settings_background_type'),(166385,4814,'sections_0_section_settings',''),(166386,4814,'_sections_0_section_settings','field_section_settings_field_clone_section_settings_group'),(166387,4814,'sections','1'),(166388,4814,'_sections','field_sections'),(166389,4814,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographie </span>\r\n\r\nDe Québec, Hélène Matte est une poète issue des arts visuels qui dit, une artiste plasticienne qui écrit. Détentrice d’une maîtrise en arts visuels, elle est doctorante en littérature, art de la scène et de l’écran à l’Université Laval. Elle est auteure de nombreux articles sur l’art, conceptrice et organisatrice d’évènements culturels, et sa pratique interdisciplinaire interroge particulièrement le dessin, l’art-action, et les poésies manifestes hors du livre. Elle compte à son actif plusieurs expositions et performances en Europe, au Canada et ailleurs en Amériques.'),(166390,4814,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(166391,4814,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(166392,4814,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(166393,4814,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(166394,4814,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(166395,4814,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(166396,4814,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(166397,4814,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(166398,4814,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(166399,4814,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(166400,4814,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(166401,4814,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(166402,4814,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(166403,4814,'sections_0_section_layouts_0_layout_settings_display_settings',''),(166404,4814,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(166405,4814,'sections_0_section_layouts_0_layout_settings',''),(166406,4814,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(166409,4815,'post_image_principale','1599'),(166410,4815,'_post_image_principale','field_5183ab4b7b751'),(166411,4815,'artist_extra_authors',''),(166412,4815,'_artist_extra_authors','field_artist_extra_authors'),(166413,4815,'sections_0_section_layouts','a:1:{i:0;s:4:\"text\";}'),(166414,4815,'_sections_0_section_layouts','field_section_layouts'),(166415,4815,'sections_0_section_settings_section_id',''),(166416,4815,'_sections_0_section_settings_section_id','field_clone_section_setting_section_id'),(166417,4815,'sections_0_section_settings_hide_section','0'),(166418,4815,'_sections_0_section_settings_hide_section','field_clone_section_setting_hide_section'),(166419,4815,'sections_0_section_settings_padding_settings','none'),(166420,4815,'_sections_0_section_settings_padding_settings','field_clone_section_settings_padding_settings'),(166421,4815,'sections_0_section_settings_color','white'),(166422,4815,'_sections_0_section_settings_color','field_clone_section_settings_background_color_field_clone_site_colors'),(166423,4815,'sections_0_section_settings_background_type','normal'),(166424,4815,'_sections_0_section_settings_background_type','field_clone_section_settings_background_type'),(166425,4815,'sections_0_section_settings',''),(166426,4815,'_sections_0_section_settings','field_section_settings_field_clone_section_settings_group'),(166427,4815,'sections','1'),(166428,4815,'_sections','field_sections'),(166429,4815,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographie </span>\r\n\r\nDe Québec, Hélène Matte est une poète issue des arts visuels qui dit, une artiste plasticienne qui écrit. Détentrice d’une maîtrise en arts visuels, elle est doctorante en littérature, art de la scène et de l’écran à l’Université Laval. Elle est auteure de nombreux articles sur l’art, conceptrice et organisatrice d’évènements culturels, et sa pratique interdisciplinaire interroge particulièrement le dessin, l’art-action, et les poésies manifestes hors du livre. Elle compte à son actif plusieurs expositions et performances en Europe, au Canada et ailleurs en Amériques.'),(166430,4815,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(166431,4815,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(166432,4815,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(166433,4815,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(166434,4815,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(166435,4815,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(166436,4815,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(166437,4815,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(166438,4815,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(166439,4815,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(166440,4815,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(166441,4815,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(166442,4815,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(166443,4815,'sections_0_section_layouts_0_layout_settings_display_settings',''),(166444,4815,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(166445,4815,'sections_0_section_layouts_0_layout_settings',''),(166446,4815,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(166449,1512,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographie </span>\r\n\r\nSuite à des études collégiales en photographie et un baccalauréat en histoire de l\'art, Gentiane La France a poursuivi des réflexions autour de la photographie dans le cadre d\'une maîtrise en études des arts à l\'UQAM. Elle enseigne l’histoire de l’art et de la photographie au collégial. En tant que commissaire, elle a été invitée à présenter des artistes québécois lors de deux expositions en Allemagne, en 2009 et en 2015. Habitant la ville de Québec, elle co-anime l\'émission de radio L\'Aérospatial à CKRL 89,1 consacrée aux arts visuels. Elle a également écrit pour le blogue de VU et pour le magazine Ciel variable.'),(166450,1512,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(166451,1512,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(166452,1512,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(166453,1512,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(166454,1512,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(166455,1512,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(166456,1512,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(166457,1512,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(166458,1512,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(166459,1512,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(166460,1512,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(166461,1512,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(166462,1512,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(166463,1512,'sections_0_section_layouts_0_layout_settings_display_settings',''),(166464,1512,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(166465,1512,'sections_0_section_layouts_0_layout_settings',''),(166466,1512,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(166467,4817,'post_image_principale','1513'),(166468,4817,'_post_image_principale','field_5183ab4b7b751'),(166469,4817,'artist_extra_authors',''),(166470,4817,'_artist_extra_authors','field_artist_extra_authors'),(166471,4817,'sections_0_section_layouts','a:1:{i:0;s:4:\"text\";}'),(166472,4817,'_sections_0_section_layouts','field_section_layouts'),(166473,4817,'sections_0_section_settings_section_id',''),(166474,4817,'_sections_0_section_settings_section_id','field_clone_section_setting_section_id'),(166475,4817,'sections_0_section_settings_hide_section','0'),(166476,4817,'_sections_0_section_settings_hide_section','field_clone_section_setting_hide_section'),(166477,4817,'sections_0_section_settings_padding_settings','none'),(166478,4817,'_sections_0_section_settings_padding_settings','field_clone_section_settings_padding_settings'),(166479,4817,'sections_0_section_settings_color','white'),(166480,4817,'_sections_0_section_settings_color','field_clone_section_settings_background_color_field_clone_site_colors'),(166481,4817,'sections_0_section_settings_background_type','normal'),(166482,4817,'_sections_0_section_settings_background_type','field_clone_section_settings_background_type'),(166483,4817,'sections_0_section_settings',''),(166484,4817,'_sections_0_section_settings','field_section_settings_field_clone_section_settings_group'),(166485,4817,'sections','1'),(166486,4817,'_sections','field_sections'),(166487,4817,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographie </span>\r\n\r\nSuite à des études collégiales en photographie et un baccalauréat en histoire de l\'art, Gentiane La France a poursuivi des réflexions autour de la photographie dans le cadre d\'une maîtrise en études des arts à l\'UQAM. Elle enseigne l’histoire de l’art et de la photographie au collégial. En tant que commissaire, elle a été invitée à présenter des artistes québécois lors de deux expositions en Allemagne, en 2009 et en 2015. Habitant la ville de Québec, elle co-anime l\'émission de radio L\'Aérospatial à CKRL 89,1 consacrée aux arts visuels. Elle a également écrit pour le blogue de VU et pour le magazine Ciel variable.'),(166488,4817,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(166489,4817,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(166490,4817,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(166491,4817,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(166492,4817,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(166493,4817,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(166494,4817,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(166495,4817,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(166496,4817,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(166497,4817,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(166498,4817,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(166499,4817,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(166500,4817,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(166501,4817,'sections_0_section_layouts_0_layout_settings_display_settings',''),(166502,4817,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(166503,4817,'sections_0_section_layouts_0_layout_settings',''),(166504,4817,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(166507,4818,'post_image_principale','1513'),(166508,4818,'_post_image_principale','field_5183ab4b7b751'),(166509,4818,'artist_extra_authors',''),(166510,4818,'_artist_extra_authors','field_artist_extra_authors'),(166511,4818,'sections_0_section_layouts','a:1:{i:0;s:4:\"text\";}'),(166512,4818,'_sections_0_section_layouts','field_section_layouts'),(166513,4818,'sections_0_section_settings_section_id',''),(166514,4818,'_sections_0_section_settings_section_id','field_clone_section_setting_section_id'),(166515,4818,'sections_0_section_settings_hide_section','0'),(166516,4818,'_sections_0_section_settings_hide_section','field_clone_section_setting_hide_section'),(166517,4818,'sections_0_section_settings_padding_settings','none'),(166518,4818,'_sections_0_section_settings_padding_settings','field_clone_section_settings_padding_settings'),(166519,4818,'sections_0_section_settings_color','white'),(166520,4818,'_sections_0_section_settings_color','field_clone_section_settings_background_color_field_clone_site_colors'),(166521,4818,'sections_0_section_settings_background_type','normal'),(166522,4818,'_sections_0_section_settings_background_type','field_clone_section_settings_background_type'),(166523,4818,'sections_0_section_settings',''),(166524,4818,'_sections_0_section_settings','field_section_settings_field_clone_section_settings_group'),(166525,4818,'sections','1'),(166526,4818,'_sections','field_sections'),(166527,4818,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographie </span>\r\n\r\nSuite à des études collégiales en photographie et un baccalauréat en histoire de l\'art, Gentiane La France a poursuivi des réflexions autour de la photographie dans le cadre d\'une maîtrise en études des arts à l\'UQAM. Elle enseigne l’histoire de l’art et de la photographie au collégial. En tant que commissaire, elle a été invitée à présenter des artistes québécois lors de deux expositions en Allemagne, en 2009 et en 2015. Habitant la ville de Québec, elle co-anime l\'émission de radio L\'Aérospatial à CKRL 89,1 consacrée aux arts visuels. Elle a également écrit pour le blogue de VU et pour le magazine Ciel variable.'),(166528,4818,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(166529,4818,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(166530,4818,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(166531,4818,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(166532,4818,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(166533,4818,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(166534,4818,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(166535,4818,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(166536,4818,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(166537,4818,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(166538,4818,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(166539,4818,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(166540,4818,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(166541,4818,'sections_0_section_layouts_0_layout_settings_display_settings',''),(166542,4818,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(166543,4818,'sections_0_section_layouts_0_layout_settings',''),(166544,4818,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(166547,1509,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographie</span>\r\n\r\nClaire Moeder est auteure, commissaire, formatrice et rédactrice auprès des artistes. Elle publie régulièrement dans les revues Ciel variable et esse art + opinions et a collaboré comme chroniqueuse pour ratsdeville et CIBL à la radio. Elle a contribué à des publications consacrées à la photographie dont Le Mois de la Photo à Montréal (2009) et Christian Marclay : SNAP! (2010). Ayant pris part à des résidences pour commissaires (International Studio &amp; Curatorial Program, Est-Nord-Est, La Chambre Blanche, DARE-DARE), elle a récemment conçu les expositions de Sayeh Sarfaraz (Maison des arts de Laval et The Invisible Dog Art Center, Brooklyn, 2014) et de Jacinthe Lessard-L. (Maison des arts de Laval, 2016), ainsi que Loin des yeux (Optica, 2016). Ses recherches sur les usages actuels de l’image sont guidées par une quête attentive des formes de l’invisible, où la contemplation de ce qui échappe au regard lui permet de réinventer un rapport mouvant au monde.'),(166548,1509,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(166549,1509,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(166550,1509,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(166551,1509,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(166552,1509,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(166553,1509,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(166554,1509,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(166555,1509,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(166556,1509,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(166557,1509,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(166558,1509,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(166559,1509,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(166560,1509,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(166561,1509,'sections_0_section_layouts_0_layout_settings_display_settings',''),(166562,1509,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(166563,1509,'sections_0_section_layouts_0_layout_settings',''),(166564,1509,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(166565,4820,'post_image_principale','1510'),(166566,4820,'_post_image_principale','field_5183ab4b7b751'),(166567,4820,'artist_extra_authors',''),(166568,4820,'_artist_extra_authors','field_artist_extra_authors'),(166569,4820,'sections_0_section_layouts','a:1:{i:0;s:4:\"text\";}'),(166570,4820,'_sections_0_section_layouts','field_section_layouts'),(166571,4820,'sections_0_section_settings_section_id',''),(166572,4820,'_sections_0_section_settings_section_id','field_clone_section_setting_section_id'),(166573,4820,'sections_0_section_settings_hide_section','0'),(166574,4820,'_sections_0_section_settings_hide_section','field_clone_section_setting_hide_section'),(166575,4820,'sections_0_section_settings_padding_settings','none'),(166576,4820,'_sections_0_section_settings_padding_settings','field_clone_section_settings_padding_settings'),(166577,4820,'sections_0_section_settings_color','white'),(166578,4820,'_sections_0_section_settings_color','field_clone_section_settings_background_color_field_clone_site_colors'),(166579,4820,'sections_0_section_settings_background_type','normal'),(166580,4820,'_sections_0_section_settings_background_type','field_clone_section_settings_background_type'),(166581,4820,'sections_0_section_settings',''),(166582,4820,'_sections_0_section_settings','field_section_settings_field_clone_section_settings_group'),(166583,4820,'sections','1'),(166584,4820,'_sections','field_sections'),(166585,4820,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographie</span>\r\n\r\nClaire Moeder est auteure, commissaire, formatrice et rédactrice auprès des artistes. Elle publie régulièrement dans les revues Ciel variable et esse art + opinions et a collaboré comme chroniqueuse pour ratsdeville et CIBL à la radio. Elle a contribué à des publications consacrées à la photographie dont Le Mois de la Photo à Montréal (2009) et Christian Marclay : SNAP! (2010). Ayant pris part à des résidences pour commissaires (International Studio &amp; Curatorial Program, Est-Nord-Est, La Chambre Blanche, DARE-DARE), elle a récemment conçu les expositions de Sayeh Sarfaraz (Maison des arts de Laval et The Invisible Dog Art Center, Brooklyn, 2014) et de Jacinthe Lessard-L. (Maison des arts de Laval, 2016), ainsi que Loin des yeux (Optica, 2016). Ses recherches sur les usages actuels de l’image sont guidées par une quête attentive des formes de l’invisible, où la contemplation de ce qui échappe au regard lui permet de réinventer un rapport mouvant au monde.'),(166586,4820,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(166587,4820,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(166588,4820,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(166589,4820,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(166590,4820,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(166591,4820,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(166592,4820,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(166593,4820,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(166594,4820,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(166595,4820,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(166596,4820,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(166597,4820,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(166598,4820,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(166599,4820,'sections_0_section_layouts_0_layout_settings_display_settings',''),(166600,4820,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(166601,4820,'sections_0_section_layouts_0_layout_settings',''),(166602,4820,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(166605,1476,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographie</span>\r\n\r\nCynthia Fecteau détient une maîtrise en arts visuels de l’Université Laval. Interpellée par les formes de connaissances sensibles en philosophie et en création, notamment les concepts d’écosophie, d’être-au-monde, et de collectivité, elle s’intéresse à leurs manifestations concrètes en art actuel. Outre ses textes publiés dans Espace art actuel, ETC MEDIA, Zone Occupée, Les Cahiers de la Galerie et Le Sabord, elle a poursuivi ses recherches en écriture lors de résidences au Québec, à La Chambre Blanche (2014), au Centre Bang (2017) et en France, dans la commune de Saint-Mathieu (2015).'),(166606,1476,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(166607,1476,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(166608,1476,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(166609,1476,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(166610,1476,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(166611,1476,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(166612,1476,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(166613,1476,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(166614,1476,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(166615,1476,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(166616,1476,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(166617,1476,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(166618,1476,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(166619,1476,'sections_0_section_layouts_0_layout_settings_display_settings',''),(166620,1476,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(166621,1476,'sections_0_section_layouts_0_layout_settings',''),(166622,1476,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(166623,4822,'post_image_principale','1480'),(166624,4822,'_post_image_principale','field_5183ab4b7b751'),(166625,4822,'artist_extra_authors',''),(166626,4822,'_artist_extra_authors','field_artist_extra_authors'),(166627,4822,'sections_0_section_layouts','a:1:{i:0;s:4:\"text\";}'),(166628,4822,'_sections_0_section_layouts','field_section_layouts'),(166629,4822,'sections_0_section_settings_section_id',''),(166630,4822,'_sections_0_section_settings_section_id','field_clone_section_setting_section_id'),(166631,4822,'sections_0_section_settings_hide_section','0'),(166632,4822,'_sections_0_section_settings_hide_section','field_clone_section_setting_hide_section'),(166633,4822,'sections_0_section_settings_padding_settings','none'),(166634,4822,'_sections_0_section_settings_padding_settings','field_clone_section_settings_padding_settings'),(166635,4822,'sections_0_section_settings_color','white'),(166636,4822,'_sections_0_section_settings_color','field_clone_section_settings_background_color_field_clone_site_colors'),(166637,4822,'sections_0_section_settings_background_type','normal'),(166638,4822,'_sections_0_section_settings_background_type','field_clone_section_settings_background_type'),(166639,4822,'sections_0_section_settings',''),(166640,4822,'_sections_0_section_settings','field_section_settings_field_clone_section_settings_group'),(166641,4822,'sections','1'),(166642,4822,'_sections','field_sections'),(166643,4822,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographie</span>\r\n\r\nCynthia Fecteau détient une maîtrise en arts visuels de l’Université Laval. Interpellée par les formes de connaissances sensibles en philosophie et en création, notamment les concepts d’écosophie, d’être-au-monde, et de collectivité, elle s’intéresse à leurs manifestations concrètes en art actuel. Outre ses textes publiés dans Espace art actuel, ETC MEDIA, Zone Occupée, Les Cahiers de la Galerie et Le Sabord, elle a poursuivi ses recherches en écriture lors de résidences au Québec, à La Chambre Blanche (2014), au Centre Bang (2017) et en France, dans la commune de Saint-Mathieu (2015).'),(166644,4822,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(166645,4822,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(166646,4822,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(166647,4822,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(166648,4822,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(166649,4822,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(166650,4822,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(166651,4822,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(166652,4822,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(166653,4822,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(166654,4822,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(166655,4822,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(166656,4822,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(166657,4822,'sections_0_section_layouts_0_layout_settings_display_settings',''),(166658,4822,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(166659,4822,'sections_0_section_layouts_0_layout_settings',''),(166660,4822,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(166663,1435,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographie </span>\r\n\r\nMaxime Coulombe est sociologue et historien de l’art. Il est professeur titulaire en histoire et théories des arts actuels à l’Université Laval.'),(166664,1435,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(166665,1435,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(166666,1435,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(166667,1435,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(166668,1435,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(166669,1435,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(166670,1435,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(166671,1435,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(166672,1435,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(166673,1435,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(166674,1435,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(166675,1435,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(166676,1435,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(166677,1435,'sections_0_section_layouts_0_layout_settings_display_settings',''),(166678,1435,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(166679,1435,'sections_0_section_layouts_0_layout_settings',''),(166680,1435,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(166681,4824,'post_image_principale','1437'),(166682,4824,'_post_image_principale','field_5183ab4b7b751'),(166683,4824,'artist_extra_authors',''),(166684,4824,'_artist_extra_authors','field_artist_extra_authors'),(166685,4824,'sections_0_section_layouts','a:1:{i:0;s:4:\"text\";}'),(166686,4824,'_sections_0_section_layouts','field_section_layouts'),(166687,4824,'sections_0_section_settings_section_id',''),(166688,4824,'_sections_0_section_settings_section_id','field_clone_section_setting_section_id'),(166689,4824,'sections_0_section_settings_hide_section','0'),(166690,4824,'_sections_0_section_settings_hide_section','field_clone_section_setting_hide_section'),(166691,4824,'sections_0_section_settings_padding_settings','none'),(166692,4824,'_sections_0_section_settings_padding_settings','field_clone_section_settings_padding_settings'),(166693,4824,'sections_0_section_settings_color','white'),(166694,4824,'_sections_0_section_settings_color','field_clone_section_settings_background_color_field_clone_site_colors'),(166695,4824,'sections_0_section_settings_background_type','normal'),(166696,4824,'_sections_0_section_settings_background_type','field_clone_section_settings_background_type'),(166697,4824,'sections_0_section_settings',''),(166698,4824,'_sections_0_section_settings','field_section_settings_field_clone_section_settings_group'),(166699,4824,'sections','1'),(166700,4824,'_sections','field_sections'),(166701,4824,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographie </span>\r\n\r\nMaxime Coulombe est sociologue et historien de l’art. Il est professeur titulaire en histoire et théories des arts actuels à l’Université Laval.'),(166702,4824,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(166703,4824,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(166704,4824,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(166705,4824,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(166706,4824,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(166707,4824,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(166708,4824,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(166709,4824,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(166710,4824,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(166711,4824,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(166712,4824,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(166713,4824,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(166714,4824,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(166715,4824,'sections_0_section_layouts_0_layout_settings_display_settings',''),(166716,4824,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(166717,4824,'sections_0_section_layouts_0_layout_settings',''),(166718,4824,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(166721,1393,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographie</span>\r\n\r\nSylvain Campeau est critique d’art, essayiste, commissaire d’exposition et poète. Il a publié cinq recueils de poésie, un essai sur la photographie et une anthologie de poètes québécois. Deux autres essais ont paru il y a quelques années : Chantiers de l’image, aux éditions Nota Bene et Imago Lexis. Sur Rober Racine, aux éditions Triptyque. Il est aussi l’auteur de nombreux essais parus dans des monographies sur des artistes visuels et il collabore régulièrement aux revues Ciel variable et ETC media.'),(166722,1393,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(166723,1393,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(166724,1393,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(166725,1393,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(166726,1393,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(166727,1393,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(166728,1393,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(166729,1393,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(166730,1393,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(166731,1393,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(166732,1393,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(166733,1393,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(166734,1393,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(166735,1393,'sections_0_section_layouts_0_layout_settings_display_settings',''),(166736,1393,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(166737,1393,'sections_0_section_layouts_0_layout_settings',''),(166738,1393,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(166739,4826,'post_image_principale','1395'),(166740,4826,'_post_image_principale','field_5183ab4b7b751'),(166741,4826,'artist_extra_authors',''),(166742,4826,'_artist_extra_authors','field_artist_extra_authors'),(166743,4826,'sections_0_section_layouts','a:1:{i:0;s:4:\"text\";}'),(166744,4826,'_sections_0_section_layouts','field_section_layouts'),(166745,4826,'sections_0_section_settings_section_id',''),(166746,4826,'_sections_0_section_settings_section_id','field_clone_section_setting_section_id'),(166747,4826,'sections_0_section_settings_hide_section','0'),(166748,4826,'_sections_0_section_settings_hide_section','field_clone_section_setting_hide_section'),(166749,4826,'sections_0_section_settings_padding_settings','none'),(166750,4826,'_sections_0_section_settings_padding_settings','field_clone_section_settings_padding_settings'),(166751,4826,'sections_0_section_settings_color','white'),(166752,4826,'_sections_0_section_settings_color','field_clone_section_settings_background_color_field_clone_site_colors'),(166753,4826,'sections_0_section_settings_background_type','normal'),(166754,4826,'_sections_0_section_settings_background_type','field_clone_section_settings_background_type'),(166755,4826,'sections_0_section_settings',''),(166756,4826,'_sections_0_section_settings','field_section_settings_field_clone_section_settings_group'),(166757,4826,'sections','1'),(166758,4826,'_sections','field_sections'),(166759,4826,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographie</span>\r\n\r\nSylvain Campeau est critique d’art, essayiste, commissaire d’exposition et poète. Il a publié cinq recueils de poésie, un essai sur la photographie et une anthologie de poètes québécois. Deux autres essais ont paru il y a quelques années : Chantiers de l’image, aux éditions Nota Bene et Imago Lexis. Sur Rober Racine, aux éditions Triptyque. Il est aussi l’auteur de nombreux essais parus dans des monographies sur des artistes visuels et il collabore régulièrement aux revues Ciel variable et ETC media.'),(166760,4826,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(166761,4826,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(166762,4826,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(166763,4826,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(166764,4826,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(166765,4826,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(166766,4826,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(166767,4826,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(166768,4826,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(166769,4826,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(166770,4826,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(166771,4826,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(166772,4826,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(166773,4826,'sections_0_section_layouts_0_layout_settings_display_settings',''),(166774,4826,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(166775,4826,'sections_0_section_layouts_0_layout_settings',''),(166776,4826,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(166780,4827,'artist_extra_authors',''),(166781,4827,'_artist_extra_authors','field_artist_extra_authors'),(166782,4827,'sections_0_section_layouts','a:1:{i:0;s:4:\"text\";}'),(166783,4827,'_sections_0_section_layouts','field_section_layouts'),(166784,4827,'sections_0_section_settings_section_id',''),(166785,4827,'_sections_0_section_settings_section_id','field_clone_section_setting_section_id'),(166786,4827,'sections_0_section_settings_hide_section','0'),(166787,4827,'_sections_0_section_settings_hide_section','field_clone_section_setting_hide_section'),(166788,4827,'sections_0_section_settings_padding_settings','none'),(166789,4827,'_sections_0_section_settings_padding_settings','field_clone_section_settings_padding_settings'),(166790,4827,'sections_0_section_settings_color','white'),(166791,4827,'_sections_0_section_settings_color','field_clone_section_settings_background_color_field_clone_site_colors'),(166792,4827,'sections_0_section_settings_background_type','normal'),(166793,4827,'_sections_0_section_settings_background_type','field_clone_section_settings_background_type'),(166794,4827,'sections_0_section_settings',''),(166795,4827,'_sections_0_section_settings','field_section_settings_field_clone_section_settings_group'),(166796,4827,'sections','1'),(166797,4827,'_sections','field_sections'),(166798,4827,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographie</span>\r\n\r\nConservateur de l’art actuel (de 2000 à ce jour) au Musée national des beaux-arts du Québec (MNBAQ) depuis 2012, Bernard Lamarche a été conservateur de l’art contemporain au Musée régional de Rimouski de 2005 à 2012. Il avait auparavant travaillé pendant près de dix ans comme critique d’art et journaliste pour le quotidien Le Devoir. En 2018, il signait le commissariat de l’exposition Fait Main/Hand made, au MNBAQ. Il a contribué au catalogue de l’exposition Morelli, du 1700 La Poste à Montréal, en 2017. Il a publié par ailleurs un nombre croissant d’articles et de catalogues d’exposition.'),(166799,4827,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(166800,4827,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(166801,4827,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(166802,4827,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(166803,4827,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(166804,4827,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(166805,4827,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(166806,4827,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(166807,4827,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(166808,4827,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(166809,4827,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(166810,4827,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(166811,4827,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(166812,4827,'sections_0_section_layouts_0_layout_settings_display_settings',''),(166813,4827,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(166814,4827,'sections_0_section_layouts_0_layout_settings',''),(166815,4827,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(166816,4540,'_wpml_media_has_media','1'),(166818,4828,'artist_extra_authors',''),(166819,4828,'_artist_extra_authors','field_artist_extra_authors'),(166820,4828,'sections_0_section_layouts','a:1:{i:0;s:4:\"text\";}'),(166821,4828,'_sections_0_section_layouts','field_section_layouts'),(166822,4828,'sections_0_section_settings_section_id',''),(166823,4828,'_sections_0_section_settings_section_id','field_clone_section_setting_section_id'),(166824,4828,'sections_0_section_settings_hide_section','0'),(166825,4828,'_sections_0_section_settings_hide_section','field_clone_section_setting_hide_section'),(166826,4828,'sections_0_section_settings_padding_settings','none'),(166827,4828,'_sections_0_section_settings_padding_settings','field_clone_section_settings_padding_settings'),(166828,4828,'sections_0_section_settings_color','white'),(166829,4828,'_sections_0_section_settings_color','field_clone_section_settings_background_color_field_clone_site_colors'),(166830,4828,'sections_0_section_settings_background_type','normal'),(166831,4828,'_sections_0_section_settings_background_type','field_clone_section_settings_background_type'),(166832,4828,'sections_0_section_settings',''),(166833,4828,'_sections_0_section_settings','field_section_settings_field_clone_section_settings_group'),(166834,4828,'sections','1'),(166835,4828,'_sections','field_sections'),(166836,4828,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographie</span>\r\n\r\nJosée Schryer vit et travaille à Montréal. Elle a obtenu son baccalauréat en photographie et en histoire de l’art de l’université Concordia et sa maitrise en photographie de l’université de Hartford au Connecticut. Son travail a été exposé à l’international et sa première monographie, sur-la-Rouge, fut publiée à Berlin en 2016. Elle est aussi co-fondatrice du Photobook Club - Montréal.'),(166837,4828,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(166838,4828,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(166839,4828,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(166840,4828,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(166841,4828,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(166842,4828,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(166843,4828,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(166844,4828,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(166845,4828,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(166846,4828,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(166847,4828,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(166848,4828,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(166849,4828,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(166850,4828,'sections_0_section_layouts_0_layout_settings_display_settings',''),(166851,4828,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(166852,4828,'sections_0_section_layouts_0_layout_settings',''),(166853,4828,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(166854,2601,'_wpml_media_has_media','1'),(166856,4830,'artist_extra_authors',''),(166857,4830,'_artist_extra_authors','field_artist_extra_authors'),(166858,4830,'sections_0_section_layouts','a:1:{i:0;s:4:\"text\";}'),(166859,4830,'_sections_0_section_layouts','field_section_layouts'),(166860,4830,'sections_0_section_settings_section_id',''),(166861,4830,'_sections_0_section_settings_section_id','field_clone_section_setting_section_id'),(166862,4830,'sections_0_section_settings_hide_section','0'),(166863,4830,'_sections_0_section_settings_hide_section','field_clone_section_setting_hide_section'),(166864,4830,'sections_0_section_settings_padding_settings','none'),(166865,4830,'_sections_0_section_settings_padding_settings','field_clone_section_settings_padding_settings'),(166866,4830,'sections_0_section_settings_color','white'),(166867,4830,'_sections_0_section_settings_color','field_clone_section_settings_background_color_field_clone_site_colors'),(166868,4830,'sections_0_section_settings_background_type','normal'),(166869,4830,'_sections_0_section_settings_background_type','field_clone_section_settings_background_type'),(166870,4830,'sections_0_section_settings',''),(166871,4830,'_sections_0_section_settings','field_section_settings_field_clone_section_settings_group'),(166872,4830,'sections','1'),(166873,4830,'_sections','field_sections'),(166874,4830,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographie</span>\r\n\r\nMona Hakim est historienne de l’art, critique et commissaire indépendante. Ses recherches portent sur des enjeux liés aux pratiques photographiques contemporaines et actuelles. Ses écrits paraissent dans les catalogues d’exposition, monographies d’artistes et revues spécialisées. À titre de commissaire, elle a réalisé plus d’une vingtaine d’expositions; une des plus récentes, en co-commissariat, traçait un portrait de la photographie québécoise des quinze dernières années et a circulé dans trois musées mexicains en 2017 sous la direction d’Occurrence, espace d’art et d’essai contemporains. Elle est également active comme conférencière, membre de jurys et de conseils d’administration. Elle a enseigné l’histoire de l’art et l’histoire de la photographie au collégial de 1996 à 2015 et siège depuis 2013 au sein des comités de sélection de la Politique d’intégration des arts à l’architecture.'),(166875,4830,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(166876,4830,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(166877,4830,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(166878,4830,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(166879,4830,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(166880,4830,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(166881,4830,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(166882,4830,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(166883,4830,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(166884,4830,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(166885,4830,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(166886,4830,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(166887,4830,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(166888,4830,'sections_0_section_layouts_0_layout_settings_display_settings',''),(166889,4830,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(166890,4830,'sections_0_section_layouts_0_layout_settings',''),(166891,4830,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(166892,2170,'_wpml_media_has_media','1'),(166894,4831,'artist_extra_authors',''),(166895,4831,'_artist_extra_authors','field_artist_extra_authors'),(166896,4831,'sections_0_section_layouts','a:1:{i:0;s:4:\"text\";}'),(166897,4831,'_sections_0_section_layouts','field_section_layouts'),(166898,4831,'sections_0_section_settings_section_id',''),(166899,4831,'_sections_0_section_settings_section_id','field_clone_section_setting_section_id'),(166900,4831,'sections_0_section_settings_hide_section','0'),(166901,4831,'_sections_0_section_settings_hide_section','field_clone_section_setting_hide_section'),(166902,4831,'sections_0_section_settings_padding_settings','none'),(166903,4831,'_sections_0_section_settings_padding_settings','field_clone_section_settings_padding_settings'),(166904,4831,'sections_0_section_settings_color','white'),(166905,4831,'_sections_0_section_settings_color','field_clone_section_settings_background_color_field_clone_site_colors'),(166906,4831,'sections_0_section_settings_background_type','normal'),(166907,4831,'_sections_0_section_settings_background_type','field_clone_section_settings_background_type'),(166908,4831,'sections_0_section_settings',''),(166909,4831,'_sections_0_section_settings','field_section_settings_field_clone_section_settings_group'),(166910,4831,'sections','1'),(166911,4831,'_sections','field_sections'),(166912,4831,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographie </span>\r\n\r\nClaire Moeder conçoit depuis 2008 des projets d’exposition et d’écriture dans un esprit d’étroite collaboration avec les artistes. Ils ont donné lieu à des diffusions aux formes variées dépassant l’unique cadre du commissariat ou du texte d’exposition : expositions individuelle et collective (Sayeh Sarfaraz, Jacinthe Lessard-L., Loin des yeux), présentations publiques, atelier à ciel ouvert, marche expérimentale, textes critiques et de fiction. Elle a débuté fin 2014 une nouvelle perspective de travail qui lie étroitement texte et image : son goût pour les mots s’y associe à celui pour les images capricieuses et cachées, issues de créations d’artistes complices (Jacinthe Lessard-L., André Fortino, Fiona Annis, Janie Julien-Fort). Parallèlement, elle a développé des ateliers d’écriture destinés aux artistes pour offrir un lieu et un temps privilégiés afin d’aborder leur pratique à travers des exercices d’écriture.'),(166913,4831,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(166914,4831,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(166915,4831,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(166916,4831,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(166917,4831,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(166918,4831,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(166919,4831,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(166920,4831,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(166921,4831,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(166922,4831,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(166923,4831,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(166924,4831,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(166925,4831,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(166926,4831,'sections_0_section_layouts_0_layout_settings_display_settings',''),(166927,4831,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(166928,4831,'sections_0_section_layouts_0_layout_settings',''),(166929,4831,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(166932,4832,'post_image_principale','1688'),(166933,4832,'_post_image_principale','field_5183ab4b7b751'),(166934,4832,'artist_extra_authors',''),(166935,4832,'_artist_extra_authors','field_artist_extra_authors'),(166936,4832,'sections_0_section_layouts','a:1:{i:0;s:4:\"text\";}'),(166937,4832,'_sections_0_section_layouts','field_section_layouts'),(166938,4832,'sections_0_section_settings_section_id',''),(166939,4832,'_sections_0_section_settings_section_id','field_clone_section_setting_section_id'),(166940,4832,'sections_0_section_settings_hide_section','0'),(166941,4832,'_sections_0_section_settings_hide_section','field_clone_section_setting_hide_section'),(166942,4832,'sections_0_section_settings_padding_settings','none'),(166943,4832,'_sections_0_section_settings_padding_settings','field_clone_section_settings_padding_settings'),(166944,4832,'sections_0_section_settings_color','white'),(166945,4832,'_sections_0_section_settings_color','field_clone_section_settings_background_color_field_clone_site_colors'),(166946,4832,'sections_0_section_settings_background_type','normal'),(166947,4832,'_sections_0_section_settings_background_type','field_clone_section_settings_background_type'),(166948,4832,'sections_0_section_settings',''),(166949,4832,'_sections_0_section_settings','field_section_settings_field_clone_section_settings_group'),(166950,4832,'sections','1'),(166951,4832,'_sections','field_sections'),(166952,4832,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographie</span>\r\n\r\nCandidate à la maîtrise en histoire de l’art à l’Université Laval, Michelle Drapeau est une commissaire de la relève originaire de Moncton et résidant à Québec. Elle compte à son actif des expériences à titre d’assistante conservatrice de l’art actuel au Musée national des beaux-arts du Québec, de rédactrice de contenu pour la médiation de cette même institution, de coordonnatrice du Symposium international d’art contemporain de Baie-Saint-Paul et d’auxiliaire d’enseignement en histoire de l’art à l’Université Laval.\r\n\r\nElle est actuellement commissaire adjointe de Manif d’art 9 – La biennale de Québec; commissaire d’Images rémanentes, un parcours d’art public permanent subventionné par le Conseil des arts du Canada (Moncton); et chargée de projet pour la Maison de la littérature. Elle s’implique dans la communauté artistique en siégeant au conseil d’administration de la Foire en art actuel de Québec et en animant le magazine culturel hebdomadaire À l’est de vos empires sur les ondes de CHYZ 94.3.'),(166953,4832,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(166954,4832,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(166955,4832,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(166956,4832,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(166957,4832,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(166958,4832,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(166959,4832,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(166960,4832,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(166961,4832,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(166962,4832,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(166963,4832,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(166964,4832,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(166965,4832,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(166966,4832,'sections_0_section_layouts_0_layout_settings_display_settings',''),(166967,4832,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(166968,4832,'sections_0_section_layouts_0_layout_settings',''),(166969,4832,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(166972,4833,'post_image_principale','1663'),(166973,4833,'_post_image_principale','field_5183ab4b7b751'),(166974,4833,'artist_extra_authors',''),(166975,4833,'_artist_extra_authors','field_artist_extra_authors'),(166976,4833,'sections_0_section_layouts',''),(166977,4833,'_sections_0_section_layouts','field_section_layouts'),(166978,4833,'sections_0_section_settings_section_id',''),(166979,4833,'_sections_0_section_settings_section_id','field_clone_section_setting_section_id'),(166980,4833,'sections_0_section_settings_hide_section','0'),(166981,4833,'_sections_0_section_settings_hide_section','field_clone_section_setting_hide_section'),(166982,4833,'sections_0_section_settings_padding_settings','none'),(166983,4833,'_sections_0_section_settings_padding_settings','field_clone_section_settings_padding_settings'),(166984,4833,'sections_0_section_settings_color','white'),(166985,4833,'_sections_0_section_settings_color','field_clone_section_settings_background_color_field_clone_site_colors'),(166986,4833,'sections_0_section_settings_background_type','normal'),(166987,4833,'_sections_0_section_settings_background_type','field_clone_section_settings_background_type'),(166988,4833,'sections_0_section_settings',''),(166989,4833,'_sections_0_section_settings','field_section_settings_field_clone_section_settings_group'),(166990,4833,'sections','1'),(166991,4833,'_sections','field_sections'),(166994,4834,'post_image_principale','1648'),(166995,4834,'_post_image_principale','field_5183ab4b7b751'),(166996,4834,'artist_extra_authors',''),(166997,4834,'_artist_extra_authors','field_artist_extra_authors'),(166998,4834,'sections_0_section_layouts','a:1:{i:0;s:4:\"text\";}'),(166999,4834,'_sections_0_section_layouts','field_section_layouts'),(167000,4834,'sections_0_section_settings_section_id',''),(167001,4834,'_sections_0_section_settings_section_id','field_clone_section_setting_section_id'),(167002,4834,'sections_0_section_settings_hide_section','0'),(167003,4834,'_sections_0_section_settings_hide_section','field_clone_section_setting_hide_section'),(167004,4834,'sections_0_section_settings_padding_settings','none'),(167005,4834,'_sections_0_section_settings_padding_settings','field_clone_section_settings_padding_settings'),(167006,4834,'sections_0_section_settings_color','white'),(167007,4834,'_sections_0_section_settings_color','field_clone_section_settings_background_color_field_clone_site_colors'),(167008,4834,'sections_0_section_settings_background_type','normal'),(167009,4834,'_sections_0_section_settings_background_type','field_clone_section_settings_background_type'),(167010,4834,'sections_0_section_settings',''),(167011,4834,'_sections_0_section_settings','field_section_settings_field_clone_section_settings_group'),(167012,4834,'sections','1'),(167013,4834,'_sections','field_sections'),(167014,4834,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographie </span>\r\n\r\nNathalie Bachand est auteure et commissaire. Activement impliquée dans le milieu culturel, elle écrit régulièrement sur les arts visuels et médiatiques. Elle s’intéresse aux problématiques du numérique et à ses conditions d’émergence dans l’art contemporain. En 2016, elle co-commissariait avec Chloé Grondeau l’exposition ADC/DAC de l’artiste new yorkais Phillip David Stearns, présentée à Diagonale dans le cadre de la 3e édition de la BIAN. Plus récemment, elle a été commissaire de l’exposition de groupe The Dead Web – La fin, présentée à Eastern Bloc et du projet de 32 expositions UN MILLION D’HORIZONS du réseau Accès culture pour le 375e de Montréal qui avait lieu à l’été 2017. Elle occupe actuellement le poste de direction des savoirs culturels pour le Centre en art actuel Sporobole où elle écrit de courts essais qui abordent les relations art-science.'),(167015,4834,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(167016,4834,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(167017,4834,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(167018,4834,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(167019,4834,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(167020,4834,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(167021,4834,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(167022,4834,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(167023,4834,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(167024,4834,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(167025,4834,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(167026,4834,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(167027,4834,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(167028,4834,'sections_0_section_layouts_0_layout_settings_display_settings',''),(167029,4834,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(167030,4834,'sections_0_section_layouts_0_layout_settings',''),(167031,4834,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(167034,4835,'post_image_principale','1627'),(167035,4835,'_post_image_principale','field_5183ab4b7b751'),(167036,4835,'artist_extra_authors',''),(167037,4835,'_artist_extra_authors','field_artist_extra_authors'),(167038,4835,'sections_0_section_layouts','a:1:{i:0;s:4:\"text\";}'),(167039,4835,'_sections_0_section_layouts','field_section_layouts'),(167040,4835,'sections_0_section_settings_section_id',''),(167041,4835,'_sections_0_section_settings_section_id','field_clone_section_setting_section_id'),(167042,4835,'sections_0_section_settings_hide_section','0'),(167043,4835,'_sections_0_section_settings_hide_section','field_clone_section_setting_hide_section'),(167044,4835,'sections_0_section_settings_padding_settings','none'),(167045,4835,'_sections_0_section_settings_padding_settings','field_clone_section_settings_padding_settings'),(167046,4835,'sections_0_section_settings_color','white'),(167047,4835,'_sections_0_section_settings_color','field_clone_section_settings_background_color_field_clone_site_colors'),(167048,4835,'sections_0_section_settings_background_type','normal'),(167049,4835,'_sections_0_section_settings_background_type','field_clone_section_settings_background_type'),(167050,4835,'sections_0_section_settings',''),(167051,4835,'_sections_0_section_settings','field_section_settings_field_clone_section_settings_group'),(167052,4835,'sections','1'),(167053,4835,'_sections','field_sections'),(167054,4835,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographie</span>\r\n\r\nPéio Eliceiry est un artiste multidisciplinaire. Il s’intéresse généralement à l’image, ses modes d’apparition et ses implications dans la pensée contemporaine. Peintre, graveur, lecteur, marcheur, penseur, photographe comme tout le monde et auteur à ses heures, il tente une existence libre des entraves de la standardisation. Son travail en arts visuels a été présenté au Québec dans différents centres d’artistes et galeries, notamment lors d’expositions individuelles à L’Œil de Poisson à Québec et au Centre d’essai en art imprimé Arprim à Montréal. Il est titulaire d’une maîtrise en arts de l’Université Laval à Québec. Il vit et travaille à Québec.\r\nL’auteur tient à remercier le soleil, la lune et les artistes sans qui tout cela ne serait pas possible, le centre VU ainsi que Pascale pour son soutien indéfectible.'),(167055,4835,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(167056,4835,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(167057,4835,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(167058,4835,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(167059,4835,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(167060,4835,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(167061,4835,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(167062,4835,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(167063,4835,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(167064,4835,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(167065,4835,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(167066,4835,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(167067,4835,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(167068,4835,'sections_0_section_layouts_0_layout_settings_display_settings',''),(167069,4835,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(167070,4835,'sections_0_section_layouts_0_layout_settings',''),(167071,4835,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(167074,4836,'post_image_principale','1613'),(167075,4836,'_post_image_principale','field_5183ab4b7b751'),(167076,4836,'artist_extra_authors',''),(167077,4836,'_artist_extra_authors','field_artist_extra_authors'),(167078,4836,'sections_0_section_layouts','a:1:{i:0;s:4:\"text\";}'),(167079,4836,'_sections_0_section_layouts','field_section_layouts'),(167080,4836,'sections_0_section_settings_section_id',''),(167081,4836,'_sections_0_section_settings_section_id','field_clone_section_setting_section_id'),(167082,4836,'sections_0_section_settings_hide_section','0'),(167083,4836,'_sections_0_section_settings_hide_section','field_clone_section_setting_hide_section'),(167084,4836,'sections_0_section_settings_padding_settings','none'),(167085,4836,'_sections_0_section_settings_padding_settings','field_clone_section_settings_padding_settings'),(167086,4836,'sections_0_section_settings_color','white'),(167087,4836,'_sections_0_section_settings_color','field_clone_section_settings_background_color_field_clone_site_colors'),(167088,4836,'sections_0_section_settings_background_type','normal'),(167089,4836,'_sections_0_section_settings_background_type','field_clone_section_settings_background_type'),(167090,4836,'sections_0_section_settings',''),(167091,4836,'_sections_0_section_settings','field_section_settings_field_clone_section_settings_group'),(167092,4836,'sections','1'),(167093,4836,'_sections','field_sections'),(167094,4836,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographie</span>\r\n\r\nCandidate au doctorat en histoire de l’art à l’Université du Québec à Montréal, Anne-Marie Dubois est également essayiste et critique d’art. Guidées par une approche féministe néo-matérialiste, ses recherches portent principalement sur les enjeux discursifs et matériels du bio-art et des pratiques performatives d’artistes issu.e.s de la multitude queer.'),(167095,4836,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(167096,4836,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(167097,4836,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(167098,4836,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(167099,4836,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(167100,4836,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(167101,4836,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(167102,4836,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(167103,4836,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(167104,4836,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(167105,4836,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(167106,4836,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(167107,4836,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(167108,4836,'sections_0_section_layouts_0_layout_settings_display_settings',''),(167109,4836,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(167110,4836,'sections_0_section_layouts_0_layout_settings',''),(167111,4836,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(167114,4837,'post_image_principale','1599'),(167115,4837,'_post_image_principale','field_5183ab4b7b751'),(167116,4837,'artist_extra_authors',''),(167117,4837,'_artist_extra_authors','field_artist_extra_authors'),(167118,4837,'sections_0_section_layouts','a:1:{i:0;s:4:\"text\";}'),(167119,4837,'_sections_0_section_layouts','field_section_layouts'),(167120,4837,'sections_0_section_settings_section_id',''),(167121,4837,'_sections_0_section_settings_section_id','field_clone_section_setting_section_id'),(167122,4837,'sections_0_section_settings_hide_section','0'),(167123,4837,'_sections_0_section_settings_hide_section','field_clone_section_setting_hide_section'),(167124,4837,'sections_0_section_settings_padding_settings','none'),(167125,4837,'_sections_0_section_settings_padding_settings','field_clone_section_settings_padding_settings'),(167126,4837,'sections_0_section_settings_color','white'),(167127,4837,'_sections_0_section_settings_color','field_clone_section_settings_background_color_field_clone_site_colors'),(167128,4837,'sections_0_section_settings_background_type','normal'),(167129,4837,'_sections_0_section_settings_background_type','field_clone_section_settings_background_type'),(167130,4837,'sections_0_section_settings',''),(167131,4837,'_sections_0_section_settings','field_section_settings_field_clone_section_settings_group'),(167132,4837,'sections','1'),(167133,4837,'_sections','field_sections'),(167134,4837,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographie </span>\r\n\r\nDe Québec, Hélène Matte est une poète issue des arts visuels qui dit, une artiste plasticienne qui écrit. Détentrice d’une maîtrise en arts visuels, elle est doctorante en littérature, art de la scène et de l’écran à l’Université Laval. Elle est auteure de nombreux articles sur l’art, conceptrice et organisatrice d’évènements culturels, et sa pratique interdisciplinaire interroge particulièrement le dessin, l’art-action, et les poésies manifestes hors du livre. Elle compte à son actif plusieurs expositions et performances en Europe, au Canada et ailleurs en Amériques.'),(167135,4837,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(167136,4837,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(167137,4837,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(167138,4837,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(167139,4837,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(167140,4837,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(167141,4837,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(167142,4837,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(167143,4837,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(167144,4837,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(167145,4837,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(167146,4837,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(167147,4837,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(167148,4837,'sections_0_section_layouts_0_layout_settings_display_settings',''),(167149,4837,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(167150,4837,'sections_0_section_layouts_0_layout_settings',''),(167151,4837,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(167154,4838,'post_image_principale','1513'),(167155,4838,'_post_image_principale','field_5183ab4b7b751'),(167156,4838,'artist_extra_authors',''),(167157,4838,'_artist_extra_authors','field_artist_extra_authors'),(167158,4838,'sections_0_section_layouts','a:1:{i:0;s:4:\"text\";}'),(167159,4838,'_sections_0_section_layouts','field_section_layouts'),(167160,4838,'sections_0_section_settings_section_id',''),(167161,4838,'_sections_0_section_settings_section_id','field_clone_section_setting_section_id'),(167162,4838,'sections_0_section_settings_hide_section','0'),(167163,4838,'_sections_0_section_settings_hide_section','field_clone_section_setting_hide_section'),(167164,4838,'sections_0_section_settings_padding_settings','none'),(167165,4838,'_sections_0_section_settings_padding_settings','field_clone_section_settings_padding_settings'),(167166,4838,'sections_0_section_settings_color','white'),(167167,4838,'_sections_0_section_settings_color','field_clone_section_settings_background_color_field_clone_site_colors'),(167168,4838,'sections_0_section_settings_background_type','normal'),(167169,4838,'_sections_0_section_settings_background_type','field_clone_section_settings_background_type'),(167170,4838,'sections_0_section_settings',''),(167171,4838,'_sections_0_section_settings','field_section_settings_field_clone_section_settings_group'),(167172,4838,'sections','1'),(167173,4838,'_sections','field_sections'),(167174,4838,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographie </span>\r\n\r\nSuite à des études collégiales en photographie et un baccalauréat en histoire de l\'art, Gentiane La France a poursuivi des réflexions autour de la photographie dans le cadre d\'une maîtrise en études des arts à l\'UQAM. Elle enseigne l’histoire de l’art et de la photographie au collégial. En tant que commissaire, elle a été invitée à présenter des artistes québécois lors de deux expositions en Allemagne, en 2009 et en 2015. Habitant la ville de Québec, elle co-anime l\'émission de radio L\'Aérospatial à CKRL 89,1 consacrée aux arts visuels. Elle a également écrit pour le blogue de VU et pour le magazine Ciel variable.'),(167175,4838,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(167176,4838,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(167177,4838,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(167178,4838,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(167179,4838,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(167180,4838,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(167181,4838,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(167182,4838,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(167183,4838,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(167184,4838,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(167185,4838,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(167186,4838,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(167187,4838,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(167188,4838,'sections_0_section_layouts_0_layout_settings_display_settings',''),(167189,4838,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(167190,4838,'sections_0_section_layouts_0_layout_settings',''),(167191,4838,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(167194,4839,'post_image_principale','1510'),(167195,4839,'_post_image_principale','field_5183ab4b7b751'),(167196,4839,'artist_extra_authors',''),(167197,4839,'_artist_extra_authors','field_artist_extra_authors'),(167198,4839,'sections_0_section_layouts','a:1:{i:0;s:4:\"text\";}'),(167199,4839,'_sections_0_section_layouts','field_section_layouts'),(167200,4839,'sections_0_section_settings_section_id',''),(167201,4839,'_sections_0_section_settings_section_id','field_clone_section_setting_section_id'),(167202,4839,'sections_0_section_settings_hide_section','0'),(167203,4839,'_sections_0_section_settings_hide_section','field_clone_section_setting_hide_section'),(167204,4839,'sections_0_section_settings_padding_settings','none'),(167205,4839,'_sections_0_section_settings_padding_settings','field_clone_section_settings_padding_settings'),(167206,4839,'sections_0_section_settings_color','white'),(167207,4839,'_sections_0_section_settings_color','field_clone_section_settings_background_color_field_clone_site_colors'),(167208,4839,'sections_0_section_settings_background_type','normal'),(167209,4839,'_sections_0_section_settings_background_type','field_clone_section_settings_background_type'),(167210,4839,'sections_0_section_settings',''),(167211,4839,'_sections_0_section_settings','field_section_settings_field_clone_section_settings_group'),(167212,4839,'sections','1'),(167213,4839,'_sections','field_sections'),(167214,4839,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographie</span>\r\n\r\nClaire Moeder est auteure, commissaire, formatrice et rédactrice auprès des artistes. Elle publie régulièrement dans les revues Ciel variable et esse art + opinions et a collaboré comme chroniqueuse pour ratsdeville et CIBL à la radio. Elle a contribué à des publications consacrées à la photographie dont Le Mois de la Photo à Montréal (2009) et Christian Marclay : SNAP! (2010). Ayant pris part à des résidences pour commissaires (International Studio &amp; Curatorial Program, Est-Nord-Est, La Chambre Blanche, DARE-DARE), elle a récemment conçu les expositions de Sayeh Sarfaraz (Maison des arts de Laval et The Invisible Dog Art Center, Brooklyn, 2014) et de Jacinthe Lessard-L. (Maison des arts de Laval, 2016), ainsi que Loin des yeux (Optica, 2016). Ses recherches sur les usages actuels de l’image sont guidées par une quête attentive des formes de l’invisible, où la contemplation de ce qui échappe au regard lui permet de réinventer un rapport mouvant au monde.'),(167215,4839,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(167216,4839,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(167217,4839,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(167218,4839,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(167219,4839,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(167220,4839,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(167221,4839,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(167222,4839,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(167223,4839,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(167224,4839,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(167225,4839,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(167226,4839,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(167227,4839,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(167228,4839,'sections_0_section_layouts_0_layout_settings_display_settings',''),(167229,4839,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(167230,4839,'sections_0_section_layouts_0_layout_settings',''),(167231,4839,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(167234,4840,'post_image_principale','1480'),(167235,4840,'_post_image_principale','field_5183ab4b7b751'),(167236,4840,'artist_extra_authors',''),(167237,4840,'_artist_extra_authors','field_artist_extra_authors'),(167238,4840,'sections_0_section_layouts','a:1:{i:0;s:4:\"text\";}'),(167239,4840,'_sections_0_section_layouts','field_section_layouts'),(167240,4840,'sections_0_section_settings_section_id',''),(167241,4840,'_sections_0_section_settings_section_id','field_clone_section_setting_section_id'),(167242,4840,'sections_0_section_settings_hide_section','0'),(167243,4840,'_sections_0_section_settings_hide_section','field_clone_section_setting_hide_section'),(167244,4840,'sections_0_section_settings_padding_settings','none'),(167245,4840,'_sections_0_section_settings_padding_settings','field_clone_section_settings_padding_settings'),(167246,4840,'sections_0_section_settings_color','white'),(167247,4840,'_sections_0_section_settings_color','field_clone_section_settings_background_color_field_clone_site_colors'),(167248,4840,'sections_0_section_settings_background_type','normal'),(167249,4840,'_sections_0_section_settings_background_type','field_clone_section_settings_background_type'),(167250,4840,'sections_0_section_settings',''),(167251,4840,'_sections_0_section_settings','field_section_settings_field_clone_section_settings_group'),(167252,4840,'sections','1'),(167253,4840,'_sections','field_sections'),(167254,4840,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographie</span>\r\n\r\nCynthia Fecteau détient une maîtrise en arts visuels de l’Université Laval. Interpellée par les formes de connaissances sensibles en philosophie et en création, notamment les concepts d’écosophie, d’être-au-monde, et de collectivité, elle s’intéresse à leurs manifestations concrètes en art actuel. Outre ses textes publiés dans Espace art actuel, ETC MEDIA, Zone Occupée, Les Cahiers de la Galerie et Le Sabord, elle a poursuivi ses recherches en écriture lors de résidences au Québec, à La Chambre Blanche (2014), au Centre Bang (2017) et en France, dans la commune de Saint-Mathieu (2015).'),(167255,4840,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(167256,4840,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(167257,4840,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(167258,4840,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(167259,4840,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(167260,4840,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(167261,4840,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(167262,4840,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(167263,4840,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(167264,4840,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(167265,4840,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(167266,4840,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(167267,4840,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(167268,4840,'sections_0_section_layouts_0_layout_settings_display_settings',''),(167269,4840,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(167270,4840,'sections_0_section_layouts_0_layout_settings',''),(167271,4840,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(167274,4841,'post_image_principale','1437'),(167275,4841,'_post_image_principale','field_5183ab4b7b751'),(167276,4841,'artist_extra_authors',''),(167277,4841,'_artist_extra_authors','field_artist_extra_authors'),(167278,4841,'sections_0_section_layouts','a:1:{i:0;s:4:\"text\";}'),(167279,4841,'_sections_0_section_layouts','field_section_layouts'),(167280,4841,'sections_0_section_settings_section_id',''),(167281,4841,'_sections_0_section_settings_section_id','field_clone_section_setting_section_id'),(167282,4841,'sections_0_section_settings_hide_section','0'),(167283,4841,'_sections_0_section_settings_hide_section','field_clone_section_setting_hide_section'),(167284,4841,'sections_0_section_settings_padding_settings','none'),(167285,4841,'_sections_0_section_settings_padding_settings','field_clone_section_settings_padding_settings'),(167286,4841,'sections_0_section_settings_color','white'),(167287,4841,'_sections_0_section_settings_color','field_clone_section_settings_background_color_field_clone_site_colors'),(167288,4841,'sections_0_section_settings_background_type','normal'),(167289,4841,'_sections_0_section_settings_background_type','field_clone_section_settings_background_type'),(167290,4841,'sections_0_section_settings',''),(167291,4841,'_sections_0_section_settings','field_section_settings_field_clone_section_settings_group'),(167292,4841,'sections','1'),(167293,4841,'_sections','field_sections'),(167294,4841,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographie </span>\r\n\r\nMaxime Coulombe est sociologue et historien de l’art. Il est professeur titulaire en histoire et théories des arts actuels à l’Université Laval.'),(167295,4841,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(167296,4841,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(167297,4841,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(167298,4841,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(167299,4841,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(167300,4841,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(167301,4841,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(167302,4841,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(167303,4841,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(167304,4841,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(167305,4841,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(167306,4841,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(167307,4841,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(167308,4841,'sections_0_section_layouts_0_layout_settings_display_settings',''),(167309,4841,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(167310,4841,'sections_0_section_layouts_0_layout_settings',''),(167311,4841,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(167314,1341,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographies</span>\r\n\r\nCaroline Loncol Daigneault est auteure, chercheuse et commissaire. Avec l’écriture comme lueur première, elle traque les pratiques de la pénombre de même que les filiations de l’art et de l’environnement. Ses projets de commissariat comprennent Le chant des pistes, un événement-résidence aux Îles-de-la-Madeleine, la Biennale de sculpture de Saint-Jean-Port-Joli placée sous le signe de l’Hospitalité (2012), ELLE MARCHE Blue Mountain (2012), une exposition-laboratoire avec l’artiste Vida Simon développée sur l’île Fogo à Terre-Neuve puis présentée à OBORO ; ainsi que le Laboratoire parcellaire, une résidence d’auteurs qui a donné lieu à un cycle de médiation et à un ouvrage qu’elle a dirigé aux éditions La Peuplade et OBORO.\r\n\r\n&nbsp;\r\n\r\nAvec une pratique qui fait se croiser les mots et les images, Anne-Marie Proulx construit des documents qui se situent entre le réel et l’imagination, l’histoire et la fiction. Autour d’un territoire ou d’une communauté, son travail se concentre sur les traces qui s’accumulent par le passage du temps et des collectivités. Son travail d\'artiste et ses recherches ont été présentés dans plusieurs expositions individuelles et collectives (Capture Photography Festival, La Centrale, la Fonderie Darling, Panache art actuel, Skol). Ses textes ont fait l\'objet de différentes publications (Ciel variable, Eastern Edge, Éditions du Renard, Esse, Regart, YYZ), et elle a présenté des conférences tant au Québec qu’à l’étranger. Elle vit et travaille à Québec, où elle est codirectrice de VU.'),(167315,1341,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(167316,1341,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(167317,1341,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(167318,1341,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(167319,1341,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(167320,1341,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(167321,1341,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(167322,1341,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(167323,1341,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(167324,1341,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(167325,1341,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(167326,1341,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(167327,1341,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(167328,1341,'sections_0_section_layouts_0_layout_settings_display_settings',''),(167329,1341,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(167330,1341,'sections_0_section_layouts_0_layout_settings',''),(167331,1341,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(167332,4843,'post_image_principale','1342'),(167333,4843,'_post_image_principale','field_5183ab4b7b751'),(167334,4843,'artist_extra_authors',''),(167335,4843,'_artist_extra_authors','field_artist_extra_authors'),(167336,4843,'sections_0_section_layouts','a:1:{i:0;s:4:\"text\";}'),(167337,4843,'_sections_0_section_layouts','field_section_layouts'),(167338,4843,'sections_0_section_settings_section_id',''),(167339,4843,'_sections_0_section_settings_section_id','field_clone_section_setting_section_id'),(167340,4843,'sections_0_section_settings_hide_section','0'),(167341,4843,'_sections_0_section_settings_hide_section','field_clone_section_setting_hide_section'),(167342,4843,'sections_0_section_settings_padding_settings','none'),(167343,4843,'_sections_0_section_settings_padding_settings','field_clone_section_settings_padding_settings'),(167344,4843,'sections_0_section_settings_color','white'),(167345,4843,'_sections_0_section_settings_color','field_clone_section_settings_background_color_field_clone_site_colors'),(167346,4843,'sections_0_section_settings_background_type','normal'),(167347,4843,'_sections_0_section_settings_background_type','field_clone_section_settings_background_type'),(167348,4843,'sections_0_section_settings',''),(167349,4843,'_sections_0_section_settings','field_section_settings_field_clone_section_settings_group'),(167350,4843,'sections','1'),(167351,4843,'_sections','field_sections'),(167352,4843,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographies</span>\r\n\r\nCaroline Loncol Daigneault est auteure, chercheuse et commissaire. Avec l’écriture comme lueur première, elle traque les pratiques de la pénombre de même que les filiations de l’art et de l’environnement. Ses projets de commissariat comprennent Le chant des pistes, un événement-résidence aux Îles-de-la-Madeleine, la Biennale de sculpture de Saint-Jean-Port-Joli placée sous le signe de l’Hospitalité (2012), ELLE MARCHE Blue Mountain (2012), une exposition-laboratoire avec l’artiste Vida Simon développée sur l’île Fogo à Terre-Neuve puis présentée à OBORO ; ainsi que le Laboratoire parcellaire, une résidence d’auteurs qui a donné lieu à un cycle de médiation et à un ouvrage qu’elle a dirigé aux éditions La Peuplade et OBORO.\r\n\r\n&nbsp;\r\n\r\nAvec une pratique qui fait se croiser les mots et les images, Anne-Marie Proulx construit des documents qui se situent entre le réel et l’imagination, l’histoire et la fiction. Autour d’un territoire ou d’une communauté, son travail se concentre sur les traces qui s’accumulent par le passage du temps et des collectivités. Son travail d\'artiste et ses recherches ont été présentés dans plusieurs expositions individuelles et collectives (Capture Photography Festival, La Centrale, la Fonderie Darling, Panache art actuel, Skol). Ses textes ont fait l\'objet de différentes publications (Ciel variable, Eastern Edge, Éditions du Renard, Esse, Regart, YYZ), et elle a présenté des conférences tant au Québec qu’à l’étranger. Elle vit et travaille à Québec, où elle est codirectrice de VU.'),(167353,4843,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(167354,4843,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(167355,4843,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(167356,4843,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(167357,4843,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(167358,4843,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(167359,4843,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(167360,4843,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(167361,4843,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(167362,4843,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(167363,4843,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(167364,4843,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(167365,4843,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(167366,4843,'sections_0_section_layouts_0_layout_settings_display_settings',''),(167367,4843,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(167368,4843,'sections_0_section_layouts_0_layout_settings',''),(167369,4843,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(167372,1284,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographie</span>\r\n\r\nEmmanuelle Choquette est auteure, chercheuse et travailleuse culturelle. Ses travaux portent sur l’influence des conditions de production et de diffusion sur les pratiques artistiques actuelles, dans un contexte de redéfinition de la relation du public et des artistes avec l’institution. Ses recherches s’ancrent à la fois dans des collaborations avec des artistes pour la publication de textes d’accompagnement d’exposition et d’articles et dans son engagement dans le milieu des centres d’artistes. Elle est directrice générale d\'Arprim, centre d\'essai en art imprimé, à Montréal.'),(167373,1284,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(167374,1284,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(167375,1284,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(167376,1284,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(167377,1284,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(167378,1284,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(167379,1284,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(167380,1284,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(167381,1284,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(167382,1284,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(167383,1284,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(167384,1284,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(167385,1284,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(167386,1284,'sections_0_section_layouts_0_layout_settings_display_settings',''),(167387,1284,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(167388,1284,'sections_0_section_layouts_0_layout_settings',''),(167389,1284,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(167390,4845,'post_image_principale','1331'),(167391,4845,'_post_image_principale','field_5183ab4b7b751'),(167392,4845,'artist_extra_authors',''),(167393,4845,'_artist_extra_authors','field_artist_extra_authors'),(167394,4845,'sections_0_section_layouts','a:1:{i:0;s:4:\"text\";}'),(167395,4845,'_sections_0_section_layouts','field_section_layouts'),(167396,4845,'sections_0_section_settings_section_id',''),(167397,4845,'_sections_0_section_settings_section_id','field_clone_section_setting_section_id'),(167398,4845,'sections_0_section_settings_hide_section','0'),(167399,4845,'_sections_0_section_settings_hide_section','field_clone_section_setting_hide_section'),(167400,4845,'sections_0_section_settings_padding_settings','none'),(167401,4845,'_sections_0_section_settings_padding_settings','field_clone_section_settings_padding_settings'),(167402,4845,'sections_0_section_settings_color','white'),(167403,4845,'_sections_0_section_settings_color','field_clone_section_settings_background_color_field_clone_site_colors'),(167404,4845,'sections_0_section_settings_background_type','normal'),(167405,4845,'_sections_0_section_settings_background_type','field_clone_section_settings_background_type'),(167406,4845,'sections_0_section_settings',''),(167407,4845,'_sections_0_section_settings','field_section_settings_field_clone_section_settings_group'),(167408,4845,'sections','1'),(167409,4845,'_sections','field_sections'),(167410,4845,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographie</span>\r\n\r\nEmmanuelle Choquette est auteure, chercheuse et travailleuse culturelle. Ses travaux portent sur l’influence des conditions de production et de diffusion sur les pratiques artistiques actuelles, dans un contexte de redéfinition de la relation du public et des artistes avec l’institution. Ses recherches s’ancrent à la fois dans des collaborations avec des artistes pour la publication de textes d’accompagnement d’exposition et d’articles et dans son engagement dans le milieu des centres d’artistes. Elle est directrice générale d\'Arprim, centre d\'essai en art imprimé, à Montréal.'),(167411,4845,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(167412,4845,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(167413,4845,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(167414,4845,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(167415,4845,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(167416,4845,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(167417,4845,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(167418,4845,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(167419,4845,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(167420,4845,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(167421,4845,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(167422,4845,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(167423,4845,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(167424,4845,'sections_0_section_layouts_0_layout_settings_display_settings',''),(167425,4845,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(167426,4845,'sections_0_section_layouts_0_layout_settings',''),(167427,4845,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(167430,1234,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographie</span>\r\n\r\nChantal Neveu est écrivain et artiste interdisciplinaire. Elle est l’auteur de livres de poésie publiés aux Éditions de l’Hexagone, La Peuplade, É=É, et de nombreux projets littéraires interdisciplinaires — plastiques, scéniques ou médiatiques, seule ou en collaboration — au Québec et à l’étranger. Ses livres traduits en anglais sont publiés par BookThug/Toronto. Depuis 2012, elle est membre du groupe de recherche et création Stratégies artistiques de spatialisation du savoir. Professeure invitée à l’École d’art de l’Université Laval durant l’hiver 2016, elle propose d’examiner de plus près l’influence de l’écrit au sein des pratiques artistiques.'),(167431,1234,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(167432,1234,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(167433,1234,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(167434,1234,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(167435,1234,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(167436,1234,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(167437,1234,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(167438,1234,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(167439,1234,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(167440,1234,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(167441,1234,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(167442,1234,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(167443,1234,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(167444,1234,'sections_0_section_layouts_0_layout_settings_display_settings',''),(167445,1234,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(167446,1234,'sections_0_section_layouts_0_layout_settings',''),(167447,1234,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(167448,4847,'post_image_principale','1236'),(167449,4847,'_post_image_principale','field_5183ab4b7b751'),(167450,4847,'artist_extra_authors',''),(167451,4847,'_artist_extra_authors','field_artist_extra_authors'),(167452,4847,'sections_0_section_layouts','a:1:{i:0;s:4:\"text\";}'),(167453,4847,'_sections_0_section_layouts','field_section_layouts'),(167454,4847,'sections_0_section_settings_section_id',''),(167455,4847,'_sections_0_section_settings_section_id','field_clone_section_setting_section_id'),(167456,4847,'sections_0_section_settings_hide_section','0'),(167457,4847,'_sections_0_section_settings_hide_section','field_clone_section_setting_hide_section'),(167458,4847,'sections_0_section_settings_padding_settings','none'),(167459,4847,'_sections_0_section_settings_padding_settings','field_clone_section_settings_padding_settings'),(167460,4847,'sections_0_section_settings_color','white'),(167461,4847,'_sections_0_section_settings_color','field_clone_section_settings_background_color_field_clone_site_colors'),(167462,4847,'sections_0_section_settings_background_type','normal'),(167463,4847,'_sections_0_section_settings_background_type','field_clone_section_settings_background_type'),(167464,4847,'sections_0_section_settings',''),(167465,4847,'_sections_0_section_settings','field_section_settings_field_clone_section_settings_group'),(167466,4847,'sections','1'),(167467,4847,'_sections','field_sections'),(167468,4847,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographie</span>\r\n\r\nChantal Neveu est écrivain et artiste interdisciplinaire. Elle est l’auteur de livres de poésie publiés aux Éditions de l’Hexagone, La Peuplade, É=É, et de nombreux projets littéraires interdisciplinaires — plastiques, scéniques ou médiatiques, seule ou en collaboration — au Québec et à l’étranger. Ses livres traduits en anglais sont publiés par BookThug/Toronto. Depuis 2012, elle est membre du groupe de recherche et création Stratégies artistiques de spatialisation du savoir. Professeure invitée à l’École d’art de l’Université Laval durant l’hiver 2016, elle propose d’examiner de plus près l’influence de l’écrit au sein des pratiques artistiques.'),(167469,4847,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(167470,4847,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(167471,4847,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(167472,4847,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(167473,4847,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(167474,4847,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(167475,4847,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(167476,4847,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(167477,4847,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(167478,4847,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(167479,4847,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(167480,4847,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(167481,4847,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(167482,4847,'sections_0_section_layouts_0_layout_settings_display_settings',''),(167483,4847,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(167484,4847,'sections_0_section_layouts_0_layout_settings',''),(167485,4847,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(167488,1201,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographie</span>\r\n\r\nCaroline Loncol Daigneault est auteure, chercheuse et commissaire. Avec l’écriture comme moteur premier, ses projets explorent, entre autres, les filiations environnementales et les pratiques de la pénombre. Elle prépare présentement Le chant des pistes, une résidence-événement aux Îles-de-la-Madeleine avec le centre AdMare qui aura lieu en juin 2016.'),(167489,1201,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(167490,1201,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(167491,1201,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(167492,1201,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(167493,1201,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(167494,1201,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(167495,1201,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(167496,1201,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(167497,1201,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(167498,1201,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(167499,1201,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(167500,1201,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(167501,1201,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(167502,1201,'sections_0_section_layouts_0_layout_settings_display_settings',''),(167503,1201,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(167504,1201,'sections_0_section_layouts_0_layout_settings',''),(167505,1201,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(167506,4849,'post_image_principale','1203'),(167507,4849,'_post_image_principale','field_5183ab4b7b751'),(167508,4849,'artist_extra_authors',''),(167509,4849,'_artist_extra_authors','field_artist_extra_authors'),(167510,4849,'sections_0_section_layouts','a:1:{i:0;s:4:\"text\";}'),(167511,4849,'_sections_0_section_layouts','field_section_layouts'),(167512,4849,'sections_0_section_settings_section_id',''),(167513,4849,'_sections_0_section_settings_section_id','field_clone_section_setting_section_id'),(167514,4849,'sections_0_section_settings_hide_section','0'),(167515,4849,'_sections_0_section_settings_hide_section','field_clone_section_setting_hide_section'),(167516,4849,'sections_0_section_settings_padding_settings','none'),(167517,4849,'_sections_0_section_settings_padding_settings','field_clone_section_settings_padding_settings'),(167518,4849,'sections_0_section_settings_color','white'),(167519,4849,'_sections_0_section_settings_color','field_clone_section_settings_background_color_field_clone_site_colors'),(167520,4849,'sections_0_section_settings_background_type','normal'),(167521,4849,'_sections_0_section_settings_background_type','field_clone_section_settings_background_type'),(167522,4849,'sections_0_section_settings',''),(167523,4849,'_sections_0_section_settings','field_section_settings_field_clone_section_settings_group'),(167524,4849,'sections','1'),(167525,4849,'_sections','field_sections'),(167526,4849,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographie</span>\r\n\r\nCaroline Loncol Daigneault est auteure, chercheuse et commissaire. Avec l’écriture comme moteur premier, ses projets explorent, entre autres, les filiations environnementales et les pratiques de la pénombre. Elle prépare présentement Le chant des pistes, une résidence-événement aux Îles-de-la-Madeleine avec le centre AdMare qui aura lieu en juin 2016.'),(167527,4849,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(167528,4849,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(167529,4849,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(167530,4849,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(167531,4849,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(167532,4849,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(167533,4849,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(167534,4849,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(167535,4849,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(167536,4849,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(167537,4849,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(167538,4849,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(167539,4849,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(167540,4849,'sections_0_section_layouts_0_layout_settings_display_settings',''),(167541,4849,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(167542,4849,'sections_0_section_layouts_0_layout_settings',''),(167543,4849,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(167546,1146,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographie</span>\r\n\r\nHubert Gaudreau est intéressé par les diverses formes d’expression photographique liées au documentaire. En voie de terminer un baccalauréat multidisciplinaire en création littéraire, en arts visuels et en anthropologie à l’Université Laval, Hubert travaille actuellement comme responsable des communications à VU ainsi qu\'à son compte à titre de photographe. Il a notamment collaboré avec la maison d’édition Hamac où il a été lecteur de manuscrit. Dans ses projets, il s’intéresse au passage du réel au photographique ainsi qu’aux problématiques liées à l’altérité.'),(167547,1146,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(167548,1146,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(167549,1146,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(167550,1146,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(167551,1146,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(167552,1146,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(167553,1146,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(167554,1146,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(167555,1146,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(167556,1146,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(167557,1146,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(167558,1146,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(167559,1146,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(167560,1146,'sections_0_section_layouts_0_layout_settings_display_settings',''),(167561,1146,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(167562,1146,'sections_0_section_layouts_0_layout_settings',''),(167563,1146,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(167564,4851,'post_image_principale','1151'),(167565,4851,'_post_image_principale','field_5183ab4b7b751'),(167566,4851,'artist_extra_authors',''),(167567,4851,'_artist_extra_authors','field_artist_extra_authors'),(167568,4851,'sections_0_section_layouts','a:1:{i:0;s:4:\"text\";}'),(167569,4851,'_sections_0_section_layouts','field_section_layouts'),(167570,4851,'sections_0_section_settings_section_id',''),(167571,4851,'_sections_0_section_settings_section_id','field_clone_section_setting_section_id'),(167572,4851,'sections_0_section_settings_hide_section','0'),(167573,4851,'_sections_0_section_settings_hide_section','field_clone_section_setting_hide_section'),(167574,4851,'sections_0_section_settings_padding_settings','none'),(167575,4851,'_sections_0_section_settings_padding_settings','field_clone_section_settings_padding_settings'),(167576,4851,'sections_0_section_settings_color','white'),(167577,4851,'_sections_0_section_settings_color','field_clone_section_settings_background_color_field_clone_site_colors'),(167578,4851,'sections_0_section_settings_background_type','normal'),(167579,4851,'_sections_0_section_settings_background_type','field_clone_section_settings_background_type'),(167580,4851,'sections_0_section_settings',''),(167581,4851,'_sections_0_section_settings','field_section_settings_field_clone_section_settings_group'),(167582,4851,'sections','1'),(167583,4851,'_sections','field_sections'),(167584,4851,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographie</span>\r\n\r\nHubert Gaudreau est intéressé par les diverses formes d’expression photographique liées au documentaire. En voie de terminer un baccalauréat multidisciplinaire en création littéraire, en arts visuels et en anthropologie à l’Université Laval, Hubert travaille actuellement comme responsable des communications à VU ainsi qu\'à son compte à titre de photographe. Il a notamment collaboré avec la maison d’édition Hamac où il a été lecteur de manuscrit. Dans ses projets, il s’intéresse au passage du réel au photographique ainsi qu’aux problématiques liées à l’altérité.'),(167585,4851,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(167586,4851,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(167587,4851,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(167588,4851,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(167589,4851,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(167590,4851,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(167591,4851,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(167592,4851,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(167593,4851,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(167594,4851,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(167595,4851,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(167596,4851,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(167597,4851,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(167598,4851,'sections_0_section_layouts_0_layout_settings_display_settings',''),(167599,4851,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(167600,4851,'sections_0_section_layouts_0_layout_settings',''),(167601,4851,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(167604,1035,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographie</span>\r\n\r\nFrançois Mathieu est d\'abord passé par la philosophie avant de se consacrer aux arts plastiques, qu\'il pratique maintenant depuis vingt-cinq ans. On le connaît principalement comme sculpteur. Il est également chargé de cours à l\'École des arts visuels de l\'Université Laval. Suivant la parution d\'un essai sur les cloches d\'église, chez Septentrion en 2010, il a publié un livre d\'artiste aux éditions J\'ai VU en 2011. Il vit et travaille à St-Sylvestre, au sud de Québec.'),(167605,1035,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(167606,1035,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(167607,1035,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(167608,1035,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(167609,1035,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(167610,1035,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(167611,1035,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(167612,1035,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(167613,1035,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(167614,1035,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(167615,1035,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(167616,1035,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(167617,1035,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(167618,1035,'sections_0_section_layouts_0_layout_settings_display_settings',''),(167619,1035,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(167620,1035,'sections_0_section_layouts_0_layout_settings',''),(167621,1035,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(167622,4854,'post_image_principale','1059'),(167623,4854,'_post_image_principale','field_5183ab4b7b751'),(167624,4854,'artist_extra_authors',''),(167625,4854,'_artist_extra_authors','field_artist_extra_authors'),(167626,4854,'sections_0_section_layouts','a:1:{i:0;s:4:\"text\";}'),(167627,4854,'_sections_0_section_layouts','field_section_layouts'),(167628,4854,'sections_0_section_settings_section_id',''),(167629,4854,'_sections_0_section_settings_section_id','field_clone_section_setting_section_id'),(167630,4854,'sections_0_section_settings_hide_section','0'),(167631,4854,'_sections_0_section_settings_hide_section','field_clone_section_setting_hide_section'),(167632,4854,'sections_0_section_settings_padding_settings','none'),(167633,4854,'_sections_0_section_settings_padding_settings','field_clone_section_settings_padding_settings'),(167634,4854,'sections_0_section_settings_color','white'),(167635,4854,'_sections_0_section_settings_color','field_clone_section_settings_background_color_field_clone_site_colors'),(167636,4854,'sections_0_section_settings_background_type','normal'),(167637,4854,'_sections_0_section_settings_background_type','field_clone_section_settings_background_type'),(167638,4854,'sections_0_section_settings',''),(167639,4854,'_sections_0_section_settings','field_section_settings_field_clone_section_settings_group'),(167640,4854,'sections','1'),(167641,4854,'_sections','field_sections'),(167642,4854,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographie</span>\r\n\r\nFrançois Mathieu est d\'abord passé par la philosophie avant de se consacrer aux arts plastiques, qu\'il pratique maintenant depuis vingt-cinq ans. On le connaît principalement comme sculpteur. Il est également chargé de cours à l\'École des arts visuels de l\'Université Laval. Suivant la parution d\'un essai sur les cloches d\'église, chez Septentrion en 2010, il a publié un livre d\'artiste aux éditions J\'ai VU en 2011. Il vit et travaille à St-Sylvestre, au sud de Québec.'),(167643,4854,'_sections_0_section_layouts_0_content_text','field_l_text_content_text'),(167644,4854,'sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','12'),(167645,4854,'_sections_0_section_layouts_0_layout_settings_grid_xs_grid_select','field_clone_layout_settings_grid_xs_field_clone_grid_select'),(167646,4854,'sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','12'),(167647,4854,'_sections_0_section_layouts_0_layout_settings_grid_sm_grid_select','field_clone_layout_settings_grid_sm_field_clone_grid_select'),(167648,4854,'sections_0_section_layouts_0_layout_settings_grid_md_grid_select','12'),(167649,4854,'_sections_0_section_layouts_0_layout_settings_grid_md_grid_select','field_clone_layout_settings_grid_md_field_clone_grid_select'),(167650,4854,'sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','12'),(167651,4854,'_sections_0_section_layouts_0_layout_settings_grid_lg_grid_select','field_clone_layout_settings_grid_lg_field_clone_grid_select'),(167652,4854,'sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','12'),(167653,4854,'_sections_0_section_layouts_0_layout_settings_grid_xlg_grid_select','field_clone_layout_settings_grid_xlg_field_clone_grid_select'),(167654,4854,'sections_0_section_layouts_0_layout_settings_content_alignment','left'),(167655,4854,'_sections_0_section_layouts_0_layout_settings_content_alignment','field_clone_layout_settings_content_alignment'),(167656,4854,'sections_0_section_layouts_0_layout_settings_display_settings',''),(167657,4854,'_sections_0_section_layouts_0_layout_settings_display_settings','field_clone_layout_settings_display_settings'),(167658,4854,'sections_0_section_layouts_0_layout_settings',''),(167659,4854,'_sections_0_section_layouts_0_layout_settings','field_l_text_settings_field_clone_layout_settings_group'),(167662,1048,'sections_0_section_layouts_0_content_text','<span style=\"color: #000000\">Biographie</span>\r\n\r\nJulie Alary Lavallée prépare actuellement sa thèse de doctorat en histoire de l’art à l’Université Concordia, traitant de l’art contemporain de l’Inde dans le champ des études muséales et diasporiques. Ses recherches portent notamment sur la participation de la diaspora indienne dans le cadre d’expositions nationales d’art contemporain indien. 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Québec.'),(168224,4863,'_sections_3_section_layouts_2_content_parts_1_content_text','field_l_content_content_text'),(168225,4863,'sections_3_section_layouts_2_content_parts','a:2:{i:0;s:10:\"part_title\";i:1;s:9:\"part_text\";}'),(168226,4863,'_sections_3_section_layouts_2_content_parts','field_l_content_parts'),(168227,4863,'sections_3_section_layouts_2_image_position','left'),(168228,4863,'_sections_3_section_layouts_2_image_position','field_l_content_image_position'),(168229,4863,'sections_3_section_layouts_2_image_transform_select','none'),(168230,4863,'_sections_3_section_layouts_2_image_transform_select','field_l_content_image_transform_field_clone_image_transform_select'),(168231,4863,'sections_3_section_layouts_2_as_background','0'),(168232,4863,'_sections_3_section_layouts_2_as_background','field_l_content_as_background'),(168233,4863,'sections_3_section_layouts_2_content_image',''),(168234,4863,'_sections_3_section_layouts_2_content_image','field_l_content_content_image'),(168235,4863,'sections_3_section_layouts_2_layout_settings',''),(168236,4863,'_sections_3_section_layouts_2_layout_settings','field_l_content_settings_field_clone_layout_settings_group'),(168237,4863,'sections_3_section_layouts_2_boxed_content','0'),(168238,4863,'_sections_3_section_layouts_2_boxed_content','field_l_content_boxed_content'),(168261,4866,'sections_0_section_layouts_0_products','a:1:{i:0;s:4:\"4737\";}'),(168262,4866,'_sections_0_section_layouts_0_products','field_l_books_products'),(168263,4866,'sections_0_section_layouts_0_display_view_all_link','0'),(168264,4866,'_sections_0_section_layouts_0_display_view_all_link','field_l_books_display_view_all_link'),(168265,4866,'sections_0_section_layouts','a:1:{i:0;s:5:\"books\";}'),(168266,4866,'_sections_0_section_layouts','field_section_layouts'),(168267,4866,'sections_0_section_settings_section_id',''),(168268,4866,'_sections_0_section_settings_section_id','field_clone_section_setting_section_id'),(168269,4866,'sections_0_section_settings_hide_section','0'),(168270,4866,'_sections_0_section_settings_hide_section','field_clone_section_setting_hide_section'),(168271,4866,'sections_0_section_settings_padding_settings','none'),(168272,4866,'_sections_0_section_settings_padding_settings','field_clone_section_settings_padding_settings'),(168273,4866,'sections_0_section_settings_color','white'),(168274,4866,'_sections_0_section_settings_color','field_clone_section_settings_background_color_field_clone_site_colors'),(168275,4866,'sections_0_section_settings_background_type','normal'),(168276,4866,'_sections_0_section_settings_background_type','field_clone_section_settings_background_type'),(168277,4866,'sections_0_section_settings',''),(168278,4866,'_sections_0_section_settings','field_section_settings_field_clone_section_settings_group'),(168279,4866,'sections','1'),(168280,4866,'_sections','field_sections'),(168356,4870,'_wpml_word_count','{\"total\":0,\"to_translate\":{\"en\":189,\"fr\":189}}'),(168359,4870,'_alp_processed','1561752312'),(168360,4870,'_wp_page_template','default'),(168361,4870,'_','field_calendar_details_tab_3'),(168362,4870,'_calendar_event_item_calendar_season','field_calendar_season_relation'),(168363,4870,'calendar_event_item_calendar_season','206'),(168364,4870,'_calendar_event_item_calendar_type','field_calendar_type_relation'),(168365,4870,'calendar_event_item_calendar_type','27'),(168366,4870,'_calendar_event_item_calendar_event_category','field_calendar_category_relation'),(168367,4870,'calendar_event_item_calendar_event_category',''),(168368,4870,'_calendar_event_item_location','field_calendar_location'),(168369,4870,'calendar_event_item_location',''),(168370,4870,'_calendar_event_item_start_date','field_calendar_start_date'),(168371,4870,'calendar_event_item_start_date','20170505'),(168372,4870,'_calendar_event_item_start_time','field_calendar_start_time'),(168373,4870,'calendar_event_item_start_time','00:00'),(168374,4870,'_calendar_event_item_end_date','field_calendar_end_date'),(168375,4870,'calendar_event_item_end_date','20170604'),(168376,4870,'_calendar_event_item_end_time','field_calendar_end_time'),(168377,4870,'calendar_event_item_end_time','00:00'),(168378,4870,'_calendar_event_item_artist','field_calendar_artist'),(168379,4870,'calendar_event_item_artist','a:1:{i:0;s:4:\"2945\";}'),(168380,4870,'_calendar_event_item_child_event_title','field_calendar_child_event_title'),(168381,4870,'calendar_event_item_child_event_title','Vernissage'),(168382,4870,'_calendar_event_item_child_event_start_date','field_calendar_child_event_start_date'),(168383,4870,'calendar_event_item_child_event_start_date','20170505'),(168384,4870,'_calendar_event_item_child_event_start_time','field_calendar_child_event_start_time'),(168385,4870,'calendar_event_item_child_event_start_time','17:00:00'),(168386,4870,'_calendar_event_item_child_event_end_date','field_calendar_child_event_end_date'),(168387,4870,'calendar_event_item_child_event_end_date','20170505'),(16838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in 1985, Shuwei Liu is an artist living in Shanghai, where he works with photography and video. His works have been exhibited in Artefiera Bologna 2017, at the Power Station of Art, and at Three Shadows Photography Art Centre. He was a finalist in the Barcelona International Photography Awards in 2015, and in 2016 was a LensCulture Portrait Awards finalist. Liu received the Emerging Chinese Artist Award, which granted him a residency at Red Gate in Beijing. His works have been featured in the magazines Der Greif, GUP, LEAP, and Art World, among others. In May and June of 2017, he will be artist in residency at the Vermont Studio 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Amantea\'s work is best known for its interdisciplinarity and innovative use of a variety of materials, formats, and processes to explore questions related to gender, class, nostalgia, history, memory, and the relationship between private and public space. The media in which she works have ranged from sculpture, drawing, wallpaper, and textiles to video and bookworks. Her practice is strongly grounded in research, in the sense that her work is often made in response to, provoked by, or generated by specific contexts or places and depends, to some extent, on research undertaken in these locations. This includes making onsite observations and visiting official repositories of history such as archives, museums, and libraries as well as unofficial and vernacular collections such as those found in junk stores, popular media, and private residences.\r\n\r\nIn 2010 a major exhibition of Amantea\'s work, <em>Sweet Dreams, Hard Truths</em>, took place at the Musée d\'art de Joliette. More recent installations have considered notions of ornament and decoration in relation to architectural space. These include <em>Democracy</em><em>, </em>a large-scale ephemeral site work for the <em>Oh, Canada</em>exhibition at MASS MoCA, North Adams, Massachusetts (2012); <em>Remember the Ladies</em> at Owens Art Gallery, Sackville, New Brunswick (2014), and <em>Anteroom</em><em> at </em>Illingworth Kerr Gallery, Calgary(2015, also for <em>Oh, Canada</em><em>)</em>; and <em>At the end of the visible spectrum</em> at the Galerie des arts visuels, Université Laval, Québec City (2014). In 2012 she installed <em>Untitled (Poodle)</em>,<em> </em>a work commissioned by The City of Vancouver Public Art Program and TransLink Corporation for Main Street in Vancouver.\r\n\r\nAmantea\'s work is included in the permanent collections of the Art Gallery of Nova Scotia, Halifax; the Art Gallery of Windsor, Windsor; the Glenbow Museum, Calgary; the Mackenzie Art Gallery, Regina; the Musée des beaux-arts de Montréal, Montréal; and numerous private collections. A native of Calgary, Gisele Amantea lives in Montréal where she taught in the Studio Arts program at Concordia University from 1995 to 2012.'),(168556,4873,'calendar_event_item_content_repeater','1'),(168557,4873,'_calendar_event_item_collaborators','field_calendar_collaborators'),(168558,4873,'calendar_event_item_collaborators',''),(168559,4873,'_wpml_media_featured','1'),(168560,4873,'_wpml_media_duplicate','1'),(168561,4873,'_wc_memberships_force_public','no'),(168562,4873,'_wc_memberships_use_custom_content_restricted_message','no'),(168563,4873,'sections_0_section_layouts_0_content_image_1','3195'),(168564,4873,'_sections_0_section_layouts_0_content_image_1','field_l_gallery-double-images_content_image_1'),(168565,4873,'sections_0_section_layouts_0_content_image_2','3197'),(168566,4873,'_sections_0_section_layouts_0_content_image_2','field_l_gallery-double-images_content_image_2'),(168567,4873,'sections_0_section_layouts_0_display_captions','0'),(168568,4873,'_sections_0_section_layouts_0_display_captions','field_l_gallery-double-images_display_captions'),(168569,4873,'sections_0_section_layouts_0_captions_position','1'),(168570,4873,'_sections_0_section_layouts_0_captions_position','field_l_gallery-double-images_captions_position'),(168571,4873,'sections_0_section_layouts_0_invert_image','0'),(168572,4873,'_sections_0_section_layouts_0_invert_image','field_l_gallery-double-images_invert_image'),(168573,4873,'sections_0_section_layouts','a:1:{i:0;s:21:\"gallery-double-images\";}'),(168574,4873,'_sections_0_section_layouts','field_section_layouts'),(168575,4873,'sections_0_section_settings_section_id',''),(168576,4873,'_sections_0_section_settings_section_id','field_clone_section_setting_section_id'),(168577,4873,'sections_0_section_settings_hide_section','0'),(168578,4873,'_sections_0_section_settings_hide_section','field_clone_section_setting_hide_section'),(168579,4873,'sections_0_section_settings_padding_settings','none'),(168580,4873,'_sections_0_section_settings_padding_settings','field_clone_section_settings_padding_settings'),(168581,4873,'sections_0_section_settings_color','white'),(168582,4873,'_sections_0_section_settings_color','field_clone_section_settings_background_color_field_clone_site_colors'),(168583,4873,'sections_0_section_settings_background_type','normal'),(168584,4873,'_sections_0_section_settings_background_type','field_clone_section_settings_background_type'),(168585,4873,'sections_0_section_settings',''),(168586,4873,'_sections_0_section_settings','field_section_settings_field_clone_section_settings_group'),(168587,4873,'sections','1'),(168588,4873,'_sections','field_sections'),(168589,4873,'_wpml_media_has_media','1'),(168590,4873,'_yoast_wpseo_primary_museo_calendar_season',''),(168591,4873,'_yoast_wpseo_primary_museo_calendar_type',''),(168592,4873,'_yoast_wpseo_primary_museo_calendar_event_category',''),(168594,4873,'_thumbnail_id','3194'),(168595,4873,'_edit_lock','1561752467:4'),(168596,4873,'_edit_last','4'),(168597,4874,'_wpml_word_count','{\"total\":0,\"to_translate\":{\"en\":141,\"fr\":141}}'),(168600,4874,'_alp_processed','1561752582'),(168601,4874,'_wp_page_template','default'),(168602,4874,'_','field_calendar_details_tab_3'),(168603,4874,'_calendar_event_item_calendar_season','field_calendar_season_relation'),(168604,4874,'calendar_event_item_calendar_season','206'),(168605,4874,'_calendar_event_item_calendar_type','field_calendar_type_relation'),(168606,4874,'calendar_event_item_calendar_type','27'),(168607,4874,'_calendar_event_item_calendar_event_category','field_calendar_category_relation'),(168608,4874,'calendar_event_item_calendar_event_category',''),(168609,4874,'_calendar_event_item_location','field_calendar_location'),(168610,4874,'calendar_event_item_location',''),(168611,4874,'_calendar_event_item_start_date','field_calendar_start_date'),(168612,4874,'calendar_event_item_start_date','20170331'),(168613,4874,'_calendar_event_item_start_time','field_calendar_start_time'),(168614,4874,'calendar_event_item_start_time','00:00'),(168615,4874,'_calendar_event_item_end_date','field_calendar_end_date'),(168616,4874,'calendar_event_item_end_date','20170430'),(168617,4874,'_calendar_event_item_end_time','field_calendar_end_time'),(168618,4874,'calendar_event_item_end_time','00:00'),(168619,4874,'_calendar_event_item_artist','field_calendar_artist'),(168620,4874,'calendar_event_item_artist','a:1:{i:0;s:4:\"2940\";}'),(168621,4874,'_calendar_event_item_child_event_title','field_calendar_child_event_title'),(168622,4874,'calendar_event_item_child_event_title','Vernissage'),(168623,4874,'_calendar_event_item_child_event_start_date','field_calendar_child_event_start_date'),(168624,4874,'calendar_event_item_child_event_start_date','20170331'),(168625,4874,'_calendar_event_item_child_event_start_time','field_calendar_child_event_start_time'),(168626,4874,'calendar_event_item_child_event_start_time','17:00:00'),(168627,4874,'_calendar_event_item_child_event_end_date','field_calendar_child_event_end_date'),(168628,4874,'calendar_event_item_child_event_end_date','20170331'),(168629,4874,'_calendar_event_it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Boyne (b. 1984, Halifax, Nova Scotia) is a photo-based artist who uses found ideas, memory, and fiction to create work with manifold complexities. His work has been shown across Canada and in the United States. Recent exhibitions include <em>black </em><em>nance &amp; bourtilier marine at </em>Ryerson Artspace (Toronto),<em>stepside at </em>Harbourfront Centre (Toronto), and <em>Geneva at </em>Access Gallery (Vancouver). In 2015, he participated in the thirty-third Symposium international d\'art contemporain de Baie-Saint-Paul, Québec, and was one of the inaugural artists for Twenty-Three Days at Sea: A Travelling Artist Residency through Access Gallery, Vancouver. In 2016, Boyne was part of the <em>Le Chant des pistes</em> residency event through Admare<em> </em>(Îles de la Madeleine). He holds a BFA from Ryerson University and an MFA from Concordia University and lives and works in Montréal and Halifax.'),(168636,4874,'calendar_event_item_content_repeater','1'),(168637,4874,'_calendar_event_item_collaborators','field_calendar_collaborators'),(168638,4874,'calendar_event_item_collaborators',''),(168639,4874,'_wpml_media_featured','1'),(168640,4874,'_wpml_media_duplicate','1'),(168641,4874,'_wc_memberships_force_public','no'),(168642,4874,'_wc_memberships_use_custom_content_restricted_message','no'),(168643,4874,'sections_0_section_layouts_0_content_image_1','3202'),(168644,4874,'_sections_0_section_layouts_0_content_image_1','field_l_gallery-double-images_content_image_1'),(168645,4874,'sections_0_section_layouts_0_content_image_2','3204'),(168646,4874,'_sections_0_section_layouts_0_content_image_2','field_l_gallery-double-images_content_image_2'),(168647,4874,'sections_0_section_layouts_0_display_captions','0'),(168648,4874,'_sections_0_section_layouts_0_display_captions','field_l_gallery-double-images_display_captions'),(168649,4874,'sections_0_section_layouts_0_captions_position','1'),(168650,4874,'_sections_0_section_layouts_0_captions_position','field_l_gallery-double-images_captions_position'),(168651,4874,'sections_0_section_layouts_0_invert_image','0'),(168652,4874,'_sections_0_section_layouts_0_invert_image','field_l_gallery-double-images_invert_image'),(168653,4874,'sections_0_section_layouts','a:1:{i:0;s:21:\"gallery-double-images\";}'),(168654,4874,'_sections_0_section_layouts','field_section_layouts'),(168655,4874,'sections_0_section_settings_section_id',''),(168656,4874,'_sections_0_section_settings_section_id','field_clone_section_setting_section_id'),(168657,4874,'sections_0_section_settings_hide_section','0'),(168658,4874,'_sections_0_section_settings_hide_section','field_clone_section_setting_hide_section'),(168659,4874,'sections_0_section_settings_padding_settings','none'),(168660,4874,'_sections_0_section_settings_padding_settings','field_clone_section_settings_padding_settings'),(168661,4874,'sections_0_section_settings_color','white'),(168662,4874,'_sections_0_section_settings_color','field_clone_section_settings_background_color_field_clone_site_colors'),(168663,4874,'sections_0_section_settings_background_type','normal'),(168664,4874,'_sections_0_section_settings_background_type','field_clone_section_settings_background_type'),(168665,4874,'sections_0_section_settings',''),(168666,4874,'_sections_0_section_settings','field_section_settings_field_clone_section_settings_group'),(168667,4874,'sections','1'),(168668,4874,'_sections','field_sections'),(168669,4874,'_wpml_media_has_media','1'),(168670,4874,'_yoast_wpseo_primary_museo_calendar_season',''),(168671,4874,'_yoast_wpseo_primary_museo_calendar_type',''),(168672,4874,'_yoast_wpseo_primary_museo_calendar_event_category',''),(168674,4874,'_thumbnail_id','3201'),(168675,4874,'_edit_lock','1561752655:4'),(168676,4874,'_edit_last','4'),(168677,4875,'_wpml_word_count','{\"total\":0,\"to_translate\":{\"en\":117,\"fr\":117}}'),(168680,4875,'_alp_processed','1561752737'),(168681,4875,'_wp_page_template','default'),(168682,4875,'_','field_calendar_details_tab_3'),(168683,4875,'_calendar_event_item_calendar_season','field_calendar_season_relation'),(168684,4875,'calendar_event_item_calendar_season','206'),(168685,4875,'_calendar_event_item_calendar_type','field_calendar_type_relation'),(168686,4875,'calendar_event_item_calendar_type','27'),(168687,4875,'_calendar_event_item_calendar_event_category','field_calendar_category_relation'),(168688,4875,'calendar_event_item_calendar_event_category',''),(168689,4875,'_calendar_event_item_location','field_calendar_location'),(168690,4875,'calendar_event_item_location',''),(168691,4875,'_calendar_event_item_start_date','field_calendar_start_date'),(168692,4875,'calendar_event_item_start_date','20170218'),(168693,4875,'_calendar_event_item_start_time','field_calendar_start_time'),(168694,4875,'calendar_event_item_start_time','00:00'),(168695,4875,'_calendar_event_item_end_date','field_calendar_end_date'),(168696,4875,'calendar_event_item_end_date','20170319'),(168697,4875,'_calendar_event_item_end_time','field_calendar_end_time'),(168698,4875,'calendar_event_item_end_time','00:00'),(168699,4875,'_calendar_event_item_artist','field_calendar_artist'),(168700,4875,'calendar_event_item_artist','a:1:{i:0;s:4:\"2939\";}'),(168701,4875,'_calendar_event_item_child_event_title','field_calendar_child_event_title'),(168702,4875,'calendar_event_item_child_event_title','Vernissage'),(168703,4875,'_calendar_event_item_child_event_start_date','field_calendar_child_event_start_date'),(168704,4875,'calendar_event_item_child_event_start_date','20170218'),(168705,4875,'_calendar_event_item_child_event_start_time','field_calendar_child_event_start_time'),(168706,4875,'calendar_event_item_child_event_start_time','17:00:00'),(168707,4875,'_calendar_event_item_child_event_end_date','field_calendar_child_event_end_date'),(168708,4875,'calendar_event_item_child_event_end_date','20170218'),(168709,4875,'_calendar_event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in 1971 in Montréal, where she lives and works, Emmanuelle Léonard is a graduate of Concordia University and the Université du Québec à Montréal. Her work has been featured in numerous exhibitions: Kunsthaus Dresden, Neuer Berliner Kunstverein (Germany); Musée d\'art contemporain de Montréal, Le Mois de la Photo à Montréal, Optica, Vox (Montréal); Mercer Union, Art Gallery of Ontario (Toronto); L\'Œil de Poisson (Québec City); Expression in Saint-Hyacinthe. She also took part in the 2011 Québec Triennial, in the 2014 Biennale de Montréal, and her work was included in the exhibition <em>À Montréal, quand l\'image rôde</em>, at Le Fresnoy (France) in 2013. She has been awarded residencies at Villa Arson France; the Christoph Merian Foundation, Switzerland; and the Finnish Artists\' Studio Foundation, Finland. Recipient of the 2005 Prix Pierre-Ayot, Léonard was nominated for the Grange Prize, Art Gallery of Ontario (2012) and finalist for the Musée national des beaux-arts du Québec\'s first Contemporary Art Award (2013) and for the Prix Louis-Comtois (2014).<strong> </strong>She was selected for the Canadian Forces Artists Program for a residency in 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installations : Donald Weber, Louis Perreault\r\n\r\nBooks shown : Donald Weber, Michel Huneault, Virginie Rebetez, Ed Templeton, Doug Rickard, Don Hudson, Huger Foote, Louis Perreault, Bertien van Manen, JH Engström, Josée Schryer, Robert Frank\r\n\r\nExhibition imagined by Charles-Frédérick 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Brochu, Jacynthe Carrier, Charles Guilbert et Nathalie Caron avec la collaboration de Jean Corbeil, Nadia Myre, Jean-François Prost/ Adaptative Actions, Outre-Vie/ Afterlife (Raymonde April, Jessica Auer, Jacques Bellavance, Velibor Bozovic, Gwynne Fulton, Katie Jung, Jinyoug Kim, Lise Latreille, Celia Perrin-Sidarous, Marie-Christine Simard, Bogdan Stoica, Andrea Szilasi, Chih-Chien Wang).\r\n\r\nWith a collaborative text by Caroline Loncol Daigneault and Anne-Marie Proulx.\r\n\r\n<em>Ensemble</em> is a project imagined by Anne-Marie Proulx.'),(169108,4881,'calendar_event_item_content_repeater','1'),(169109,4881,'_calendar_event_item_collaborators','field_calendar_collaborators'),(169110,4881,'calendar_event_item_collaborators',''),(169111,4881,'_wpml_media_featured','1'),(169112,4881,'_wpml_media_duplicate','1'),(169113,4881,'_wc_memberships_force_public','no'),(169114,4881,'_wc_memberships_use_custom_content_restricted_message','no'),(169115,4881,'sections_0_section_layouts','a:1:{i:0;s:21:\"gallery-double-images\";}'),(169116,4881,'_sections_0_section_layouts','field_section_layouts'),(169117,4881,'sections_0_section_settings_section_id',''),(169118,4881,'_sections_0_section_settings_section_id','field_clone_section_setting_section_id'),(169119,4881,'sections_0_section_settings_hide_section','0'),(169120,4881,'_sections_0_section_settings_hide_section','field_clone_section_setting_hide_section'),(169121,4881,'sections_0_section_settings_padding_settings','none'),(169122,4881,'_sections_0_section_settings_padding_settings','field_clone_section_settings_padding_settings'),(169123,4881,'sections_0_section_settings_color','white'),(169124,4881,'_sections_0_section_settings_color','field_clone_section_settings_background_color_field_clone_site_colors'),(169125,4881,'sections_0_section_settings_background_type','normal'),(169126,4881,'_sections_0_section_settings_background_type','field_clone_section_settings_background_type'),(169127,4881,'sections_0_section_settings',''),(169128,4881,'_sections_0_section_settings','field_section_settings_field_clone_section_settings_group'),(169129,4881,'sections','2'),(169130,4881,'_sections','field_sections'),(169131,4881,'_yoast_wpseo_primary_museo_calendar_season',''),(169132,4881,'_yoast_wpseo_primary_museo_calendar_type',''),(169133,4881,'_yoast_wpseo_primary_museo_calendar_event_category',''),(169134,4881,'sections_0_section_layouts_0_content_image_1','3269'),(169135,4881,'_sections_0_section_layouts_0_content_image_1','field_l_gallery-double-images_content_image_1'),(169136,4881,'sections_0_section_layouts_0_content_image_2','3271'),(169137,4881,'_sections_0_section_layouts_0_content_image_2','field_l_gallery-double-images_content_image_2'),(169138,4881,'sections_0_section_layouts_0_display_captions','0'),(169139,4881,'_sections_0_section_layouts_0_display_captions','field_l_gallery-double-images_display_captions'),(169140,4881,'sections_0_section_layouts_0_captions_position','1'),(169141,4881,'_sections_0_section_layouts_0_captions_position','field_l_gallery-double-images_captions_position'),(169142,4881,'sections_0_section_layouts_0_invert_image','0'),(169143,4881,'_sections_0_section_layouts_0_invert_image','field_l_gallery-double-images_invert_image'),(169144,4881,'sections_1_section_layouts_0_content_image_1','3275'),(169145,4881,'_sections_1_section_layouts_0_content_image_1','field_l_gallery-double-images_content_image_1'),(169146,4881,'sections_1_section_layouts_0_content_image_2','3273'),(169147,4881,'_sections_1_section_layouts_0_content_image_2','field_l_gallery-double-images_content_image_2'),(169148,4881,'sections_1_section_layouts_0_display_captions','0'),(169149,4881,'_sections_1_section_layouts_0_display_captions','field_l_gallery-double-images_display_captions'),(169150,4881,'sections_1_section_layouts_0_captions_position','1'),(169151,4881,'_sections_1_section_layouts_0_captions_position','field_l_gallery-double-images_captions_position'),(169152,4881,'sections_1_section_layouts_0_invert_image','0'),(169153,4881,'_sections_1_section_layouts_0_invert_image','field_l_gallery-double-images_invert_image'),(169154,4881,'sections_1_section_layouts','a:1:{i:0;s:21:\"gallery-double-images\";}'),(169155,4881,'_sections_1_section_layouts','field_section_layouts'),(169156,4881,'sections_1_section_settings_section_id',''),(169157,4881,'_sections_1_section_settings_section_id','field_clone_section_setting_section_id'),(169158,4881,'sections_1_section_settings_hide_section','0'),(169159,4881,'_sections_1_section_settings_hide_section','field_clone_section_setting_hide_section'),(169160,4881,'sections_1_section_settings_padding_settings','none'),(169161,4881,'_sections_1_section_settings_padding_settings','field_clone_section_settings_padding_settings'),(169162,4881,'sections_1_section_settings_color','white'),(169163,4881,'_sections_1_section_settings_color','field_clone_section_settings_background_color_field_clone_site_colors'),(169164,4881,'sections_1_section_settings_background_type','normal'),(169165,4881,'_sections_1_section_settings_background_type','field_clone_section_settings_background_type'),(169166,4881,'sections_1_section_settings',''),(169167,4881,'_sections_1_section_settings','field_section_settings_field_clone_section_settings_group'),(169170,4881,'_thumbnail_id','3268'),(169171,4881,'_edit_lock','1561753368:4'),(169172,4881,'_edit_last','4'),(169173,4881,'_wpml_media_has_media','1'),(169174,4883,'_wpml_word_count','{\"total\":0,\"to_translate\":{\"en\":265,\"fr\":265}}'),(1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in Montréal in 1976, Matthieu Brouillard studied visual and media arts at the Université du Québec à Montréal, where he completed his doctorate in 2013. His visual work and writing have been widely published and exhibited, and he has been a lecturer and invited researcher at several universities and art schools, including the University of Zürich, the University of Bern, Karlsruhe University of Arts and Design, and the Cinéma/Cinéma du réel department at the Geneva University of Art and Design. Brouillard has published three books: <em>Narragonie </em>(J\'ai VU, 2007), <em>Darkness Implacable </em>(Sagamie, 2013) and <em>Coming through the Fog </em>(Sagamie, 2012).'),(169213,4883,'calendar_event_item_content_repeater','1'),(169214,4883,'_calendar_event_item_collaborators','field_calendar_collaborators'),(169215,4883,'calendar_event_item_collaborators',''),(169218,4883,'_wc_memberships_force_public','no'),(169219,4883,'_wc_memberships_use_custom_content_restricted_message','no'),(169220,4883,'sections_0_section_layouts_0_content_image_1','3254'),(169221,4883,'_sections_0_section_layouts_0_content_image_1','field_l_gallery-double-images_content_image_1'),(169222,4883,'sections_0_section_layouts_0_content_image_2','3252'),(169223,4883,'_sections_0_section_layouts_0_content_image_2','field_l_gallery-double-images_content_image_2'),(169224,4883,'sections_0_section_layouts_0_display_captions','0'),(169225,4883,'_sections_0_section_layouts_0_display_captions','field_l_gallery-double-images_display_captions'),(169226,4883,'sections_0_section_layouts_0_captions_position','1'),(169227,4883,'_sections_0_section_layouts_0_captions_position','field_l_gallery-double-images_captions_position'),(169228,4883,'sections_0_section_layouts_0_invert_image','0'),(169229,4883,'_sections_0_section_layouts_0_invert_image','field_l_gallery-double-images_invert_image'),(169230,4883,'sections_0_section_layouts','a:1:{i:0;s:21:\"gallery-double-images\";}'),(169231,4883,'_sections_0_section_layouts','field_section_layouts'),(169232,4883,'sections_0_section_settings_section_id',''),(169233,4883,'_sections_0_section_settings_section_id','field_clone_section_setting_section_id'),(169234,4883,'sections_0_section_settings_hide_section','0'),(169235,4883,'_sections_0_section_settings_hide_section','field_clone_section_setting_hide_section'),(169236,4883,'sections_0_section_settings_padding_settings','none'),(169237,4883,'_sections_0_section_settings_padding_settings','field_clone_section_settings_padding_settings'),(169238,4883,'sections_0_section_settings_color','white'),(169239,4883,'_sections_0_section_settings_color','field_clone_section_settings_background_color_field_clone_site_colors'),(169240,4883,'sections_0_section_settings_background_type','normal'),(169241,4883,'_sections_0_section_settings_background_type','field_clone_section_settings_background_type'),(169242,4883,'sections_0_section_settings',''),(169243,4883,'_sections_0_section_settings','field_section_settings_field_clone_section_settings_group'),(169244,4883,'sections','1'),(169245,4883,'_sections','field_sections'),(169247,4883,'_yoast_wpseo_primary_museo_calendar_season',''),(169248,4883,'_yoast_wpseo_primary_museo_calendar_type',''),(169249,4883,'_yoast_wpseo_primary_museo_calendar_event_category',''),(169251,4883,'_thumbnail_id','3251'),(169252,4883,'_wpml_media_featured','1'),(169253,4883,'_wpml_media_duplicate','1'),(169254,4883,'_edit_lock','1561753710:4'),(169255,4883,'_edit_last','4'),(169256,4883,'_wpml_media_has_media','1'),(169257,4885,'_wpml_word_count','{\"total\":0,\"to_translate\":{\"en\":179,\"fr\":179}}'),(169260,4885,'_alp_processed','1561753881'),(169261,4885,'_wp_page_template','default'),(169262,4885,'_','field_calendar_details_tab_3'),(169263,4885,'_calendar_event_item_calendar_season','field_calendar_season_relation'),(169264,4885,'calendar_event_item_calendar_season','206'),(169265,4885,'_calendar_event_item_calendar_type','field_calendar_type_relation'),(169266,4885,'calendar_event_item_calendar_type','27'),(169267,4885,'_calendar_event_item_calendar_event_category','field_calendar_category_relation'),(169268,4885,'calendar_event_item_calendar_event_category',''),(169269,4885,'_calendar_event_item_location','field_calendar_location'),(169270,4885,'calendar_event_item_location',''),(169271,4885,'_calendar_event_item_start_date','field_calendar_start_date'),(169272,4885,'calendar_event_item_start_date','20161021'),(169273,4885,'_calendar_event_item_start_time','field_calendar_start_time'),(169274,4885,'calendar_event_item_start_time','00:00'),(169275,4885,'_calendar_event_item_end_date','field_calendar_end_date'),(169276,4885,'calendar_event_item_end_date','20161120'),(169277,4885,'_calendar_event_item_end_time','field_calendar_end_time'),(169278,4885,'calendar_event_item_end_time','00:00'),(169279,4885,'_calendar_event_item_artist','field_calendar_artist'),(169280,4885,'calendar_event_item_artist','a:1:{i:0;s:4:\"2934\";}'),(169281,4885,'_calendar_event_item_child_event_title','field_calendar_child_event_title'),(169282,4885,'calendar_event_item_child_event_title','Vernissage'),(169283,4885,'_calendar_event_item_child_event_start_date','field_calendar_child_event_start_date'),(169284,4885,'calendar_event_item_child_event_start_date','20161021'),(169285,4885,'_calendar_event_item_child_event_start_time','field_calendar_child_event_start_time'),(169286,4885,'calendar_event_item_child_event_start_time','17:00:00'),(169287,4885,'_calendar_event_item_child_event_end_date','field_calendar_child_event_end_date'),(169288,4885,'calendar_event_item_child_event_end_date','20161021'),(169289,4885,'_calendar_event_item_child_event_end_time','field_calendar_child_event_end_time'),(169290,4885,'calendar_event_item_child_event_end_time','21:00:00'),(169291,4885,'_calendar_event_item_content_repeater','field_calendar_content_repeater'),(169292,4885,'_calendar_event_item_content_repeater_0_content_title','field_calendar_content_repeater_title'),(169293,4885,'calendar_event_item_content_repeater_0_content_title','Biography'),(169294,4885,'_calendar_event_item_content_repeater_0_content_text','field_calendar_content_repeater_text'),(169295,4885,'calendar_event_item_content_repeater_0_content_text','Born in 1983 and a graduate of the École supérieure d\'art et de design d\'Orléans, Jérémie Lenoir has, over the last ten years, constructed an anthropology of our contemporary landscapes. His projects reveal the globalization of the forms, functions, and uses of our living spaces through the combination of aerial photography and pictorial influences drawn from painting. Transfiguring the representation of reality into abstract pictures, his photographs attempt to introduce a new realism into our contemporary territories. Lenoir is the author of <em>Territoires occupés</em>(LME, 2009), <em>Transfigurations</em> (Filigranes, 2011) and <em>NORD</em> (Light Motiv, 2016). He is the recipient of the Bourse de la Fondation Mécène et Loire and the eighteenth A.M.E. prize (Art et mécénat d\'entreprise en Essonne).'),(169296,4885,'calendar_event_item_content_repeater','1'),(169297,4885,'_calendar_event_item_collaborators','field_calendar_collaborators'),(169298,4885,'calendar_event_item_collaborators',''),(169299,4885,'_wpml_media_featured','1'),(169300,4885,'_wpml_media_duplicate','1'),(169301,4885,'_wc_memberships_force_public','no'),(169302,4885,'_wc_memberships_use_custom_content_restricted_message','no'),(169303,4885,'sections_0_section_layouts_0_content_image_1','3261'),(169304,4885,'_sections_0_section_layouts_0_content_image_1','field_l_gallery-double-images_content_image_1'),(169305,4885,'sections_0_section_layouts_0_content_image_2','3259'),(169306,4885,'_sections_0_section_layouts_0_content_image_2','field_l_gallery-double-images_content_image_2'),(169307,4885,'sections_0_section_layouts_0_display_captions','0'),(169308,4885,'_sections_0_section_layouts_0_display_captions','field_l_gallery-double-images_display_captions'),(169309,4885,'sections_0_section_layouts_0_captions_position','1'),(169310,4885,'_sections_0_section_layouts_0_captions_position','field_l_gallery-double-images_captions_position'),(169311,4885,'sections_0_section_layouts_0_invert_image','0'),(169312,4885,'_sections_0_section_layouts_0_invert_image','field_l_gallery-double-images_invert_image'),(169313,4885,'sections_0_section_layouts','a:1:{i:0;s:21:\"gallery-double-images\";}'),(169314,4885,'_sections_0_section_layouts','field_section_layouts'),(169315,4885,'sections_0_section_settings_section_id',''),(169316,4885,'_sections_0_section_settings_section_id','field_clone_section_setting_section_id'),(169317,4885,'sections_0_section_settings_hide_section','0'),(169318,4885,'_sections_0_section_settings_hide_section','field_clone_section_setting_hide_section'),(169319,4885,'sections_0_section_settings_padding_settings','none'),(169320,4885,'_sections_0_section_settings_padding_settings','field_clone_section_settings_padding_settings'),(169321,4885,'sections_0_section_settings_color','white'),(169322,4885,'_sections_0_section_settings_color','field_clone_section_settings_background_color_field_clone_site_colors'),(169323,4885,'sections_0_section_settings_background_type','normal'),(169324,4885,'_sections_0_section_settings_background_type','field_clone_section_settings_background_type'),(169325,4885,'sections_0_section_settings',''),(169326,4885,'_sections_0_section_settings','field_section_settings_field_clone_section_settings_group'),(169327,4885,'sections','1'),(169328,4885,'_sections','field_sections'),(169329,4885,'_wpml_media_has_media','1'),(169330,4885,'_yoast_wpseo_primary_museo_calendar_season',''),(169331,4885,'_yoast_wpseo_primary_museo_calendar_type',''),(169332,4885,'_yoast_wpseo_primary_museo_calendar_event_category',''),(169334,4885,'_thumbnail_id','3258'),(169335,4885,'_edit_lock','1561753849:4'),(169336,4885,'_edit_last','4'),(169337,4886,'_wpml_word_count','{\"total\":0,\"to_translate\":{\"en\":25,\"fr\":25}}'),(169340,4886,'_alp_processed','1561754127'),(169341,4886,'_wp_page_template','default'),(169342,4886,'_','field_calendar_details_tab_3'),(169343,4886,'_calendar_event_item_calendar_season','field_calendar_season_relation'),(169344,4886,'calendar_event_item_calendar_season','206'),(169345,4886,'_calendar_event_item_calendar_type','field_calendar_type_relation'),(169346,4886,'calendar_event_item_calendar_type','42'),(169347,4886,'_calendar_event_item_calendar_event_category','field_calendar_category_relation'),(169348,4886,'calendar_event_item_calendar_event_category',''),(169349,4886,'_calendar_event_item_location','field_calendar_location'),(169350,4886,'calendar_event_item_location',''),(169351,4886,'_calendar_event_item_start_date','field_calendar_start_date'),(169352,4886,'calendar_event_item_start_date','20161001'),(169353,4886,'_calendar_event_item_start_time','field_calendar_start_time'),(169354,4886,'calendar_event_item_start_time','00:00'),(169355,4886,'_calendar_event_item_end_date','field_calendar_end_date'),(169356,4886,'calendar_event_item_end_date','20161001'),(169357,4886,'_calendar_event_item_end_time','field_calendar_end_time'),(169358,4886,'calendar_event_item_end_time','00:00'),(169359,4886,'_calendar_event_item_artist','field_calendar_artist'),(169360,4886,'calendar_event_item_artist',''),(169361,4886,'_calendar_event_item_child_event_title','field_calendar_child_event_title'),(169362,4886,'calendar_event_item_child_event_title',''),(169363,4886,'_calendar_event_item_child_event_start_date','field_calendar_child_event_start_date'),(169364,4886,'calendar_event_item_child_event_start_date',''),(169365,4886,'_calendar_event_item_child_event_start_time','field_calendar_child_event_start_time'),(169366,4886,'calendar_event_item_child_event_start_time',''),(169367,4886,'_calendar_event_item_child_event_end_date','field_calendar_child_event_end_date'),(169368,4886,'calendar_event_item_child_event_end_date',''),(169369,4886,'_calendar_event_item_child_event_end_time','field_calendar_child_event_en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le cadre des <a href=\"http://www.journeesdelaculture.qc.ca/activite/17980/les-journees-de-la-culture-a-meduse-4.html\">Journées de la culture à Méduse</a>.'),(169376,4886,'calendar_event_item_content_repeater','1'),(169377,4886,'_calendar_event_item_collaborators','field_calendar_collaborators'),(169378,4886,'calendar_event_item_collaborators',''),(169379,4886,'_wpml_media_featured','1'),(169380,4886,'_wpml_media_duplicate','1'),(169381,4886,'_wc_memberships_force_public','no'),(169382,4886,'_wc_memberships_use_custom_content_restricted_message','no'),(169383,4886,'sections_0_section_layouts',''),(169384,4886,'_sections_0_section_layouts','field_section_layouts'),(169385,4886,'sections_0_section_settings_section_id',''),(169386,4886,'_sections_0_section_settings_section_id','field_clone_section_setting_section_id'),(169387,4886,'sections_0_section_settings_hide_section','0'),(169388,4886,'_sections_0_section_settings_hide_section','field_clone_section_setting_hide_section'),(169389,4886,'sections_0_section_settings_padding_settings','none'),(169390,4886,'_sections_0_section_settings_padding_settings','field_clone_section_settings_padding_settings'),(169391,4886,'sections_0_section_settings_color','white'),(169392,4886,'_sections_0_section_settings_color','field_clone_section_settings_background_color_field_clone_site_colors'),(169393,4886,'sections_0_section_settings_background_type','normal'),(169394,4886,'_sections_0_section_settings_background_type','field_clone_section_settings_background_type'),(169395,4886,'sections_0_section_settings',''),(169396,4886,'_sections_0_section_settings','field_section_settings_field_clone_section_settings_group'),(169397,4886,'sections','1'),(169398,4886,'_sections','field_sections'),(169399,4886,'_yoast_wpseo_primary_museo_calendar_season',''),(169400,4886,'_yoast_wpseo_primary_museo_calendar_type',''),(169401,4886,'_yoast_wpseo_primary_museo_calendar_event_category',''),(169403,4886,'_edit_lock','1562007923:4'),(169404,4886,'_edit_last','4'),(169405,1980,'_wc_memberships_force_public','no'),(169406,1980,'_wc_memberships_use_custom_content_restricted_message','no'),(169407,4887,'_wpml_word_count','{\"total\":0,\"to_translate\":{\"en\":156,\"fr\":156}}'),(169410,4887,'_alp_processed','1561754591'),(169411,4887,'_wp_page_template','default'),(169412,4887,'_','field_calendar_details_tab_3'),(169413,4887,'_calendar_event_item_calendar_season','field_calendar_season_relation'),(169414,4887,'calendar_event_item_calendar_season','33'),(169415,4887,'_calendar_event_item_calendar_type','field_calendar_type_relation'),(169416,4887,'calendar_event_item_calendar_type','42'),(169417,4887,'_calendar_event_item_calendar_event_category','field_calendar_category_relation'),(169418,4887,'calendar_event_item_calendar_event_category',''),(169419,4887,'_calendar_event_item_location','field_calendar_location'),(169420,4887,'calendar_event_item_location',''),(169421,4887,'_calendar_event_item_start_date','field_calendar_start_date'),(169422,4887,'calendar_event_item_start_date','20180511'),(169423,4887,'_calendar_event_item_start_time','field_calendar_start_time'),(169424,4887,'calendar_event_item_start_time','00:00'),(169425,4887,'_calendar_event_item_end_date','field_calendar_end_date'),(169426,4887,'calendar_event_item_end_date','20180511'),(169427,4887,'_calendar_event_item_end_time','field_calendar_end_time'),(169428,4887,'calendar_event_item_end_time','00:00'),(169429,4887,'_calendar_event_item_artist','field_calendar_artist'),(169430,4887,'calendar_event_item_artist',''),(169431,4887,'_calendar_event_item_child_event_title','field_calendar_child_event_title'),(169432,4887,'calendar_event_item_child_event_title',''),(169433,4887,'_calendar_event_item_child_event_start_date','field_calendar_child_event_start_date'),(169434,4887,'calendar_event_item_child_event_start_date',''),(169435,4887,'_calendar_event_item_child_event_start_time','field_calendar_child_event_start_time'),(169436,4887,'calendar_event_item_child_event_start_time',''),(169437,4887,'_calendar_event_item_child_event_end_date','field_calendar_child_event_end_date'),(169438,4887,'calendar_event_item_child_event_end_date',''),(169439,4887,'_calendar_event_item_child_event_end_time','field_calendar_child_event_end_time'),(169440,4887,'calendar_event_item_child_event_end_time',''),(169441,4887,'_calendar_event_item_content_repeater','field_calendar_content_repeater'),(169442,4887,'_calendar_event_item_content_repeater_0_content_title','field_calendar_content_repeater_title'),(169443,4887,'calendar_event_item_content_repeater_0_content_title','Biographie'),(169444,4887,'_calendar_event_item_content_repeater_0_content_text','field_calendar_content_repeater_text'),(169445,4887,'calendar_event_item_content_repeater_0_content_text','Le travail du collectif Outre-vie vise à développer un concept d\'outre-vie qui appartiendrait au langage des images. Avec un nom inspiré d\'un poème de la regrettée Marie Uguay, ce groupe puise son inspiration dans un dialogue, un échange portant sur le récit et les aléas de la mémoire. Outre-vie a présenté des expositions de photographies de grand format, des projections vidéo, des écrits expérimentaux et des installations sonores, au Québec et ailleurs. Ces engagements collectifs ont donné lieu à l\'élaboration de modes de production et de diffusion collaboratifs inédits, dont une pratique d\'archivage du processus de création propre au groupe.'),(169446,4887,'calendar_event_item_content_repeater','1'),(169447,4887,'_calendar_event_item_collaborators','field_calendar_collaborators'),(169448,4887,'calendar_event_item_collaborators',''),(169449,4887,'_wpml_media_featured','1'),(169450,4887,'_wpml_media_duplicate','1'),(169451,4887,'sections_0_section_layouts_0_content_image_1','2090'),(169452,4887,'_sections_0_section_layouts_0_content_image_1','field_l_gallery-double-images_content_image_1'),(169453,4887,'sections_0_section_layouts_0_content_image_2','2088'),(169454,4887,'_sections_0_section_layouts_0_content_image_2','field_l_gallery-double-images_content_image_2'),(169455,4887,'sections_0_section_layouts_0_display_captions','0'),(169456,4887,'_sections_0_section_layouts_0_display_captions','field_l_gallery-double-images_display_captions'),(169457,4887,'sections_0_section_layouts_0_captions_position','1'),(169458,4887,'_sections_0_section_layouts_0_captions_position','field_l_gallery-double-images_captions_position'),(169459,4887,'sections_0_section_layouts_0_invert_image','0'),(169460,4887,'_sections_0_section_layouts_0_invert_image','field_l_gallery-double-images_invert_image'),(169461,4887,'sections_0_section_layouts','a:1:{i:0;s:21:\"gallery-double-images\";}'),(169462,4887,'_sections_0_section_layouts','field_section_layouts'),(169463,4887,'sections_0_section_settings_section_id',''),(169464,4887,'_sections_0_section_settings_section_id','field_clone_section_setting_section_id'),(169465,4887,'sections_0_section_settings_hide_section','0'),(169466,4887,'_sections_0_section_settings_hide_section','field_clone_section_setting_hide_section'),(169467,4887,'sections_0_section_settings_padding_settings','none'),(169468,4887,'_sections_0_section_settings_padding_settings','field_clone_section_settings_padding_settings'),(169469,4887,'sections_0_section_settings_color','white'),(169470,4887,'_sections_0_section_settings_color','field_clone_section_settings_background_color_field_clone_site_colors'),(169471,4887,'sections_0_section_settings_background_type','normal'),(169472,4887,'_sections_0_section_settings_background_type','field_clone_section_settings_background_type'),(169473,4887,'sections_0_section_settings',''),(169474,4887,'_sections_0_section_settings','field_section_settings_field_clone_section_settings_group'),(169475,4887,'sections','1'),(169476,4887,'_sections','field_sections'),(169477,4887,'_wpml_media_has_media','1'),(169478,4887,'_yoast_wpseo_primary_museo_calendar_season',''),(169479,4887,'_yoast_wpseo_primary_museo_calendar_type',''),(169480,4887,'_yoast_wpseo_primary_museo_calendar_event_category',''),(169481,4887,'_wc_memberships_force_public','no'),(169482,4887,'_wc_memberships_use_custom_content_restricted_message','no'),(169484,4887,'_thumbnail_id','2087'),(169485,4887,'_edit_lock','1561754581:4'),(169486,4887,'_edit_last','4'),(169487,4888,'_wpml_word_count','{\"total\":0,\"to_translate\":{\"en\":4,\"fr\":4}}'),(169490,4888,'_alp_processed','1561754730'),(169491,4888,'_wp_page_template','default'),(169492,4888,'_','field_calendar_details_tab_3'),(169493,4888,'_calendar_event_item_calendar_season','field_calendar_season_relation'),(169494,4888,'calendar_event_item_calendar_season','33'),(169495,4888,'_calendar_event_item_calendar_type','field_calendar_type_relation'),(169496,4888,'calendar_event_item_calendar_type','41'),(169497,4888,'_calendar_event_item_calendar_event_category','field_calendar_category_relation'),(169498,4888,'calendar_event_item_calendar_event_category',''),(169499,4888,'_calendar_event_item_location','field_calendar_location'),(169500,4888,'calendar_event_item_location',''),(169501,4888,'_calendar_event_item_start_date','field_calendar_start_date'),(169502,4888,'calendar_event_item_start_date','20180419'),(169503,4888,'_calendar_event_item_start_time','field_calendar_start_time'),(169504,4888,'calendar_event_item_start_time','00:00'),(169505,4888,'_calendar_event_item_end_date','field_calendar_end_date'),(169506,4888,'calendar_event_item_end_date','20180503'),(169507,4888,'_calendar_event_item_end_time','field_calendar_end_time'),(169508,4888,'calendar_event_item_end_time','00:00'),(169509,4888,'_calendar_event_item_artist','field_calendar_artist'),(169510,4888,'calendar_event_item_artist','a:1:{i:0;s:4:\"2963\";}'),(169511,4888,'_calendar_event_item_child_event_title','field_calendar_child_event_title'),(169512,4888,'calendar_event_item_child_event_title',''),